Tead
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翁贝托·伦齐
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I am awestruck by this movie. Fast zombies that can use weapons, even guns, and are capable of intelligent thought. They plot a strategic offensive to take over the city, hitting the airport, then the TV stations and the power plant. If you love horror, gory, and violent movies and don't mind a little bad acting, then you will LOVE this movie. It is exciting and even a bit suspenseful. It starts out fast and hard and maintains a steady pace of mayhem and carnage. I can't believe more people haven't seen this film. I have yet to meet a horror movie buff that has seen this film before. It is a true gemstone of European horror and exploitation, definitely up to par with the classics of the genre such as Zombi 2, Demons, House by the Cemetery, etc. And it's even readily available uncut (92 minutes) on DVD from Anchor Bay (under the title Nightmare City) and on VHS under the title City of the Walking Dead. Super gory and violent, a must for fans of Italian grind house flicks.
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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瓦迪姆·佩尔曼
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Katyaisagirlfromawealthyfamilywhoyearnsforadventure.KeepingitsecretfromhermothersheappliestoamodelagencyandgoestoDubaitotakepartinafashionshow.Butinsteadshefindsherselfinaninternationalprostitutiontraffickingnetwork.KatyatakesitasafunvacationandmiraculouslyescapesproblemswithArabsheikhs.InEmiratesshemeetsLizaandtheygobacktoMoscowtogether.LisaandherroommateGalyaaremakingtheirlivingbydatingrichmenandtheyletKatyastaywiththeminasmallrentedapartment.
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After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --? Official Site
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BrijMohan(36),ahosieryshopownerinabusyDelhimarket,desperatelywantstochangehislife.Heisfedupofhisball-crusherwifeandmountingdebts.Inordertoescapehiswretchedlife,hechangeshisappearanceandadoptsanewidentityasAmarSethi,butendsupcommittingabotchedupmurder.Herunsoffwithhisyounggirlfriend,hopefulofmakinganewbeginning.Instead,asluckwouldhaveit,hefindshimselftrappedinawebofhisownKarma.
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阿努孙·薛萨-尼
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《直到世界末日》讲述了两个年轻人意外地在世界的最后13天里生活在一起的故事。阿特是一个非常有吸引力的商科学生；不幸的是，一场事故使他失去了记忆。正因为如此，阿特依靠高尔夫帮助他导航，为世界末日做准备。作为一名医学生，高尔夫有着紧张的家庭和人际关系史问题。格斯，他唯一的兄弟也在监狱里，他已经没有人了。在阿特出事的时候，政府宣布将人们疏散到地堡，因为世界很快就要结束了。参与事件的高尔夫决定不去掩体，而是去帮助阿特。他们在外面的余生充满了混乱。他们都被龙和笑话追着跑，他们的目的是在世界末日之前尽可能多地杀人。高尔夫从来没有感受过什么是来自另一个人的深爱。他什么也不想要，只想在死前找到爱，趁他还有机会，阿特想回到他的家乡。他们的关系得到了改善，他们似乎知道他们都“恋爱了”。高尔夫和艺术需要在彼此混乱的感情中导航。因为他们都知道自己会死。“TillTheWorldEnds”isastoryoftwoyoungmenastheyfindthemselvesaccidentallylivingtogetherthroughoutthelast13daysoftheworld.Artaveryattractivebusinessstudent;unfortunatelyanaccidentcausedhimtolosehismemories.Duetothat,ArtreliesonGolftohelphimnavigateandpreparefortheendoftheworld.Golf,amedicalstudent,hasastressfulhistoryoffamilyandrelationshipproblems.Gus,hisonlybrotheralsoinjail,hehasnooneleft.AtthetimeArthasanaccident,thegovernmentannouncestheevacuationofpeopletothebunkerbecausetheworldwillendsoon.Golf,whowasinvolvedintheincidentdecidednottogotothebunkerbuttohelpArtinstead.Therestoftheirlivesoutsidewerefullofchaos.TheybothbeingchasedbyLongandJokewhohadpurposetokillpeopleasmanyashecanbeforetheworldends.Golfhasneverfeltwhatisadeeplovefromanotherperson.Hewantednothingmore,justtofindlovewhilehestillhaschancebeforehedies,Artwantedtogobacktohishometown.Theirrelationshipwasimprovedandtheyseemedtoknowthattheybothare“inlove”.GolfandArtneedtonavigatetheirconfusingfeelingsforeachother.Becausetheybothknowexactlythattheyaregoingtodie.
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The story revolves around Luisa Palmeira, born in France from Portuguese immigrants. In 1979, Luisa is eight years old. Almost a grown-up in the eyes of her illiterate mother, she remains just a little girl to her hard-drinking father. One day, he trusts her with a heavy secret: he suffers from a serious illness. But she refuses to believe him and thinks instead that he is hiding something else from her…
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When18-year-oldJohannacomeshomefromschool,hermiserablefatherhidesbehinddrawncurtains.Hecan'tmanagebuyingfood,payingtheelectricbill,orsupporthisdaughter,whoinsteadplodsovertothepawnshopwithherslalomskisaftertheuninspiredsophomoricsexwithapot-smokingsmall-timedealerfromthevillaneighbourhood.ButonedayJoannaendsupnexttoAudreyinGermanclass,andeverythingchanges.SoDamnEasyGoingisacharminglyplayfullovefilmwheresparksflyaroundNikkiHansebladandMelinaBenettPaukkonenintheleadingroles,withShantiRoneypresentingamovingportraitofthetorturedfatheronthecouch.
