Jacques
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巴娅（莎拉·弗里斯蒂 Sara Forestier 饰）是一名右翼人士,在当今的政坛上非常的活泼。她流传思惟的方法异常奇特——凡是跟她有过枕席之欢的右翼男士们,都纷纭投入到了右翼的营垒之中。从小就生涯在多元而宽松的家庭气氛之中的巴娅自幼就是开放而又炽热的性情,看待情感跟性十离开放,这跟守旧又刻板的亚瑟（雅克·甘布林 Jacques Gamblin 饰）恰好相反。 亚瑟是一名安分守纪的迷信家,可怜的童年跟家属里的凄惨汗青让他不自发的背负起了繁重的桎梏,一辈子都生涯在压制之中。这让的他在机遇偶合之下同巴娅相逢了,天壤之其余两人之间竟然还碰撞出了恋情的火花。
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故事发生在二十世纪三十年代的法国乡村，这里风景如诗如画，一片绿意丛生的沼泽地给整个村落带来的勃勃的生机，人们亲切的称它为“清水湾”。加里斯（雅克·甘布林JacquesGamblin饰）和瑞顿（雅克·维列雷JacquesVilleret饰）是在清水湾的哺育下长大的原住民，他们一个性格大大咧咧形单影只过着自由自在的生活，另一个早早结婚但却一直忘不了初恋情人并对凶悍的妻子很是不满。境遇和个性迥然不同的两人是青梅竹马的好友，之后他们又结识了身居城市却向往乡村宁静生活的阿梅代（米歇尔·塞罗MichelSerrault饰）和土生土长却不得不搬往城市的查理德（埃里克·坎通纳EricCantona饰），趣味相投的四个男人常常聚在一起，享受着平淡中带有真味的生活。
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克里斯蒂安·富尔
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“我不在乎你是否完全属于我……只要我爱的人一直在我身旁，即使他爱的是别人。”1942年巴黎，Jean（杰瑞米·雷乃JérémieRenier饰）和Philippe（布鲁诺·托德契尼BrunoTodeschini饰）这两位青年同志恋人冒着生命危险，庇护一个孩童时的犹太朋友-Sarah/Yvonne（露易丝·莫诺特LouiseMonot饰），她的家人都被盖世太保杀害了。他们三人挣扎求存，在这个没有怜悯的社会组成一个临时家庭。Jean的不肖兄弟Jacques（尼古拉斯·高布NicolasGob饰）是个盖世太保的走狗，他出现后，他们三人的关系受到威胁。当Jean的同志身份被暴露，并且被指控与一名纳粹分子有染之时，一场悲剧正在徐徐展开……
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雷米·贝占松
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杜瓦尔家是居住在法国某市郊区的五口之家，身为出租车司机的罗伯特（JacquesGamblin饰）和妻子玛丽—让内（ZabouBreitman饰）共同抚养三个儿女长大。长子阿尔贝（PioMarma饰）早年离家，在外独闯生活；次子拉菲尔（Marc-AndréGrondin饰）是一个似乎对凡事都无所谓的散漫青年；最小的女儿弗洛尔（DéborahFranois饰）从乖乖女变成叛逆少女，她的反叛时常令母亲不高兴。阿尔贝的离开让玛丽分外伤心，在此之后她转而求学，努力追寻自己的梦想。随着时间的流逝，父母、子女、兄妹彼此各有各的心事，然似乎总有什么将他们的关系拉远……本片荣获2009年法国凯撒电影节最佳剪辑、最佳新人男主角（Marc-AndréGrondin）和最佳新人女主角（DéborahFranois）三项大奖。
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安锡动画节最佳片子,被誉为不会令细路欲求动画公仔,而是令天下更美妙的片子。20 - 世纪中拿破仑五世统治的另一个法国,迷信家70 - 年来一直掉踪,飞翔!电力乃至片子等巨大创造都成泡影,只有艾菲尔建起了第二座铁塔。煤与蒸气把天空弄得一塌懵懂,出街要戴防毒面具,大皇宫变大温室。阿菲（玛莉安歌迪雅俏丽声演）怙恃是迷信家,也无故掉踪,当老猫达尔文病到七彩,阿菲偷偷研制不逝世药,却因而流亡历险,牙尖嘴利的达尔文!想法多多的怪爷爷!叛变间谍祖利亚也一同有难同当。「我在伊朗长大」监制不平不挠,法国漫画家Jacques Tardi 原著,糅合凡尔纳跟宫崎骏的灵光,以习见的念旧动画风,找回掉踪的动画年月。
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雅克·德米
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迪芬（凯瑟琳·德纳芙 Catherine Deneuve 饰）跟苏兰（弗朗索瓦·朵列 Françoise Dorléac 饰）是相依为命的两姊妹,她们一个红发,一个金发,一个善于曼妙的跳舞,一个占有天籁的歌喉。夏季嘉光阴快要,在逐步热闹的氛围中,迪芬跟苏兰也在嘉光阴中有着各自的义务。 画商吉列姆（Jacques Riberolles 饰）钦慕于迪芬的仙颜,无法迪芬早曾经芳心暗许给了替她画像的年青画家麦桑思（雅克·贝汉 Jacques Perrin 饰）,与此同时,苏兰碰见了名为米勒（吉恩·凯利 Gene Kelly 饰）的年青人,两平易近气心相惜两情相悦。让苏兰不想到的是,面前的米勒恰是她苦苦寻觅无果的作曲家,她始终生机米勒可以读一读她所撰写的一段协奏曲。
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NeverbeforehasmoneybeensopolarisedinBritain.Therichest85peoplenowownmorethanhalftheUKpopulation.TheriseoftheSuperRichhasmeantthatwealthintheUKisdividingoursocietyatanextraordinaryrate-buthowandwhydidithappen?Inthistwo-partseries,JacquesPerettiexploreshowtheSuperRicharetransformingtheveryfabricofBritishsociety.WhyhavetheSuperRichflockedtoBritain,andwhydoesitmattertous?Perettiexamineshowthewealthofthetoponepercentofsocietydoesnotexistinabubble,butdirectlyaffectsallofourlives.
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帕特里斯·勒孔特
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宁静的夜晚，一座音乐厅内正在进行交响乐音乐会。随着指挥的手势，轻柔的节奏响起，波莱罗舞曲缓缓流淌在音乐厅的上空。镜头逐渐对准乐队的小鼓手（JacquesVilleret雅克威勒莱特饰），这个年过中年，头顶发秃，身材发福的鼓手似乎心不在焉，他时而斜睨摄像机，时而若有所思，时而又显得烦躁不安。随着音乐声的加大，他的表情愈加痛苦，仿佛随时准备抽身离开，但出于一名音乐家的责任又使他无论如何也要完成这该死的演出……本片荣获1993年克拉科夫电影节堂吉科德奖。
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居伊·德波
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Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.
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YouareneverfullyliberatedfromAuschwitz,11July2016Author:Red-125fromUpstateNewYorkTheFrenchmovie"àlavie"wasshownintheU.S.withthetranslatedtitle"ToLife(2014)."ItwaswrittenanddirectedbyJean-JacquesZilbermann.ThefilmisaPost-Holocaustsaga,althoughitopenswithscenesinAuschwitzthataretrulyhorrific.Hélène(JulieDepardieu)andL...
