Abera
搜索"Abera" ，找到 以下影视作品
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Strangecravingsandhallucinationsbefallayoungcoupleafterseekingshelterinthehomeofanagingfarmerandherpeculiarson.
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An army veteran attempts to assimilate back into a country he barely recognizes while trying to win the heart of an Iraqi immigrant who is on the verge of being deported.
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A desperate teenager is forced into the dangerous world of underground fighting to win enough money to save his ailing mother. He finds out what he's made of in the face of these violent hungry competitors.
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F·加里·格雷
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克莱德·谢尔顿（格莱德·巴特勒GerardButler饰）是居住在费城某小镇的一名研发人员，他有着美丽的妻子和可爱的女儿，生活幸福美满。但这一切都被突如其来的灾难所摧毁。某晚，两个暴徒闯入他的家中，妻子和女儿都受到残害。然而虽然证据确凿，但由于司法程序的迂腐和尼克·瑞斯（杰米·福克斯JamieFoxx饰）助理执行官的堕落，最终让首犯克拉伦斯·多比（克里斯蒂安·斯多特ChristianStolte饰）因证据不足只得到10年徒刑。本以为一切归于沉寂，但10年后当年未了的风波再起。怀着巨大仇恨的克莱德开始筹划展开报复，先是干掉了当年的从犯阿米，接着他很快找到了邪恶无耻的多比，并对其进行残酷的折磨与虐杀。克莱德的仇恨得到巨大的宣泄，但是他的复仇还未就此停止。他所针对的不只是那两个暴徒，而是整个腐朽堕落的司法系统……
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Inspiredbytruelifeevents,intheOyoEmpireinthe1940's,ElesinOba,theking'schiefhorseman,succumbstothelureofbeautyandsexualdesireontheveryeveningheissettodieinordertofulfilhislifelongdebtofritualsuicidetoaccompanythedeadAlaafintotherealmoftheancestors,hederailsfromaveryimportantgenerationalandspiritualtransaction.Thissetsinmotionaseriesofcatastrophicconsequences,inaspell-bindingfilmofemotions,humour,andtragicrolereversalsthatputsancientbeliefsandcustomsontrialinaneverincreasinglypost-modernandWesternworld.
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MoaEnqvi
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811AD,afamily,isolatedintheirhome,deepinthewoodsafewdaystravelfromBirka.Theyarepoor.Thehuntingandfishinghasbeenbadforsometime,andthefather,Joar,takesthedesperatemeasureofgoingonaVikingraid.Joardoesnotreturnforalongtime,andthefamilystartstofearheneverwill.Runa,theoldestdaughter,takesoverherfatherschoresinhis...
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詹妮弗·林奇
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故事发生在2008年，美国科学家从位于印度的丛林深处带回了一只巨大的雌性眼镜蛇，令科学家没有想到的是，这条眼镜蛇竟然化作了一位性感妖娆的美女（玛丽卡·沙拉瓦特MallikaSherawat饰）。原来，这位美女就是印度神话传说中的蛇女神，她因阴险毒辣以人类为食而遭到了人类的敬畏和恐惧。如今，蛇女神再度出世，究竟是为了什么？经过了千难万险，蛇女神终于找到了她的目标——一条曾经和她交配过的雄性眼镜蛇，然而，此时的他早已经因为人类的迫害而奄奄一息。愤怒之火在蛇女神的内心里熊熊燃烧起来，她决心不惜一切代价，为自己的爱人报仇，人类的末日即将来临了。
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Depressing,darklovedramawiththinstoryline,thatmakesyouwonderwhetherthemakersbelieveinlifeatall.Themaleprotagonistisconstantlyrunningintoproblemsandgetsbeatenuptimeandtimeagain,somuchsothatafterawhileIcouldnothelplaughing,whichcannothavebeentheintentionofthemakers:theyarevèry,vèryserious.ThecruxofthefilmseemstobeasharpcommentonthemoneydrivenGermansociety,inwhichitisimpossibletoshowanyrealaffection;ofcoursethiscouldbeadilemmaofthemakersthemselves:moneyisnottheproblem,butwhatyoudowithit.Notforgottenistoincludeanextremerightwingmanwhoseself-proclaimedpurposeinlifeitistofreethestreetofsociallyundesirableelements.Itisallveryheavysymbolismwithnorelief,butitiscertainlywell-madewithascriptthat-asthefilmprogresses-becomeslessandlesssurprising.Thetwoactingleadsaregood;finecinematography.(janonderwater)
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Nina is twelve years old and her world has just been shattered to smithereens: Her parents’ marriage has broken down and they are getting a divorce. After his internationally successful debut Miracle Juraj Lehotský now brings us an intimate drama in which the viewer looks upon the world and the selfish, visionless behaviour of adults through the eyes of a 12-year-old girl. A girl who is resilient and belligerent, but also vulnerable and just as fragile as the miniature world she creates for herself in the garden shed.
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Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
