Habs

Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...　　Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment

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KBS独幕剧《19海獭们》讲述随身带着“退学申请”的两个19岁青年的悲伤的初恋故事，10月播出。

「我理想中的家」是出演者真的到妄想中的浪漫之家生涯的“栖身感检讨真人秀”节目。朴美善担负“FANTA家修筑公司”所长,经由过程本人的教训沉着直接评估并激发共识。SBS公聘笑星出生的曹世镐初次在SBS担负主MC实现“背井离乡”,将用布满热忱的材料考察跟滑稽感带来笑脸。

　　The newest film from Greek director Syllas Tzoumerkas and his second collaboration with Angeliki Papoulia, star of the New Greek Cinema (Dogtooth, The Lobster), is a fierce and untamed crime tale, told in larger-than-life images.　　柏林电影节全景单元

In Post Apocalyptic North America, one family fights for survival in this sci-i road trip of epic proportions in a nightmare world without gasoline, electricity, or humanity. Sheltered mother Kate (Krista DeMille, Best Actress IIFA, SIFF, BSFFF) loses her injured survivalist husband Sam (Ron Roggé, 13 - Reasons Why, Stranger Things) and love struck daughter Suzi (Andrea Sweeney Blanco) in a matter of days after they join handsome loner Joe (Jesus Lloveras) in search of a rumored hidden nuclear bunker full of food and medicine. Suddenly alone and lost, Kate fights to stay alive and reunite with her family. Nature will survive. Would we?

Follows a group of girlfriends from Assam and Meghalaya, north-eastern states in India, gathering in the back streets of Delhi to throw a secret wedding party for a soon-to-be bride. Terrorised by their rottweiler of a landlady and with their boyfriends utterly useless as help, the group's already disorganized plans soon go further awry. As the women cook the traditional Axone wedding stew (a pork stew with pungent local herbs), neighbors complain about its powerful smell. However, they are determined to prepare the aromatic dish. With the challenges brought on by cultural difference and the pressures of being migrants in a seemingly unfriendly city, is food and love enough to save the day?

コメディー特番『君は天才！～渡辺謙がコメディーに挑戦!!』が、8月10日にNHKBSプレミアム、9月28日にNHK総合で放送される。渡辺謙がコメディーに挑戦する同番組は、広告代理店「電報堂」が舞台。渡辺演じる親分肌の営業部長?五十風を中心に、注意されるとパワハラをちらつかせる新人、ネガティブ発言ばかりの営業マン、発言がストレートな帰国子女、女性タレントにだけ積極的なコピーライター、たまにヒットを出すプランナーらが繰り広げる人間喜劇を描く。共演者は、キャリアウーマン風のチームリーダー?向坂塔子役を演じる長谷川京子をはじめ、要潤、池田エライザ、北村匠海、山中崇、上川周作、バッファロー吾郎A、平祐奈、千葉雄大、久本雅美、田中健、JUJU、松重豊ら。演出?脚本はドラマ『深夜！天才バカボン』『小河ドラマ龍馬がくる』、10月4日公開の映画『ヒキタさん！ご...

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