Vilen

Sparks fly when a dog walker with hidden artistic talent becomes the subject of an art history professor's plans to Impress her employers at an art exhibition.

Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...　　Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

Before Krypton exploded and Jor-El put his baby son, Kal-El, in a rocket ship to Earth, the bene册ent ruler was forced to banish three irredeemable criminals to another dimension called The Phantom Zone. The trio's leader, General Zod, vowed revenge. Later, of course, Kal-El grew up to become Superman, Earth's mighty champion. A battle with the criminal mastermind, Lex Luthor, ends with Superman hurling a nuclear warhead into space where it explodes, but not harmlessly. Instead, it frees the Kryptonian threesome from their other-dimensional prison. They soon discover they have almost unlimited power (the same powers, in fact, as Superman), which they use to take over the Earth. Meanwhile, the intrepid reporter, Lois Lane, learns that her bumbling colleague, Clark Kent, is really Superman, a revelation that leads to him bringing her to his frozen Fortress of Solitude and renouncing his powers in order to make love to her. It is only when Superman and Lois return to civilization that they learn of the three Kryptonians and how Lex Luthor has joined forces with them. Now, Superman must reverse the irreversible and regain his powers in order to save mankind.

MariaEugeniaSampedro(Mariu)bymistakeiscaughtupinthemurderofCoraliaGalvez,EmilianoGalvezs(CarlosMontilla)belovedwife.Inastoryofobsessivepersecution,frustration,passionanddesire,MariuwillfallinlovewithEmiliano,herprosecutor.Shemustchoosebetweenkeepingtheloveofherlifethroughsilenceorloosinghimbyrevealinghertrueidentity.埃米利亚诺是委内瑞拉著名的爆破专家、化学博士，并即将取得律师学位。他被称为——没有警察身份的警察。玛丽欧是个美丽、活泼、性格刚烈的女孩子。但生活的艰难使她不得不常常与富人斗争。此时母亲由于失业，心情沉重而犯了哮喘病。玛丽欧的弟弟和妹妹一筹莫展，一家的重担都压在了玛丽欧的身上。故事就发生在两个人之间。

WhenKiraSlaterinheritsanAnimalReserveinSouthAfricashemustdecidewhethertosellitorleavethesafetyofherlifeinChicagoandriskeverythingforthisnewworldshehasfalleninlovem.77mi.ccwith.Seeingthechildrenfromtheschoolherunclebuiltandwitnessingthebeautyofanimalswalkingfreelyintheirnaturalhabitatwillconvinceherwhattherightchoiceis.

　Michael, a Danish gangster, takes his girlfriend, Sascha, and his extended criminal family on a luxury vacation in a fancy villa in gorgeous Bodrum, Turkey. Shopping, waterparks, barbecuing, and hardcore partying fill their days and nights. Having little regard for anything or anybody outside their world, they exist in a bubble of excess that is governed by Michael’s rules—and if the code is broken, they all know that violence will follow. But when Sascha befriends a Dutchman with romantic designs on her, she toys with Michael’s authority and creates a situation that cannot end well.　　In a breakthrough performance, Victoria Carmen Sonne fully commits as Sascha, the complex young moll that eludes assumptions and expectations. First-time writer/director Isabella Eklöf has a dynamic visual touch and a flair for dark comedy and creates a destabilizing discord as she elaborately fills the frame with colorful, seductive images while telling a disturbing, graphic tale of brutality and power. Holiday provokes, challenges—and even implicates—the viewer in its unsettling reflection of our times.

[InAsYouSee,Farockisearchesforthoseinstancesandfactsinthehistoryoftechnologythathavebeenoverlookedorignored,alsoexploringtheambivalentrelationshipbetweentechnologiesdevelopedforciviluseandthosedesignedformilitarypurposes.Thusthefilmforinstancedescribeshowinthe1970'sworkersattheBritisharmsfactoryLucasAerospaceattemptedtod...

Follows a group of girlfriends from Assam and Meghalaya, north-eastern states in India, gathering in the back streets of Delhi to throw a secret wedding party for a soon-to-be bride. Terrorised by their rottweiler of a landlady and with their boyfriends utterly useless as help, the group's already disorganized plans soon go further awry. As the women cook the traditional Axone wedding stew (a pork stew with pungent local herbs), neighbors complain about its powerful smell. However, they are determined to prepare the aromatic dish. With the challenges brought on by cultural difference and the pressures of being migrants in a seemingly unfriendly city, is food and love enough to save the day?

故事紧接着上一季继续发展。丹妮莉丝（艾米莉亚·克拉克EmiliaClarke饰）率领着她的军师们和无垢者大军终于返回了一切开始的地方——龙石岛，在那里，她同她的盟友们汇合，在提利昂（彼特·丁拉基PeterDinklage饰）的建议下，她飞鸽传书给远在北方的琼恩（基特·哈灵顿KitHarington饰），试图得到他的臣服。那边厢，瑟曦（琳娜·海蒂LenaHeadey饰）的武断和残暴令国家陷入了四面楚歌的境地，只有詹姆（尼可拉·科斯特-瓦尔道NikolajCoster-Waldau饰）依然不离不弃的守候在她的身后。镜头转向北境，琼恩和珊莎（索菲·特纳SophieTurner饰）之间的分歧越来越大，与此同时，他收到了身在大学城的山姆威尔（约翰·布莱德利JohnBradley）的来信，信上说在龙石岛的下面，埋藏着数量巨大的龙晶，这是唯一能够抵挡异鬼入侵的武器。

Djibi et Ange, deux adolescents à la rue, arrivent à l’Archipel, un centre d'hébergement d'urgence au cœur de Paris. Ils y affrontent des vents mauvais, des vents contraires, mais ils cherchent sans relâche le souffle d'air qui les emmènera ailleurs. Et c'est avec l'écriture et le chant qu’ils s’en册ent… et nous emportent. Une plongée au coeur de l’Archipel, un centre qui propose une façon innovante d’accueillir les familles à la rue.