Fernando

法国名流马德奥（费尔南多•雷依FernandoRey饰）在西班牙搭车返国,在车厢里他碰到了一对母女!一个侏儒以及一个弟弟的友人。火车动员前,一个女人（莫利纳•安赫拉MolinaAngela饰）拎着行李促赶来,马德奥向她泼了一桶冷水,这让世人颇为不解。回到车厢后,马德奥跟其余人报告本人的遭受：本来这女人是马德奥欧巴家的西班牙女仆孔奇塔（卡洛尔•布盖CaroleBouquet饰）。她的仙颜深深吸引了马德奥。为了示爱,他赞助孔齐塔母女解脱经济难题,而后提出让她做本人的爱人。固然,孔奇塔对他不即不离,然而一直不允许他的性请求。这令他异常末路火,特殊是当他发明这个自称童贞的女人竟然另无恋人时,更是大发雷霆……本片中,西班牙导演布努埃尔用两名女演员表演统一脚色,颇具意味意思。

女演员佩帕（卡门·莫拉CarmenMaura饰）得知自己怀有身孕，但是她的喜悦并未持续多久，因为她的情人伊万（FernandoGuillén饰）突然失踪。佩帕想尽办法联系伊万，但最终一无所获，这令她歇斯底里，痛苦难耐。而就在这时，伊万的老婆露西娅（JulietaSerrano饰）又找上门来大找麻烦。不久，佩帕的好友坎德拉（MaríaBarranco饰）也因惧怕警察拘捕而寻求避难。一群精神濒临崩溃的女人凑在一起，上演令人唏嘘的悲喜剧……本片入围1988年威尼斯电影节主竞赛单元，最终获得最佳剧本奖；1988年欧洲电影节最佳青年作品和最佳女演员奖；1988年纽约影评人协会最佳外语片奖；1989年歌雅奖最佳女主角（CarmenMaura）、最佳剪辑、最佳剧本和最佳女配角奖（MaríaBarranco）。

身无分文的法国富豪阿兰（费尔南多·雷依 Fernando Rey 饰）手上运作着寰球最大的海洛因私运网,警方多番追踪仍无奈将其就逮,卧底警员也被残暴杀戮。而在另一头的纽约城,侦察道尔（吉恩·哈克曼 Gene Hackman 饰）跟鲁索（罗伊·施奈德 Roy Scheider 饰）还在酒吧中与外地贩毒分子比武,浑然不知阿兰正在筹划将一笔3200万美元的海洛因私运入美国。但是没过多久,在一次跟踪行为中,道尔跟鲁索很快发明白可疑人物与贩毒网之间的关联,一场与贩毒团伙斗智斗勇的险峻速决斗就此拉开。道尔跟鲁索这对相互看不悦目的错误,毕竟能想出几多计策,躲过几多明枪,最后又是否一举破获这起来自法国的大范围贩毒案呢！                                                                    本片依据罗宾·摩尔（Robin Moore）的真人真事作品改编,并掉掉落第44届奥斯卡金像奖最佳片子!最佳导演!最佳男配角!最佳改编脚本!最佳剪辑奖。

1939年，持续三年的西班牙内战接近尾声，右翼法西斯分子风头正劲。左派战争孤儿卡洛斯（费尔南多·缇艾弗 Fernando Tielve 饰），被父亲的战友们送到一个位于荒郊野外的孤儿院。这个孤儿院由严厉的卡门女士（玛丽莎·佩雷德斯 Marisa Paredes 饰）和和蔼的卡萨瑞斯教授（Federico Luppi 饰）共同经营。卡洛斯离开亲人和叔叔们的失落情绪并未持续太久，他很快就融入了这个满是同龄人的大家庭。不过，这个院子中央插着炮弹的地方，也许原本就存在着些许异常。卡洛斯所睡的12号床之前属于一

巴西导演LuizFernandoCarvalho的故事片处女作，171分钟的长片。情节和主题意味深重：通过一个离家出走的年轻男孩子，讲述了巴西乡间，一个虔诚的基督教家庭的悲剧。这家庭，太充满爱意，太圣洁，太有序、太美好了，连镜头都沉于安稳之中，流动于井然安详的条理，静穆在神圣的威严之下。而那欲望、那热情，太炽烈，太狂放、太撕心裂肺，它暴露在过分的特写之中、摇曳在离乱的剪辑之外。永恒不变的是悲剧的主题：无望的情欲、无知的物欲，终于摧毁了一切的安然与恬美；游离在疯狂凌乱之外的，只有时间与泥土。

曼莫（路易斯•费尔南多•佩纳LuisFernandoPeña饰）与父母生活在墨西哥小镇桑塔安那，靠务农为生。德里奥水公司在附近河流建坝拦水，至使整个地区严重缺水。高昂的水价致使走投无路的农民去坝上偷水。德里奥水公司在美国境内的总部则雇佣飞行员鲁迪（雅各布•维加斯JacobVargas饰）通过精神连线遥控操作无人轰炸机打击“恐怖分子”保护水坝，炸毁了曼莫的住所，曼莫的父亲被当场杀死。悲伤的曼莫离开家乡来到美墨边境城市蒂华纳找工作，遇见女作家鲁兹（莱诺•维埃拉LennorVarela饰）。鲁兹帮曼莫装上“结点”，从此曼莫进入工厂精神连线遥控操纵美国各地的机器人从事繁重的体力劳动。鲁兹为了持续出售曼莫的故事，与他的接触逐步加深，二人终于相爱。但网络另一边购买曼莫故事的人竟是鲁迪……

曼莫（路易斯费尔南多佩纳LuisFernandoPea饰）与父母生活在墨西哥小镇桑塔安那，靠务农为生。德里奥水公司在附近河流建坝拦水，至使整个地区严重缺水。高昂的水价致使走投无路的农民去坝上偷水。德里奥水公司在美国境内的总部则雇佣飞行员鲁迪（雅各布维加斯JacobVargas饰）通过精神连线遥控操作无人轰炸机打击“恐怖分子”保护水坝，炸毁了曼莫的住所，曼莫的父亲被当场杀死。悲伤的曼莫离开家乡来到美墨边境城市蒂华纳找工作，遇见女作家鲁兹（莱诺维埃拉LennorVarela饰）。鲁兹帮曼莫装上“结点”，从此曼莫进入工厂精神连线遥控操纵美国各地的机器人从事繁重的体力劳动。鲁兹为了持续出售曼莫的故事，与他的接触逐步加深，二人终于相爱。但网络另一边购买曼莫故事的人竟是鲁迪……

Fernando,一个孤单的鸟类学家,也是一个无神论者,他沿着着葡萄牙北部的一条河道穿行寻觅濒危黑鹳,却被激流冲走后被两个朝圣的中国女孩救起。随后他堕入一个暗中独特的森林,垂垂遁入一系列可想而知的变乱,事实被理想渗入...

InthesecondseasonofElCid,afterthedeathofKingFernando,hissonsSancho,AlfonsoandGarcíabecamethekingsofCastilla,LeónandGalicia,respectively.Urraca,ladyofZamora,willhandlethethreadsofpowerandwewilldiscoverherdarkerside.ThedisputesbetweenthemwilltransformtheIberianPeninsulaintoafieldofbloodybattles.Ruyisknighted,butintheprocesshewillhavetosacrificewhathelovesmosttobecomeatruehero.

Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...　　Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.