Mariela

Sorn,anethnicShansexworker,copeswithhisbitterrealityinChiangMai,Thailandbyimagininghimselfinhisclients’lives.Heisdrawnintoacomplexrelationshipwithoneclient,apoliceofficerinvestigatingapoliticalactivist,evenashetriestobuildafutureofhisownasarefugeefarfromhome.

John Kent (Randolph Scott), a former star football player at Harvard, goes to Paris with his friend Huck Haines (Fred Astaire) and the latter's dance band, the Wabash Indianians. Alexander Voyda (Luis Alberni) has booked the band, but refuses to let them play when he finds the musicians are not the Indians he expected, but merely from Indiana (Huck Haines and his Indianians Band).　　John turns to the only person he knows in Paris for help, his Aunt Minnie (Helen Westley), who owns the fashionable Roberta gown shop. While there, he meets her chief assistant (and secretly the head designer), Stephanie (Irene Dunne). John is quickly smitten with her.　　Meanwhile, Huck unexpectedly stumbles upon someone he knows very well. Countess Scharwenka, a temperamental customer at Roberta's, turns out to be his hometown sweetheart Lizzie Gatz (Ginger Rogers). She gets Huck's band an engagement at the nightclub where she is a featured entertainer.　　Two things trouble John. One is Ladislaw (Victor Varconi), the handsome Russian deposed prince and doorman who seems too interested in Stephanie. The other is the memory of Sophie (Claire Dodd), the snobbish, conceited girlfriend he left behind after a quarrel over his lack of sophistication and polish.　　When Aunt Minnie dies unexpectedly without leaving a will, John inherits the shop. Knowing nothing about women's fashion and that his aunt intended for Stephanie to inherit the business, he persuades Stephanie to remain as his partner. Correspondents flock to hear what a football player has to say about feminine fashions. Huck gives the answers, making a lot of weird statements about the innovations John is planning to introduce.　　Sophie arrives in Paris, attracted by John's good fortune. She enters the shop, looking for a dress, but is dissatisfied with everything Stephanie shows her. Huck persuades her to choose a gown that John had ordered discarded as too vulgar. When John sees her in it, they quarrel for the final time.　　John reproaches Stephanie for selling Sophie the gown. Terribly hurt, Stephanie quits the shop. With Roberta's putting on a fashion show in a week, Huck takes over the design work, with predictably bad results. When Stephanie sees his awful creations, she is persuaded to return to save Roberta's reputation.　　The show is a triumph, helped by the entertaining of Huck, Countess Scharwenka, and the band. (A pre-stardom Lucille Ball, with platinum blond hair, appears uncredited in her first RKO film[4] as a model wearing an elaborate feather cape, after the vocal by Dunne, in the fashion show.[5]) The closing sensation is a gown modeled by Stephanie herself. At the show, John overhears that she and Ladislaw are leaving Paris and mistakenly assumes that they have married. Later, he congratulates her for becoming a princess. When she informs him that Ladislaw is merely her cousin and that the title has been hers since birth, the lovers are reunited. Huck and Lizzie, who decide to get married, do a final tap dance sequel.

ThecontinuationofKao,Pete,SunandMorksstory.KaoandPetebeinginablissfulromance,havegrowncloser.ButwithKaobeingclosetedfromhismother,hefearsthedreadedthoughtofherfindingout.HismotherthenintroducesNon,asonofacolleague,asherequirestutoringfromKao.WithNonconstantlygivingoffiffyvibestowardsKao,itonlyfuelsPetesjealousy.Theirrelationshipisputinstrain,butthroughthis,theymustultimatelyovercomeeachothersflaws.Theybothblossomintheiryouthfulnesscoatedbytheireverlastingfondnessforoneanother.Surroundedbythewonderofdarkblue,PeteandKaosurrendertotheirfeelings.SunstartstakinghintsfromhisunrequitedloveandslowlygivesuponKao.ThroughthisMorkhappenedtopossiblycomforthim.WhilstSunpushesRaintostayawayfromMork,theyoungermansuncontrollablebehaviourbringshimin.Ashiswildnessisintriguing,SunsseriousnessholdsMorkdownsomewhat.Underneathitall,thetwostarttocareforeachother.However,withMorksdangerouslife,hecantshakewhoheis.ButmaybehecanforsomeonelikeSun.

Animprisonedcriminalratsouthisformerbossforonelastchancetoreunitehisfamilyandbecomethefatherheneverwas.

Stand up comedy from the Colombian Liss Pereira, about the truths of sex, love, attraction and lies of modern relationships.

London1864.OnaHackneyboundtrain,aguarddiscoversbloodinafirstclasscarriage-andabodyontherailwayembankment.Forthefirsttime,amurderhastakenplaceonBritain'srailways.Overahundredyearslater,thissingledocumentaryforBBCTwousesthefirsthandtestimonyofthepeopleinvolvedatthetimetoexplorethisuniqueeventandhowitprovokedahugepublicoutcryanddebate.Thestoryquicklybecameanewssensationasthedangersofthebravenewworldofthetrainwerelaidbare.Overahundredyearslater,thewitnessestothisstorymaybelongdeadbuttheirwordssurviveincourttranscripts,memoirs,lettersandvividjournalism.Thesetestimoniesarenowusedtotellthestory,takingthedocumentarydeepintothenineteenthcenturytomeetanextraordinarycrosssectionofreal-lifeVictorianLondon-fromtheenginedriverwhofoundthebodytothedetectiveinchargeoftheinvestigation.WhokilledMrBriggs?

　　西班牙近年最具写实震撼力的家庭暴力电影，以倒叙形式纪录夫妻由一见钟情变成拳头怨侣的痛爱过程。一次比一次的残酷暴力，震撼人心。已说不清当初一见锺情的模样，只记起第一次的争吵，第一次出手伤人。妻子因循保守的家庭教养，以为哑忍了事却只换来更残苛的暴力。　　和所有隐藏着暴力的家庭一样，Angela和Joaquin最初也曾经是令人羡慕的一对，他们通过工作关系而认识，一见钟情，很快举行婚礼。他们第一次吵架是因为Angela在怀孕期间抽烟，Joaquin第一次出手伤人也是因为Angela的抽烟，然后是更多的吵架，更多地打人，和转瞬即忘的忏悔。当然到后来，Joaquin打妻子的理由已经越来越多了：偷看Angela大学朋友的来信而吃醋，因为Angela不想与他做爱而恼羞成怒，凡此种种。　　Angela 也没有更多地选择，因为在西班牙的法律中，Joaquin的惩罚最多只是被罚款20000元或者监禁5个小时，然后Angela将面临更多的骚扰和暴力。 Joaquin唯一只能做的是逃避，逃避不了的时候承受，以及发出“这是种什么该死的正义啊？”这样的疑问。　　结局是令人心酸的。在最后一次 Joaquin对Angela的施暴中，Angela终于奋起还击，将丈夫五花大绑捆在椅子上，痛痛快快地发泄了一顿。Joaquin挣脱了捆绑， Angela的朋友及时出现，混乱中朋友手里的枪响了……最后Joaquin被送进了医院，成了植物人；而Angela则生下了两人的第二个孩子。《爱得太狂》（Sólo mía）是一部于2001年上映的西班牙电影，由哈维尔·巴拉格尔执导，álvaro García Mohedano和亚松森·巴拉格尔共同编剧。影片的主演包括塞尔希·洛佩斯、帕斯·贝加、埃尔薇拉·明戈斯和布兰卡·波蒂略。影片讲述了一个爱情故事，涉及到爱、痴迷和复仇的复杂情感。故事的主角是一名年轻而富有吸引力的女子莫妮卡（埃尔薇拉·明戈斯饰），她对自己的丈夫何塞（塞尔希·洛佩斯饰）产生了病态的狂热爱慕之情。莫妮卡的爱慕逐渐演变成了对何塞的控制和暴力，导致他陷入了无法摆脱的困境。影片通过一系列闪回和倒叙的手法，揭示了莫妮卡过去的经历和她对何塞的痴迷起源。观众逐渐了解到莫妮卡曾经经历了一段艰难的童年和痛苦的家庭环境，这些经历造成了她心理上的扭曲和对爱情的不正常追求。《爱得太狂》以其紧张刺激的情节和精彩的演员表演而获得了赞誉。导演哈维尔·巴拉格尔通过紧凑的叙事和紧张的氛围，成功地捕捉了主人公之间的紧张关系和心理斗争。塞尔希·洛佩斯和埃尔薇拉·明戈斯的出色表演为电影增添了张力和真实感，他们塑造了复杂而具有吸引力的角色形象。

Women on the Run. Vera has lived a wonderful life with Jindrich, and she is fully determined to fulfill his last wish - running a marathon. The emancipated and spirited mother of three daughters doesn't think that doing so will be a problem. She and her daughters will split up the route into four parts, and they'll overcome the over 42-kilometer-long challenge as a family relay team. Of course, the fact that neither of them has ever ran even a meter poses no problem.

The Story is about a power battle which is taking place in the higher echelons of power unrelated and unconnected episodes occurring in different parts of the globe, Intertwine in an unforeseen manner to a revelation of mind games. The story delves the audience into the game of a brilliant master mind to reveal the true nature of all that are in册ved. It challenges the perceptions of who is the hunter and who is the hunted. It blends in a thrilling story with commercial elements of story telling to deliver a high octane action entertainer appealing to all segments of the audience.

该剧是《欲望都市》（SexandtheCity）的正统前传，故事描述《欲望都市》主人公之一CarrieBradshaw（AnnaSophiaRobb）的高中岁月（上世纪八十年代）－－爱情、性、友情、亲情、高中学习和曼哈顿的交际场是她生活的全部。StefaniaOwen扮演Carrie的妹妹Dorrit，14岁的叛逆少女：染了头发，被警察逮捕，而且很善于在别人面前演戏。她所做的一切都是为了获得别人的「关注」，提高自己的影响力。KatieFindlay扮演Carrie年纪最大的好友MaggieLanders，一个典型的小镇女孩，是当地警长的女儿，渴望有一天离开小镇到外面去闯荡，但又不知道自己离开以后能干些什么。EllenWong扮演Carrie的死党JillThompson，人送外号「老鼠」。她对Carrie很忠诚，为人很阳光，也很务实。AustinButler扮演男主人公SebastianKydd，他的到来将搅乱学校里平静的气氛。