Sainty
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While on the search of a fleeing felon, a group of bounty hunters head into a vast New England forest in hopes to capture this dangerous man. While on the trail of their quarry, the group encounters more than just a murderer on the run when they are confronted with a seemingly endless horde of the undead. With no shelter, no help and no end to the carnage, survival seems hopeless.
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阿格涅丝卡·霍兰
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片子报告了一个不为人知的故事。1933 - 年,一位大志勃勃的威尔士年青记者加雷斯·琼斯（Gareth Jones）离开苏联游览,发明白共产主义乌托邦神话后耸人听闻的事实。由此他开端直接一项惯例消息考察,但试图在当局掩饰下发掘乌克兰饥馑的本相很快酿成了生逝世攸关的摸索。 他的尽力不只遭到苏联检察构造的挫败,并且遭到对斯大林政权抱有好感的东方记者的阻拦,这此中最著名的就是时任「纽约时报」莫斯科分部的总编纂沃特·杜兰蒂（Walter Duranty）。 在事实生涯中,琼斯是第一个在东方媒体报道苏联 1932-1933 - 年大饥馑的记者。但因为许多常识分子对苏维埃政权持怜悯立场,他的报道并不受欢送。事先瞒哄了大饥馑事实的杜兰蒂也在尔后导致批驳,他因对苏联的连续报道而掉掉落的普利策奖也被「纽约时报」称为是“咱们为之觉得羞愧但能够做出说明”（Guilty With an Explanation）的一个奖项。
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恩佐·巴博尼
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The movie concerns about Trinity(Terence Hill=Mario Girotti)a roguish and cocky gunman with fast weapon who works as bounty hunter.His brother Bambino(Bud Spencer)is sheriff in a village but is also an undercover thief which attempts execute a heist. The'll face off against a rich owner(Farley Granger) and a Mexican marauders who try evict to a Mormons group. They help to the pacific settles and the confrontation will be inevitable but is developed by means of successive fights without blood,neither gore or cruel murders.The violence isn't crude but slight and predominates the comedy and parody. The storyline is embarrassment and ridiculous but has its agreeable moments here and there.It's a spaghetti western with humor and narrates the usual issues:invincible antiheroes,spectacular showdown ,violent taking on but united to slapstick and simple humor.It's an entertained Italian western with adequate runtime where there are irony,tongue in check,shoot outs,numerous struggles and is quite funny and amused. Terence Hill is sympathetic,hilarious and likable; Bud Spencer is rough, two fisted,bouncing ,grumpy man but with good heart,their characters are similar to Stan Laurel and Oliver Hardy.The film is a spoof of famous films as ¨the magnificent seven¨ and ¨blazed saddles ¨but covered with spaghetti.The picture obtained a sequel with the same protagonists and director¨Trinity is still my name¨.Besides originated a series of awful imitations and copies. Rating:nice and bemused.
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Infournewfeature-lengthepisodesofthebelovedBritishmysterysetinEnglandsmostmurderouscounty,DCIJohnBarnaby(NeilDudgeon,LifeofRiley)andDSJamieWinter(NickHendrix,Marcella)investigatethekillingsofaballroomdancecompetitorandarealestateagent,aseriesofattacksinavillageknownforitsspecialtyhoney,andaviolentclashbetweenfishermenandmudrunners.
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广濑贵士
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Constantlyonthehuntandsufferingfromhallucinationsthatdrivehisviolentnature,anunnamedmaniscapturingwomenandsavagelybeatingthemtodeath.Meanwhile,awomanisluringmenintoaviolentend,bywayofherknife.Drivenbythesameforcetomaketheoppositesexsuffer,thekillers’fatesintertwine.Thetwomustfaceoffinabattletothedeath,inwhichtheyareforcedtorevealthehorribletruthbehindtheiraddictiontomurder.“Brutal”takesaninterestingapproachtoitsvisuals,drawingheavyinfluencefromWestern“Grindhouse”films,usingafiltertomakethefootageappeargrainy,damaged,andwithlightandcolorfluctuations.Unfortunately,thevisualstylingendsupfeelingmisguided,asotherthanapplyingthefilteritdoesnotimitateanyotheraspectsofthe“Grindhouse”genre.Despitetryingtodirtyupthefilm,itisapparentitwasshotondigital.Thecinematographyisalsoastepabovemost“Grindhouse”productions,withTakashiHiroseprovinghehastalentbehindthecamera.Exteriorshotstothosetakingplaceinsmallspacesareallcompetentlyframed,lit,andtransitionwell.Thedecisiontoaddaneffectontopoftheworkhurtsthefilm’simageryandevengivesasenseofdesperationtotrytocaptureacertaintypeofnostalgiawiththeaudience,insteadofrelyingonitsownstrengths.Itisunfortunatewhenonecreativechoicecanhurtaproductionsomuch.Thestoryof“Brutal”issimplebuteffective,itdoesattemptsomesortofsocialcommentaryabouttheviolentnatureofmenandwomen,butitdoesnotofferenoughdepthintothesubjecttojustifytheamountofviolenceondisplay.Thefilmdoesendonastrongnotewithaninterestingtwist,witharevealthatisboundtogrosssomeout,whilegivingothersachuckle.Inspiteofitssimplenature,thosewhoenjoyfilmsthatmakethemsomewhatuncomfortableandenjoythechallengeofgettingthroughsomeultra-violence,“Brutal”posesafunandentertainingchallengeinthatregard.
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Picture-perfectNeve(CountyLine’sAshleyMadekwe)hasitall–abeautifulfamilyandalavishlifestyle.Sheisthetoastofherupper-middle-classsuburbancommunity,havingworkedveryhardtogettothetop.However,herpristineveneercrackswhenshestartstoseeacoupleofmysteriousfiguresaroundhertown.Writer-directorNathanielMartello-White’sthought-provokingthrillerfeaturesitsfairshareoftwistsandascene-stealingturnfromBukkyBakray(Rocks).
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Directed by filmmaker and scientist Christi Cooper, YOUTH v. GOV is the story of America's youth taking on the world's most powerful government. In 2015, twenty one young plaintiffs, ages 8 to 19, filed the lawsuit Juliana vs. United States, asserting a willful violation of their constitutional rights in creating our climate crisis. If they're successful, they'll not only make ...
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亚当·马里诺
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Amongcountlessothers,foursmall-townboysarekidnappedbyJamesWhitley,aderanged,warm-eyedpsychopath.Hisgrotesquepursuittoreuniteorphanedchildrenwiththeirdeceasedbirthparentsisgridlockedwhentheboysescapeandheisarrested.Twentyyearslater,Whitleyfleesduringaprisonfireanddecidestoseehismissionthrough.DetectiveLarson,oneofWhitleyspriorvictims-andnowacop-isremovedfromthecaseduetoimpartialityleavinghispartnerandlover,DetectiveShotwelltosolvethecase.Fueledbyrageandachanceofredemption,DetectiveLarsonchasesthesteadfastpsychopathonhisown,onlytofallbackintothesametrapheonceescapedasachild.
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Belgiandirector/screenwriterBertScholiersjumpsallovertheplaceinhisimaginativefeaturedebut.OnemomentweareinanAntwerppub,thenextwearewalkingacrossanexpanseofsnow,theninacosmicblackholeorchasingaflyingpineapple.ThisishowbestfriendsCharlieandHannah’sdrink-fuellednightpansoutafterswallowingamagicalsweetthatchangestheworldsurrealistically–alsoforeveryonearoundthem.Thelaconictwenty-somethingsrespondtotheseeventswithamusedamazement(whethertheywindupinapre-warbrothelorareblowntosmithereensbyanatombomb),allthewhilesaunteringalonganddiscussingthereallyimportantstuff:dealingwithexesandrelationships.LikeatrippingWoodyAllenorNoahBaumbach,Scholiersplayswithform,usinginventivevisualhumour,colourandblack-and-white,switchingaspectratiosandreferringtosilentmoviesandItaliangiallohorror.
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乔舒亚·洛根
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AMichiganfarmerandaprospectorformapartnershipintheCaliforniagoldcountry.Theiradventuresincludebuyingandsharingawife,hijackingastage,kidnapingsixprostitutes,andturningtheirminingcampintoaboomtown.Alongthewaythereisplentyofdrinking,gambling,andsinging.Theyevenfindtimetodosomecreativegoldmining.
