Garcés
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Dictator’sPlaybookTheywereruthlessmenwithuncheckedpower,controllingtheirpeoplewithanironfist.Suppressingalldissent,theydemandedabsoluteloyalty,jailing,orkillingthosewhoopposedthem.Theyruledbyforceofpersonality,butwereplaguedbysecretfearsandprivatedemons.Theyweredictators-tyrantswhoshapedthetwentiethcenturyandlefttheirmarkonourown.FromMussolinitoSaddamHussein,dictatorshaveshapedtheworldwelivein.Whatdrovetheirthirstfordominationandcontrol?Howdidtheyseizeandwieldpower?Whatforcesroseupagainstthemorresistedtheminsecret?Howdidtheyfinallycometothebitterend?Today,withauthoritarianleadersontherisefromthePhilippinestoVenezuela,thesequestionsaremorerelevantthanever.We’llanswertheminsiximmersivehours,eacharevealingportraitofbrutalityandpower.Aswemeetthemostruthlessrulersofrecenthistory,we’lltracetheirriseandfall-anddiscoverthattheytraveledawell-wornpath.Asdifferentasthesemenwerefromeachother,allofthemfollowedaseriesofessentialsteps,fromseizingpowertoeliminatingenemies-anunwrittenDictator’sPlaybook.
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InthemidstoftheimpassablelandscapeatthefootoftheAlps,ayounggroupofseriousoffendersisundergoinganexperientialeducationalprogramintendedtorehabilitatethem.Allofasudden,amemberoftheprogramdiesaviolentdeath.Nobodyknowsexactlywhathappened,andtheyouthsfaceadifficultdecision.Shouldtheywaitfortheauthoritiestorecoverthebodyandinvestigatethecrime?Or,escapeandtaketheirfateintotheirownhands?Thegroupdoesn’thavemuchincommonwitheachother,thoughonethingunitesthem;allofthemhavehadreallybadexperienceswiththeauthoritiesanddon‘texpecttobetreatedfairly.Sincetheydon’tknowwhotheperpetratoris,theyonlyhaveoneoption:torun.Upthemountains,upthehighestpeaksoftheAlps.Itseemshopelessuntiltheystumbleontoacomplexcavesystemwheretheycanfindshelterfromwind,weather,andtheirpursuers.Intheirfightagainsttheforcesofnature,theyformtheirownsociety,accordingtotheirownrules:theWildRepublic.
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唐·迈克尔·保罗
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MajorRonanJackson(DevonSawa),anaccomplishedfighterpilotfortheIsraelDefenseForcesandsonofaU.S.Senator(RobertPatrick),isshotdownwhileflyingthroughSyrianairspace.Aftermiraculouslysurvivingthecrash,JacksonistakencaptivebyagroupofHezbollahmilitiamen.Agrippingandpowerfulstorypackedwithhard-hittingaction,Jarhead:LawofReturnfollowsasquadofMarines,ledbySergeantDaveFlores(AmauryNolasco),astheyrisktheirownlivesinthehopesofsavinganallytheyvenevermet.
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Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
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A lonely tow-truck driver gets caught in a deadly struggle between a pair of bank robbers with a beautiful hostage, local cops, and a monster that has come down from the Arizona mountains to eat human flesh. Written by Sci-Fi Channel A group of thieves heist the bank of a small town and shoot a deputy. While escaping from the police chase, their van crashes another car on the road. They make the driver hostage and they run to a forest, followed by the "men-of-law". Meanwhile a "big-foot" chases both groups, and they join forces against the "thing". Written by Claudio Carvalho, Rio de Janeiro, Brazil
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伊桑·斯波尔丁
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ThemoviepicksuprightafterScorpionsRevengewheretheheroesareattackedbyShaoKahn,whichwillforceRaidenandhisgroupofwarriorsintoadealtocompeteinafinalMortalKombatthatwilldeterminethefateoftherealms.ThisforcesthegoodguystotraveltoOutworlddefendEarthrealmwhileScorpionjourneystofindtheKamidogu(amysticrelicmadebythealm...
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Before Krypton exploded and Jor-El put his baby son, Kal-El, in a rocket ship to Earth, the bene册ent ruler was forced to banish three irredeemable criminals to another dimension called The Phantom Zone. The trio's leader, General Zod, vowed revenge. Later, of course, Kal-El grew up to become Superman, Earth's mighty champion. A battle with the criminal mastermind, Lex Luthor, ends with Superman hurling a nuclear warhead into space where it explodes, but not harmlessly. Instead, it frees the Kryptonian threesome from their other-dimensional prison. They soon discover they have almost unlimited power (the same powers, in fact, as Superman), which they use to take over the Earth. Meanwhile, the intrepid reporter, Lois Lane, learns that her bumbling colleague, Clark Kent, is really Superman, a revelation that leads to him bringing her to his frozen Fortress of Solitude and renouncing his powers in order to make love to her. It is only when Superman and Lois return to civilization that they learn of the three Kryptonians and how Lex Luthor has joined forces with them. Now, Superman must reverse the irreversible and regain his powers in order to save mankind.
