Sher
搜索"Sher" ,找到 以下影视作品
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苏提拉克·素维杰拉
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Newclear
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Hansa
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Jungviwattanawong
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Pinomyim
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Thanchanok
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Pakarat
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塔纳通·萨南卡尼功
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尊戈·基达坎·查塔卡威奈
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安楚义昂·布阿嘎育
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ViuOriginal制作上线about“Gob”ayoungtouristpolicewhobecomesfamousinsocialasarepresentativeofTAT,triestochasethecounterfeitgangsterwhichrunsby“Real”acharming,wittygirlfromorphanedhome.Oneday,shefindsamysteriousbagcontainsmillionsofUScashthatleadshertobecomeinvolvedinacounterfeitmoneytrade.Will“Gob”help“Real”forrealorjusttoimpressthesocialfakelife?Who’srealandwho’sfake?Thiscouldendupwithloveorloss,onewayoranother.
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丽莎·戈尼克
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GabrielleiswritinganillustratedguidebookonsexcalledHowToDoIt.AtabooksigningshemeetsSaul,anestablishedmalewriterwhoisstraight.ShebothlovesandhateshisworkwhichhasseepedintohersecularJewishlifefromchildhood.ThemoreGabrielletellshimaboutherbookthemorehewantstoknowaboutherlife;therelationshipwithheryoungergirlfriendOliviaandherdeterminationtostopusingmypenisinsex.Asherbooktakesform,isSauljealousordesirous?TheirfriendshipistestedasisGabriellesrelationshipwithOlivia.Thefilmmusesonhowwewrite,howwedraw.Andthenatureofstoryandwhatitmakesusdo.
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莱斯·梅菲尔德
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从苏醒中醒来的杰克(塞德里克·凯尔斯 Cedric the Entertainer 饰)不晓得本人毕竟是何人,身在那边,然而身边的遗体跟巨款告知他,他可能被卷入了一同伤害的变乱中。一个名叫戴安娜(妮可莱特·谢里丹 Nicollette Sheridan 饰)的女人涌当初了杰克的眼前,她告知汤姆本人是他的老婆,而且四肢敏捷的处置了一团糟的现场。对戴安娜的身份,杰克心存疑虑,而之后戴安娜的言行则使她的身份显得愈加可疑。 分开戴安娜后,杰克碰见了自称是他女友的吉娜(刘玉玲 Lucy Liu 饰)。经由过程吉娜的只言片语,杰克晓得了本人是一家游戏公司的守门人,但有过一次上当阅历的杰克对此坚持着疑惑的立场。蹩脚的是,杰克发明,有一些奥秘的黑衣人好像对本人的行迹异样关怀。
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Thejourneyofatranswomanwholeavesherhometownanddoesn'tcompromisehergoaltobeafreeandindependentwoman.
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约翰·斯瓦布
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Remy,anaiveanddevoutyoungwoman,iscastoutfromherreligiouscult.Withnoplacetoturn,sheimmersesherselfintotheundergroundworldoftruckstopsexworkersunderthetutelageofSadie,Riley,LivandLevi,theirmadam,Nora,andenigmaticlocallawman,SheriffRex.Remynavigatesbetweenherstrainedbeliefsystemandthelotlizardcodetofindhercallinginl...
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Donatas
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Simukauskas
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Gabija
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Bargailaite
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Povilas
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Jatkevicius
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Sarunas
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Rapolas
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Meliesius
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NobloodyslashershaveeverbeforebeenmadeinLithuania.TakashiMiike’sdie-hardestfanJonasTrukanasaccomplishedhisdreamandindependentlycreatedaninventivelyrippinghorrorthrillerwithaminimalbudget.Bewitchingfromthefirstminutes,thedynamicchasebuildsascaryatmosphereofdanger,fearandhorror,whilealsoclingingtoluckandchance.“Bethehunters...
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比尔·安德森
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Forensicpathologistsfacepersonalandprofessionalchallengesinamoody,tensethrillerthatmovesfromthecrimescenetothelab.AmandaBurtonmakesadramaticreturntoSilentWitnessasshereprisesherroleofSamRyanforthe25thanniversary.AmandafirstappearedintheleadroleofpathologistSamRyanin1996,starringin54episodesbeforeleavingin2004,whenhercharacterreturnedhometoNorthernIrelandtobewithherfamily.AmandaBurtonsays:“IamsoexcitedtobereturningtoSilentWitnessandsteppingbackintoSamRyan’sshoes-withadifference!AudiencescanlookforwardtoplentyoftwistsandturnsastheydiscoverwhatSam’sbeendoingsinceleavingtheLyell.”AmandajoinsfellowcastmembersEmiliaFox(NikkiAlexander),DavidCaves(JackHodgson)andGenesisLynea(SimoneTyler)forsixbrandnewepisodeswhichwillmarkthe25thAnniversaryofthehugelypopularprimetimeBBCOnedrama.EmiliaFoxsays:“ItissuchadelightandthrilltobeworkingwithAmanda.TohaveSamRyanbackagainattheheartoftheshowisthegreatestwayofalltocelebratethe25thanniversaryofSilentWitness.”
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式,但如今富有的伦敦游客纷纷下山,取代了当地人,当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫,因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅,现在看来,最后一场战斗是和新主人在海边的停车位上展开。然而,情况很快就失控了,而不仅仅是因为车轮夹钳。Bait是一种黑白,手工制作,16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而,最重要的是,在影像中不同层次的电影历史参考文献之下,当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.