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¿How far does a soccer fan go for his beloved national team? Mariano Cárdenas (Adrian Uribe), a married man and a civil servant, shows us that crossing the line when supporting the national team is a must. Mexico and the USA are in the final qualifying match for the 2018 - World Cup. Mariano is committed to giving everything he has, including his time and relationship with his wife, to be present in the game because he is convinced that his presence in the stadium is the only thing factor that will guarantee the victory. Everything is ready and organized for the big day. Unfortunately, plans change when Mariano learns of the death of his uncle, with whom he lived and with whom he wagered a large bet on the team. Mariano is torn between being at the funeral or escaping to accompany the team. Thanks to the decision he makes, he loses his job, his wife, his home but his heart is full as Mexico qualifies for the World Cup.

50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。　　In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.

DOMESTICVIOLENCEwasfilmedinTampa,Florida.ThefilmshowsthepolicerespondingtodomesticviolencecallsandtheworkofTheSpring,theprincipalshelterinTampaforwomenandchildren.Sequenceswiththepoliceincludepoliceresponse,intervention,andattemptedresolutionofdomesticviolencecalls.Sequencesattheshelterincludeintakeinterviews,individualcounselingsessions,angermanagementtraining,grouptherapy,staffmeetings,andconversationsamongclientsandbetweenclientsandstaff.Sincetwothirdsoftheresidentsattheshelterarechildren,thefilmalsohassequencesofschoolactivities,therapysessionsforchildrenwheredomesticviolenceisdiscussed,andcounselingforparentsandchildrenorganizedaroundchildrensissuesandexperienceswithdomesticviolence.

A new class of pint-sized preschoolers arrives at Pitchfork Pines, and the Super Monsters take their superpowers to the next level - the Purple Room.

　　Yiannis doesn’t have much going for him, save for his adorable dog, Jimi, and his fast-approaching date to get out of Cyprus for good. But when Jimi wanders across the U.N. buffer zone and into the section of the island Turkey seized more than forty years ago, an unregulated state unrecognized by the rest of the world, Yiannis learns, bringing a dog back over the border is not as easy as walking straight home. He enlists a mismatched band of accomplices from every side of the Cyprus dispute to find a way to get Jimi back, while never leaving the land he calls home.　　Writer and director Marios Piperides has been producing films in Cyprus for more than a decade, and his inside knowledge pays dividends in this narrative feature debut—a whip-smart comedy on legality, disputed nationality, and the frameworks that are erected to maintain a fragile peace. He demonstrates his compassion for locals on both sides of the divide, as he tenderly captures their struggle to find hope and make a living in a divided land. Such serious themes pair perfectly with Piperides’s sense of humor: As Yiannis’s efforts dip farther into absurdity, they offer a send-up of the forces that prolong a conflict that has been poorly understood and largely forgotten by the outside world.

　　The movie concerns about Trinity(Terence Hill=Mario Girotti)a roguish and cocky gunman with fast weapon who works as bounty hunter.His brother Bambino(Bud Spencer)is sheriff in a village but is also an undercover thief which attempts execute a heist.　　The'll face off against a rich owner(Farley Granger) and a Mexican marauders who try evict to a Mormons group. They help to the pacific settles and the confrontation will be inevitable but is developed by means of successive fights without blood,neither gore or cruel murders.The violence isn't crude but slight and predominates the comedy and parody. The storyline is embarrassment and ridiculous but has its agreeable moments here and there.It's a spaghetti western with humor and narrates the usual issues:invincible antiheroes,spectacular showdown ,violent taking on but united to slapstick and simple humor.It's an entertained Italian western with adequate runtime where there are irony,tongue in check,shoot outs,numerous struggles and is quite funny and amused. Terence Hill is sympathetic,hilarious and likable; Bud Spencer is rough, two fisted,bouncing ,grumpy man but with good heart,their characters are similar to Stan Laurel and Oliver Hardy.The film is a spoof of famous films as ¨the magnificent seven¨ and ¨blazed saddles ¨but covered with spaghetti.The picture obtained a sequel with the same protagonists and director¨Trinity is still my name¨.Besides originated a series of awful imitations and copies. Rating:nice and bemused.

A family find themselves terrorized by their eight-year-old son's imaginary friend.

Tae-gyu and Ji-hye get married. Two young lovers dreamed of the ideal married life which each had respect for each other. But honeymoon is soon over as each comes to realize that the other isn't quite what they thought. The liberal woman would like to talk of sex with frankness and ease. The conservative man can't get rid of his traditional sense of superiority. They end up hurting each other and decide to get a (limited) divorce. Once apart, they each begin to feel empty without the other, and realized they need to make an effort to understand each other.

BlackMedusaisthestoryofNada,ayoungwomanwholeadsadoublelifeintoday’sTunis:lonelyandboringduringtheday,violentandextremeduringthenight.ThishighlyritualizedlifeisgoingtoflatterthedayNoura,anewcolleagueofher's,fallsinlovewithNada.Atthesametime,Nadafallsinlovewithanoldknife.SostartsforNadaamoreviolentandextremelifeassheloosescontroltotheknife.ThefilmisaMedusamythinspiredfilmnoirinthe#MeTooera.

Afamilyfindthemselvesterrorizedbytheireight-year-oldson’simaginaryfriend.