Fon
搜索"Fon" ,找到 以下影视作品
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奥利弗·马苏奇
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西尔维斯特·格罗特
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安杰丽娜·汉奇
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Wolf
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Danny
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Homann
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尼娜-弗瑞得里克·吉娜迪格
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尼古拉·卡斯特讷
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Marita
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Marschall
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Pierre
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Besson
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Sebastian
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Schwarz
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瓦伦蒂娜·绍卡
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卢卡斯·图尔图
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Fabian
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Harloff
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Christian
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Beermann
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Bernhard
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Conrad
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Pauline
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Fusban
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Thomas
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Lawinky
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Oda
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Thormeyer
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Stephanie
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Schadeweg
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Norman
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Ha
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Inspiredbyatruecrimecase,thefictionalsix-partseries"GermanCrimeStory:Gefesselt"followsthestoryofoneofGermany’smostnotoriousserialkillers,theso-called"acidbarrelkiller."RaikDoormannstrikesfearintotheHamburgareaintheearly80sand90s,ashekidnaps,torturesandbrutallykillswomeninhisownnuclearbunker.ItisnotuntilNelaLangenbeck,avictimcounselorandlaterhomicidedetective,comesacrosscluestohisdeeds.Butatthattime,womenwithinthepolicedepartmentareregardedmoreassecretariesthaninvestigators-sosheinitiallyearnedheadshakesforherapproaches.Againstallodds,sheeventuallygetsonthetrailofDoormannandhisgruesomedeeds.
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内详
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海因米·洛伦特
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InthesecondseasonofElCid,afterthedeathofKingFernando,hissonsSancho,AlfonsoandGarcíabecamethekingsofCastilla,LeónandGalicia,respectively.Urraca,ladyofZamora,willhandlethethreadsofpowerandwewilldiscoverherdarkerside.ThedisputesbetweenthemwilltransformtheIberianPeninsulaintoafieldofbloodybattles.Ruyisknighted,butintheprocesshewillhavetosacrificewhathelovesmosttobecomeatruehero.
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菲利普·拉肖
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格雷(菲利普·拉肖 Philippe Lacheau 饰)是“捏词.com”公司的开创人,专门为须要“打保护”的客户制作种种百般的捏词跟假话。由于特其余性子跟高需要,公司的运营旭日东升。一次偶尔中,格雷相逢了名为弗洛(艾罗娣·方坦 Élodie Fontan 饰)的男子,弗洛的无邪跟纯真深深的吸引着格雷,令后者坠入情网。格雷坚信,她就是他掷中注定要寻觅的另一半。 但是,令格雷头疼的是,弗洛是一个对“扯谎”零容忍的的人,假如告知了她本人的实在身份,她必定会末路怒的扬长而去。无法之下,格雷只得用假话将本人重重包装,在虚假的假面下,格雷终于跟弗洛走到了一同,但是当他到弗洛家做客时才发明,弗洛的父亲居然就是本人的客户。
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一个复杂的谜团在1980年阿根廷的压力锅中解开,揭示了特权金钱世界究竟是多么黑暗和肮脏。当他的商业伙伴突然消失时,瑞士私人银行家伊万德维尔和他的妻子伊内斯前往布宜诺斯艾利斯,那里的军事独裁统治继续“消失”阿根廷公民。在那里,伊万努力赢得合伙人客户的信任和金钱,这让他进入了这座城市迷人的超级精英与世隔绝的高风险世界。在保护他们的财富的过程中,他会不会手上沾满鲜血?作家/导演安德烈亚斯·丰塔纳(AndreasFontana)深谙他在其大胆的处女作中所描绘的颓废世界,部分灵感来自他的祖父,他是一位瑞士金融家。FabrizioRongione(《两天一夜》,MIFF2014)饰演Yvan非常出色,而StéphanieCléau则将他视为他的麦克白夫人般的配偶,她比丈夫的客户的利益更重要。与MarianoLlinás(LaFlor,MIFF2019)合着,Azor是一段令人印象深刻、令人着迷的阿根廷黑暗中心之旅。
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ThreeclosefriendssetoffonajourneytoAyvalikandthentotheirreshapedfuture.
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Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
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ItsbeeneightdayssincetheclownfirstshowedupinGreenBay,WI.Now,overthecourseofonenight,fourdifferentgroupsofpeoplecrosspathswiththeclowneveryonecallsGagsandhistrueintentionsarefinallyrevealed.
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西德尼·吕美特
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一个在贫民窟长大的18岁少年因为涉嫌杀害自己的父亲被告上法庭,证人言之凿凿,各方面的证据都对他极为不利。十二个不同职业的人组成了这个案件的陪审团,他们要在休息室达成一致的意见,裁定少年是否有罪,如果罪名成立,少年将会被判处死刑。十二个陪审团成员各有不同,除了8号陪审员(HenryFonda饰)之外,其他人对这个犯罪事实如此清晰的案子不屑一顾,还没有开始讨论就认定了少年有罪。8号陪审员提出了自己的“合理疑点”,耐心地说服其他的陪审员,在这个过程中,他们每个人不同的人生观也在冲突和较量……
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réalisation Judith Du Pasquier un film de Sylvie Quesemand Zucca et Judith Du Pasquier production Abacaris Films coproduction ARTE France avec la participation de LCP Assemblée nationale soutien Fondation France, CNC, DICOM, Paroles et Cultures, PROCIREP et ANGOA diffusion ARTE France L’anorexie reste une énigme pour les familles, pour les médecins, pour les jeunes filles elles-mêmes. Pourquoi donc s’imposent-elles ces privations extrêmes En France et en Europe, les récits éclairants de femmes guéries et les réflexions de soignants très impliqués abordent l’univers complexe des anorexies contemporaines et explorent les nouvelles manières de soigner. Sélection Prix Média d'Enfance Majuscule 2017