Deist
搜索"Deist" ，找到 以下影视作品
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‘TreasuresfromtheWreckoftheUnbelievable’chartsthestorybehindDamienHirst’smostambitiousprojecttodate.Almosttenyearsinthemaking,theeponymousexhibitionwasdisplayedacrossthePuntadellaDoganaandPalazzoGrassiinVenicefrom9thApril–3rdDecember2017.HirstcollaboratedwithdirectorSamHobkinsonandproducerNicolasKenttochronicletheexhibi...
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
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在8×01、8×02《High-ValueTarget&BellyoftheBeast》中，海军罪案调查处未能找到内奸，国防部次长CorbinDuggan（JacksonHurst）坚持要更换洛杉矶小组的负责人，从Hetty和Granger手中全面接管洛杉矶小组。与此同时，洛杉矶小组前往叙利亚抓捕一名「高价值目标」。任务出现差错，一名队员在行动中严重受伤。
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Thescreenplaytellsthestoryofthetoxicrelationshipbetweentwostrong,independentwomenwhoareawarethattheyarealoneintheworld:Beatriz,whohasapparentlyachievedeverythinginlifethatshesetouttodo;andSofía,whothinkssheisreadytodowhateverittakestogetthelifeshebelievesshedeserves.
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Just over 40 - years ago, marriage in China was arranged by the state. Romantic love was seen as a capitalist concept and was not allowed during this period. Wedding photography (if any at all) consisted of one black and white passport photo of the couple (dressed in Mao- style outfits) as proof of the marriage. Now, China has fallen in love with love and its exploding wedding industry is worth 80 - billion dollars, and it is on an upward curve. Pre-wedding photography is one of the most significant and curious parts of the industry. Every couple marrying in China will take part in a pre-wedding shoot. It in册ves several costume and backdrop changes where you can become a character in any fantasy you choose. For the most exotic lo- cations couples pay up to $250 - 000 - AUD. Pre-wedding photo shoots have become an important national ritual. They are proof of the marriage but now also of love, romance, freedom, status, money and the new China Dream. As an expat living in Shanghai with a long history of coming to China, Sinophile photographer Olivia Mar- tin-McGuire was captivated by the construction of dreams through this booming photographic world. Once she started to delve deeper into this new traditional she found a unique window into China. One that revealed a country dreaming, a country rapidly booming and a country reconstructing its recent past trauma all through their own lens. China Love takes us on a wild journey into the warmth of the family web in China into the hearts of our characters and into their personal dreams with an understanding of why and where these aspirations come from. The project explores China's new position as a globalised country from its restrictive and highly traditional past - through the window of its booming wedding industry and asks what is the new China Dream when it comes to love.
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艾比·雅各布森
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The non-binary comedian Mae Martin speaks of a world that has gone off the rails. Among other things, Mae Martin mentions a mythical encounter with a moose and the gender spectrum in the story Beauty and the Beast.
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艾米莉·阿特夫
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罗伯特·勒贝克(RobertLebeck)曾为罗密·施奈德(RomySchneider)拍摄过一组世界闻名的照片。这组照片捕捉到了施奈德矛盾的天性，她的热情、忧郁和痛苦。勒贝克同样还拍照记录了1981年在基伯龙经罗密·施奈德允许，《明星周刊》(Stern)的记者迈克尔·于尔格斯(MichaelJürgs)为她进行的一次传奇访谈（尽管她之前与德国媒体的交锋并不美好）。施奈德退休后来到了这个布列塔尼地区的温泉小镇疗养，她长期亲密的朋友希尔德陪在她身边。这次访谈和拍下的黑白照片奠定了电影的基础，该片抓住了采访的这三天中的特殊氛围，施奈德在采访中完全敞开心扉——直至崩溃的边缘。随着施奈德越来越坦诚地展现自己真实的一面，越来越多地让这位明星背后的人们走向台前，这四个人之间的互动也就变得愈发有趣。施奈德开始用自己完全缴械的真诚去瓦解这位愤世嫉俗的记者的拘谨，而希尔德则不顾一切地想保护施奈德不被自己的坦诚伤害。在这组照片中，勒贝克重新发现了施奈德许多不一样的方面。一位迷人的女演员和一个毫不吝惜奉献全部但又坚信自己从未被真正理解的女人，这组照片捕捉到了她多面的形象。
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The lives of Mouna, a weather scientist who falls in love with Yaazhan, a quirky and loving guy. What happens to their relationship after a couple of years and how things take an unexpected turn after the arrival of Malarvizhi
