Tayde

蕾娜（康妮·布里登ConnieBritton饰）是曾经红极一时的乡村音乐天后，随着年岁的增加，尽管蕾娜的热度不减，但蕾娜清晰的感受到，自己已然渐渐走出了观众们的实现，无可那和沦落到过气的边缘。公司正在大力推广一位名为朱丽叶特（海顿·潘妮蒂尔HaydenPanettiere饰）的美少女歌手，让蕾娜无法忍受的是，她竟然被安排成为了陪衬她的“绿叶”。更糟糕的是，蕾娜发现自己的父亲正打算扶持她的丈夫泰迪（艾瑞克·克罗斯EricClose饰）参加市长的竞选，这也就以为着，自己的所有隐私和秘密届时都要拿出来供大众评判。无论泰迪未来当选与否，蕾娜此刻都毫无疑问的站在人生的风口浪尖之上。

故事发生在17世纪的英国，诗人约翰·威尔默特（约翰尼·德普JohnnyDepp饰）以其满溢的才华和不羁的性格成为查尔斯二世（约翰·马尔科维奇JohnMalkovich饰）的宠臣。他古怪的行事风格遭人非议，还时常大写淫秽诗篇讽刺贵族的淫乱生活，他天生不羁蔑视社会伦理，结识了特立独行的女演员伊丽莎白·巴里（萨曼莎·莫顿SamanthaMorton饰）坠入爱河，又和男演员道恩斯（鲁珀特·佛兰德RupertFriend饰）发生暧昧关系。但长期纵欲和酗酒，加之触怒皇室被多次流放，过度燃烧了诗人的生命，他开始饱受失明、关节炎、臆想症的困扰，最终证实身患梅毒，在33岁时黯然逝去。

本部影片重新谱写经典之作《欧律狄刻》，演绎了一出“戏中戏”的好戏。编著《欧律狄刻》的剧作家安托万（德尼·波达利德斯DenisPodalydès饰）过世，召集了多年前曾出演过不同版本《欧律狄克》的老友到家中重聚。生前，他录制了一段声明，让这些好友欣赏一部由年轻人重新排演的《欧律狄克》。众人在观影中，不禁想起当年出演此剧时的情景。安托万在大家的感动中现身，可好戏还在后头，“你们见到的还不算什么”。本片改编自法国著名剧作家让·阿努伊的希腊神话题材戏剧《欧律狄刻》，将耳熟能详的经典爱情故事搬上现代舞台，赋予全新剧情，向原作致敬。影片更启用阿伦·雷乃御用班底，曾和雷乃在《疯草》一片中有过合作的编剧洛朗·埃尔比埃与雷乃一同完成了影片剧本的改写工作，女演员萨宾·阿泽玛更是与导演合作九次之多。91岁高龄的雷乃宝刀未老，携新作征战戛纳，入围第65届戛纳国际电影节...

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

故事的主人公是40多岁的纳什维尔歌手RaynaJames（ConnieBritton）。她曾是一位超级巨星，但随着年华老去，她发现自己的吸引力正直线下降，唱片销量也越来越糟糕。她所在的唱片公司要求她与少女歌手JulietteBarnes（HaydenPanettiere）合作演出，否则将失去巡回演出、举办个人演唱会的资格，而且唱片公司也不再宣传她的唱片。迫于压力，Juliette很不情愿地答应了。by:wap.qimiyingshi.net

本片改编自真实事件。1933年，江洋大盗约翰迪林格（约翰尼德普JohnnyDepp饰）与同夥约翰汉密尔顿（杰森克拉克JasonClark饰）持械劫狱，从印第安纳州监狱中成功救出抢劫团伙成员，包括“漂亮男孩”弗洛伊德（查宁塔图ChanningTatum饰），“娃娃脸”尼尔森（斯蒂芬格拉汉姆StephenGranham饰）等，并藏身腐败警察马丁（约翰迈克鲍格JohnMichaelBolger饰）的农宅。马丁说服迪林格藏身芝加哥，寻求黑帮保护。在一系列银行抢劫活动中，迪林格爱上了芝加哥女职员比莉弗雷凯特（玛丽昂歌迪亚MarionCotillard饰）。与此同时，联邦调查局探员茂文普维斯（克里斯蒂安贝尔ChristianBale饰）被上司胡佛局长（比利克鲁德普BillyCrudup饰）提升，在美国第一次“打击犯罪战”中誓将迪林格捉拿归案。行动中，随着迪林格的势败，联邦调查局却日益壮大…

莉莲娜（薇诺娜·瑞德WinonaRyder饰）和薇琪（詹尼安·吉劳法罗JaneaneGarofalo饰）是大学时代的好友，如今，早已毕业的两人依旧维持着室友兼好友的亲密关系。一次意外的车祸中，莉莲娜结识了英俊帅气的麦克（本·斯蒂勒BenStiller饰），一见钟情的两人开始了稳定的恋爱关系。莉莲娜的铁杆好友特洛伊（伊桑·霍克EthanHawke饰）再一次的丢掉了工作，无处可去的他只得转向伊莲娜寻求庇护。特洛伊对伊莲娜的感情显然早已经超越了友情，所以，对于她和麦克之间的腻歪，特洛伊表现出了明确的不满。这边的三人纠缠不休，那边的薇琪也有着自己的烦恼，童年阴影让她对婚姻和爱情不再抱有幻想。还有他们共同的好友山姆（史蒂夫·茨恩SteveZahn饰），身为同性恋者的他必须绞尽脑汁来隐藏自己的身份。

贫穷混乱的伦敦街头，混杂着妓女和各色人物，玛丽（海瑟格拉汉姆HeatherGraham饰）、安妮（乔安娜佩姬JoannaPage饰）和其他几个妓女在这滩浑水中结成深厚友谊。然而，罪恶的魔爪正在伸向她们——这个躲在暗处的杀手，绑架甚至杀害这些姑娘。探员艾伯林接手这宗案件，他天生拥有超能力，这对他破案有着不小的作用。艾伯林（约翰尼德普JohnnyDepp饰）来到案发地区，渐渐掌握了线索，同时他也被玛丽善良的品质深深吸引，与她共坠爱河。但凶手的行动令妓女们陷入了恐慌之中，能否查出真凶，成为摆在艾伯林面前的迫切难题，而艾伯林也堕入了一个更大的漩涡之中，危机四伏。

爱丽斯（米娅·华希科沃斯卡MiaWasikowska饰）始终被同一个梦魇所困扰，直到她20岁时参加的一场聚会。本认为是一场无聊至极的聚会而已，没想到却是精心策划的求婚仪式。面对养尊处优的公子哥哈米什突如其来的求婚，毫无准备的爱丽斯着实被吓了一跳。爱丽斯被一只身马甲的兔子所吸引，在追赶过程中爱丽斯掉入了一个深不见底的树洞里，来到了一个如同仙境般不可思议的“地下世界”。此时，生活在地下世界的善良人们似乎都在盼望着她的到来，可是她却认为这是一场梦，只想快点醒过来回到现实世界。然而，在认识疯疯癫癫的疯帽子（约翰尼·德普JohnnyDepp饰）之后，爱丽斯才知道地下世界正处于“红桃皇后”（海伦娜·伯翰·卡特HelenaBonhamCarter饰）的血腥统治之下，按照“皇历”的预言，只有她才能帮助“白色皇后”（安妮·海瑟薇AnneHat...

乐观向上的化妆师基卡（VerónicaForqué饰）和有着偷窥癖的摄影师雷蒙（lexCasanovas）隔街而居。基卡并不知道，他早已成为对面邻居偷窥和暗恋的对象。不久，基卡家女佣胡安娜（RossydePalma饰）的弟弟获释出狱，这个变态的男人不仅和姐姐保持着不伦的关系，还将基卡强暴。而这一切，都被雷蒙摄入了镜头之中。另一方面，雷蒙的前女友——电视台主持人安德莉亚（VictoriaAbril饰）为求收视率，竟公然播放基卡被施暴的录像。事情开始变得一团糟……本片荣获1994年西班牙佛投格拉玛斯奖最佳女主角奖（VerónicaForqué）、1994年戈雅奖最佳女主角奖（VerónicaForqué）、1994年美国PremiosACE奖最佳女主角奖（VictoriaAbril）和最佳女配角奖（RossydePalm...