Acaster

Withthequarantinefinallyover,thenewseasonofMythicQuestfindseveryonebackintheoffice(well,almosteveryone),attemptingtobuilduponthesuccessofRavensBanquetbylaunchinganepicnewexpansion,butIan(RobMcElhenney)andthenewlypromotedco-creativedirector,Poppy(CharlotteNicdao),strugglewiththegame’sdirection.Meanwhile,C.W.(F.MurrayAbraham)reconcilessomeunresolvedissuesfromhispast,thetesters(AshlyBurchandImaniHakim)testtheboundsofanofficeromance,andDavid(DavidHornsby)losesyetanotherwomaninhislifeasJo(JessieEnnis)leaveshimtoassistBrad(DannyPudi).

名义上,罗杰（阿卡塞尔·亨涅 Aksel Hennie 饰）是一胜景利的猎头,但他另有着另一个职业——艺术品暴徒。罗杰跟娇妻戴安娜（西诺薇·玛考迪·伦德 Synnøve Macody Lund 饰）住在一幢代价不菲的别墅中,戴安娜的画廊为罗杰的第二职业供给了得天独厚的信息网。一天,罗杰经由过程戴安娜意识了一名叫做柯勒斯（尼可拉·科斯特-瓦尔道 Nikolaj Coster-Waldau 饰）的女子,他得悉柯勒斯的家中藏有一张鲁本斯的画作,无价之宝,正面对经济危急的罗杰动心了。画作轻松的到手了,可也就在同时,罗杰撞破了柯勒斯跟老婆的私交大受袭击,这还不是最蹩脚的,本认为在现场不留下涓滴线索的罗杰发明,伤害正在垂垂迫临他跟他的错误,有一自我,正空心理的想要置他们于逝世地,一场惊天大流亡开展了。而毕竟是谁泄漏了机密！一时光,包含老婆在内,身边的每一自我都显得可疑起来。

　　Linh, an art student, moves to a new house where she encounters a ghost. She helps him to uncover the mysterious cause of his death realizing what’s important in her life.

Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...　　Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

改编自日漫《虫笼的卡伽斯特尔》的《CagasterofanInsectCage》背景是后末日时代，一种神秘病毒「Cagaster」会令人类转变成杀人昆虫，而一对伴侣得在此环境中挣扎求存。

Attheriskofhergroupssafety,ayoungwomantravelsintoaNationalForestwherehersisterhasbecometrappedinamulti-dimensionalworldofmonsters.

Amid-agehipsterinStockholmisatrainingfreakandtrainsforthe90kmskiraceVasaloppet.Hissisteristheopposite,nojob,drinksbuthasadaughter.Suddenlysecretsrevealsandpromisesaremade.

"TheOneHundred"tellsthestoryofayoungwomanwhohasjustreturnedfromaforeigncountry.Shehastostayatahoteltoquarantine,butthensuddenlycomesacrossamonsterthatcanchangeitsshapeinavarietyofways,accordingtotheindividualthatthismonsterpossesses.TheconceptofthestorywasinspiredbythestoryofBattambangwhichwastoldduringthereignofKingRamaV.

Before Krypton exploded and Jor-El put his baby son, Kal-El, in a rocket ship to Earth, the bene册ent ruler was forced to banish three irredeemable criminals to another dimension called The Phantom Zone. The trio's leader, General Zod, vowed revenge. Later, of course, Kal-El grew up to become Superman, Earth's mighty champion. A battle with the criminal mastermind, Lex Luthor, ends with Superman hurling a nuclear warhead into space where it explodes, but not harmlessly. Instead, it frees the Kryptonian threesome from their other-dimensional prison. They soon discover they have almost unlimited power (the same powers, in fact, as Superman), which they use to take over the Earth. Meanwhile, the intrepid reporter, Lois Lane, learns that her bumbling colleague, Clark Kent, is really Superman, a revelation that leads to him bringing her to his frozen Fortress of Solitude and renouncing his powers in order to make love to her. It is only when Superman and Lois return to civilization that they learn of the three Kryptonians and how Lex Luthor has joined forces with them. Now, Superman must reverse the irreversible and regain his powers in order to save mankind.

　Michael, a Danish gangster, takes his girlfriend, Sascha, and his extended criminal family on a luxury vacation in a fancy villa in gorgeous Bodrum, Turkey. Shopping, waterparks, barbecuing, and hardcore partying fill their days and nights. Having little regard for anything or anybody outside their world, they exist in a bubble of excess that is governed by Michael’s rules—and if the code is broken, they all know that violence will follow. But when Sascha befriends a Dutchman with romantic designs on her, she toys with Michael’s authority and creates a situation that cannot end well.　　In a breakthrough performance, Victoria Carmen Sonne fully commits as Sascha, the complex young moll that eludes assumptions and expectations. First-time writer/director Isabella Eklöf has a dynamic visual touch and a flair for dark comedy and creates a destabilizing discord as she elaborately fills the frame with colorful, seductive images while telling a disturbing, graphic tale of brutality and power. Holiday provokes, challenges—and even implicates—the viewer in its unsettling reflection of our times.