Giner
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丽贝卡·亨特
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丽贝卡·亨特
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First-timefeaturefilmmakerRebeca“Beba”Hunttundertakesanunflinchingexplorationofherownidentityintheremarkablecoming-of-agedocumentary/cinematicmemoirBEBA.ReflectingonherchildhoodandadolescenceinNewYorkCityasthedaughterofaDominicanfatherandVenezuelanmother,Hunttinvestigatesthehistorical,societal,andgenerationaltraumashe’sinheritedandpondershowthoseancientwoundshaveshapedher,whilesimultaneouslyconsideringtheuniversaltruthsthatconnectusallashumans.ThroughoutBEBA,Hunttsearchesforawaytoforgeherowncreativepathamidalandscapeofintenseracialandpoliticalunrest.Poetic,powerfulandprofound,BEBAisacourageous,deeplyhumanself-portraitofanAfro-Latinaartisthungryforknowledgeandyearningforconnection.
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罗伯特·泽米吉斯
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在美国洛杉矶有一个专供卡通人物居住的“图恩城”，卡通明星兔子罗杰（CharlesFleischer配音）怀疑妻子杰西卡（凯瑟琳·特纳KathleenTurner配音）有外遇，拍戏时常常走神，遭到他的搭档娃娃哈曼的奚落。卡通电影公司老板马隆便雇佣私人侦探埃迪（鲍勃·霍斯金斯BobHoskins配音）去查明情况，并拍下杰西卡偷情的照片，好让罗杰下定决心，斩断情缘，专心投入卡通系列片的拍摄。埃迪因自己的弟弟特迪不久前被“图恩城”的卡通角色暗害，也急于早日追出凶手，便慨然将此事承诺下来。而随着调查的深入，事情并不像埃迪想的那么简单，其中还另有奸情，慨然将此事承诺下来，就不能轻易放弃，埃迪能否找到案件背后的真相呢……本片根据加里·沃尔夫的同名畅销小说改编，同时是一部真人和动画相结合的影片。
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Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
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In an abandoned theater, French actress Marina Vlady recites from Borges' "The Immortal"... Japanese research scientist Shin Kubota sings praises to the "immortal jellyfish"... Milan Duomo workers subject the cathedral's exquisite statues to perpetual regeneration... Swiss musician/inventors Felix Rohner and Sabina Schärer persistently refine their percussion instrument, the Hang... Native American community leaders Leola One Feather and Moses Brings Plenty preserve the centuries-old spiritual resistance of their tribe...Filmmakers Massimo D'Anolfi and Martina Parenti pay tribute to humankind's aspirations for immortality by showing us a portrait of our efforts to overcome our own limits. They share their discoveries in a visual symphony to the power and harmony of nature's elements: water, earth, air and fire. From Milan to Wounded Knee, USA, from Bern to Shirahama, Japan, the traces of the filmmakers' travels spiral into a symbol of perfection and infinity: Spira Mirabilis.
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The hit Irish comedy from producers Vico Films will be back on BBC Three for a third series in the new year. Created by Peter Foott, The Young Offenders tells the coming of age adventures of Conor (Alex Murphy) & Jock (Chris Walley) and their mother/guardian Mairead (Hilary Rose) as she tries to keep them on the straight and narrow. The best friends navigate their awkward teenage years, hatching plans and adventures to help distract from their tough home lives and their inability to stay out of trouble. The whole second series launched as a BBC iPlayer box-set earlier this month and has picked up an amazing 4.1 - million requests so far. Combined with the 13.5 - million for series one and last year’s Christmas special, that over 17.6 - million requests to date. Kate Daughton, Head of BBC Comedy, says: "Young Offenders is spit-your-tea out funny and heartbreakingly emotional. A rare combination that’s testament to the talents and passion of a very special cast, crew and writing team, led by creator and show-runner Peter Foott. We can’t wait to share series three - Cork’s finest have never looked finer." Fiona Campbell, Controller BBC Three, says: "At BBC Three, we love championing local voices and The Young Offenders are a brilliant success story for us. With great characters and on-point writing that is hugely relatable to our audience, we’re delighted they’re coming back for another series." Peter Foott, creator of The Young Offenders, says: "We are so grateful to BBC Three and thrilled that they had such faith in the stories and characters of The Young Offenders that they commissioned a third series from us. We had a lot of fun filming series two and three back to back over the summer in Cork, and we can't wait for everyone to see more of Conor, Jock, Mairead and all the characters next year in our third series. "We've been amazed at the huge reaction to series two so far, and we're so happy that we can officially announce that there's more on the way for fans of the show." The Young Offenders has been commissioned for BBC Three by Fiona Campbell, Controller of BBC Three and Shane Allen, Controller, BBC Comedy Commissioning. The Commissioner for the BBC is Alex Moody. The Executive Producer for Vico Films is Peter Foott, the Producer is Tim Whitby. The Young Offenders series two continues on Monday nights on BBC One and is available on BBC Three & BBC iPlayer.
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多少位制片人泄漏,编剧组现在曾经制订出完全的「第二季剧情线索蓝图」。第一季开头留下了许多疑难,此中最大的一个是：毕竟存在多少个平行天下！Olivia曾经切身阅历了此中的一个,她还会阅历另一个吗！大少数DC漫画中所描写的「无穷地球」不雅点（Infinite Earths）,会涌当初「危急边沿」中吗！ 显然不会。Jeff Pinkner明白否定本剧存在「主地球」!「地球2」!「地球3」如许的不雅点。「危急边沿」的故事空间仅仅限制于「咱们的天下」跟「另一个天下（平行天下）」。换句话说,本剧只存在两个天下,不会有来自1000个差别天下的Peter构成「Peter雄师」。Alex Kurtzman说,他没推测编剧组会那么早引入平行天下这个不雅点,这完全出乎他当初的假想。 当有人问「本剧能否有剽窃「X档案」的怀疑」时,Robert Orci笑称,当他们制造「双面女特务」（Alias）时,他人说他们剽窃「谍中谍」（Mission Impossible）；当他们制造「谍中谍3」时,他人又说他们剽窃「双面女特务」,让人啼笑皆非。他人要怎样说,也只能由他们去说了。 当有人讯问Olivia与种种边沿案件有何接洽时,Anna Torv说：「我不清晰,由于他们（编剧组）也不清晰。」至于Olivia为什么从当初的「意志坚决」酿成「到处疑惑本人」,Anna Torv说,那是由于Olivia在梦中见到本人杀人后发生了恐怖感。 Joshua Jackson则先容说,第二季将部门提醒Peter的从前。第一季的重要人物关联是「Peter跟Walter的关联」,第二季也差未多少。有人破刻问了一个让全场不雅众尖叫的疑问：Peter跟Olivia会发生恋情吗！那会给他们的考察任务带来费事吗！John Noble破刻接过发话器给Joshua Jackson上台。他说,Peter第二季会跟Walter探讨这个疑问,而Walter会疏导Peter：放宽解,不会有影响的。 John Noble还泛论了他对Walter这自我物的意见。他说,他不以为这个脚色「差别凡响」,然而他也不清晰这个脚色的底线毕竟在那里。Walter的一些行动是「天然而然」的,他乃至不晓得本人「有滑稽感」。 Jasika Nicole则谈到,她的脚色一天到晚跟Walter待在一同,是由于她爱好他。而她作为一个「万事通」,对Walter的研讨任务也很有赞助。 对于新季,Roberto Orci旁敲侧击说了一大堆空话,Alex Kurtzman则很索性地说了一句话：「战役行未降临。」 有不雅众问,为什么将William Bell的OL设活着贸大厦双子座！两位制片人答复：这年初要让人信任「平行天下」的存在,另有什么比世贸双子座更有压服力的呢！除此之外,平行天下里的世贸双子座另有激烈的隐喻义：它们代表一自我差其余「两面」。由于世贸大厦双子座是比拟敏感的话题,制片公司跟剧组重复协商了多轮才终极敲定。 有不雅众问,咱们曾经晓得Peter来自另一个天下,谁人天下的Walter能否会想法把他弄归去！「谁人Walter」就是Walter在精力医院里瞥见的「幻影」吗！狡诈的制片人连说三个单词：「Yes, No, Maybe.」 有不雅众问,平行天下里的人物会涌现吗！Anna Torv开顽笑地说,Olivia跟平行天下里的Olivia坚持着电子邮件跟德律风接洽,正迫不迭待地要见上一面。Roberto Orci一变态态,用很严正的口吻说：「那是相称有可能的～」没法判定他是在开顽笑仍是说真的。 有不雅众问,William Bell（Leonard Nimoy）第二季会是惯例脚色吗！Jeff Pinkner答复,Leonard Nimoy想涌现多少次都能够,全凭他本人决议。咱们可能会再会到他,可能不会破即发生,但他的存在将影响所有后续剧情。 有不雅众问,第一季开头时,William BellOL的一张报纸表现,奥巴马搬进了「新白宫」。那能否象征着平行天下里世贸大厦被保存上去,而白宫被撞毁了！谜底是……没错,「这就是阴跟阳的关联」。 有不雅众问,你们的灵感是哪儿来的！Roberto Orci哈哈大笑：「报纸上,消息里,迷信版（或许与迷信有关的部门）。」 制片人还证明,他们将逐步「废弃」被称作「The Pattern」的货色。你可能也留神到了,在第一季的后半段,「The Pattern」这个名词提得很少。本剧将向「脚色驱动」的偏向开展,而不会过多地纠葛于「The Pattern是什么货色」,「The Pattern该怎样处理」。 该剧剧组已团体搬家到加拿大的温哥华,不会再回到纽约。 第二季将于9月17日播出,牢固档期已由本来的礼拜二改为礼拜四。
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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
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上世纪八十年代中，美国处于列根的保守政权之下，正经历爱滋病危机。《天使在美国》正讲述在这种社会背景下，一群纽约客徘徊生与死、爱与性、天堂与地狱之间，挣扎求存、奋斗的故事。东尼．库什纳（TonyKushner）的《天使在美国》可谓近几十年来最重要的戏剧之一。此剧共分两部分，总长逾七小时，于1992年至1993年间在伦敦英国国家剧院首演，并赢得普立兹戏剧奖等多项大奖。该剧有趣又感人，尖锐又富有深刻洞见，以充满想象力的方法，探讨爱、痛苦、疾病、死亡、信仰、政治等主题，即使在25年后的今天，仍然发人深省。本次复排版的演员阵容鼎盛，荷里活及英国剧界的一线演员纷纷登场。饰演主角普莱尔的安德鲁加菲（AndrewGarfield）曾获奥斯卡最佳演员提名，代表作包括电影《蜘蛛侠：惊世现新》（TheAmazingSpider-Man）及《钢锯岭》（HacksawRidge）。其他主要演员包括主演BBC剧集《宝拉》（Paula）的丹妮斯高弗（DeniseGough），曾演出《星球大战：原力觉醒》（StarWars:TheForceAwakens）的占士麦卡德（JamesMcArdle），曾演出英国国家剧院《高校男生》（TheHistoryBoys）的罗素托维（RussellTovey），以及演出音乐剧《金牌监制》（TheProducers）和电影《假凤虚凰》(TheBirdcage)的尼芬连恩（NathanLane）。本剧导演玛丽安．艾略特（MarianneElliott）是奥利花奖及东尼奖双料得主。她为英国国家剧院导演的《深夜小狗神秘习题》（TheCuriousIncidentoftheDogintheNight-Time）及《雷霆战驹》（WarHorse）都大获成功。这次，她为我们谱写了一曲感人至深的人性赞歌。
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盖尔·曼库索
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TheConnershasbeenrenewed!KareyBurke,president,ABCEntertainment,announcedthattheABCTelevisionNetworkhasorderedasecondseasonofthefreshmanhitcomedy.
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Before Krypton exploded and Jor-El put his baby son, Kal-El, in a rocket ship to Earth, the bene册ent ruler was forced to banish three irredeemable criminals to another dimension called The Phantom Zone. The trio's leader, General Zod, vowed revenge. Later, of course, Kal-El grew up to become Superman, Earth's mighty champion. A battle with the criminal mastermind, Lex Luthor, ends with Superman hurling a nuclear warhead into space where it explodes, but not harmlessly. Instead, it frees the Kryptonian threesome from their other-dimensional prison. They soon discover they have almost unlimited power (the same powers, in fact, as Superman), which they use to take over the Earth. Meanwhile, the intrepid reporter, Lois Lane, learns that her bumbling colleague, Clark Kent, is really Superman, a revelation that leads to him bringing her to his frozen Fortress of Solitude and renouncing his powers in order to make love to her. It is only when Superman and Lois return to civilization that they learn of the three Kryptonians and how Lex Luthor has joined forces with them. Now, Superman must reverse the irreversible and regain his powers in order to save mankind.
