Ganatra

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恐怖地窖2022
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AboutaweekaftertheWoodsfamilymoveintoXaosHouse,theirdaughterElliegoesmissingduringapowercut.Ellie'smotherKeirainvestigatesandfindsthatthewallshavestrangesymbolsengravedintothem.AfteranumberofterrifyingsupernaturalexperiencesshecomestotheconclusionthatthehousetookEllie.ShediscoversthataphysicistandoccultistcalledJohnF...
第二次机会:体操学院
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/ Emily / Mo
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Kyra Berry, a 14 year old USA gymnast arrives in Australia to try and win a scholarship at an elite Gymnastics Academy. It's a second chance but also her last.
镜子的另一面:纽波特民歌艺术节1963~1965
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
海豹第六小队
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Petty Officer Michael Davis (Jeremy Davis) is the newbie to SEAL Team VI, but after his first mission the young soldier is weathered beyond hid years. His first assignment as for the elite black ops squad is as Communications Officer for the micro ground assault team that enabled surgical aerial assaults of strategic targets in Iraq, priming allied forces for the what is now known as Operation Desert Storm. The honor of being part of the special forces unit is enriched by the fact that he is invited into the unit lead by the best, Master Chief Devon Mackefy (Ken Gamble).  The team, having just returned from one mission, is called into duty once again, because “Mac is the best”. Feeling the pull of the call, and given no option by the powers that be, our heroes go into the thick of it with the usual disadvantages - tired, short by one man and in need of gearing up in the weapons department; all with their invisibility being paramount.  The team is rounded out by Petty Officer Williams (Kristoffer Garrison), Petty Officer Sanchez (Neta De Paula) and Chief Petty Officer Roberts (Zach McGowan). The team’s only contact ii Iraqi is Jamal (Amol Shah), a Kurd who has lost his family to the war and now helps the U.S. in these isolated covert operations. Their sole mission mark aerial targets, avoid capture and stay alive for four days. But the enemy is in every direction. Tensions are high since Davis is untested in the field and Mac is distracted by a recent personal loss. All these complications threaten the success of the mission, as well as the team’s survival.
留堂生大战僵尸
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ComedyandHorroruniteinthis"TheBreakfastClub"meets"ShaunoftheDead"taleaboutagroupofoddballhighschoolstudentswhofindthemselvestrappedindetentionwiththeirclassmateshavingturnedintoahordeofZombies.Cantheyputtheirdifferencesasideandworktogethertosurvivethenight?Fatchance!ThisisHighSchoolafterall.
地狱恶魔第一季
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乔治亚州的萨凡纳市是一座谜正常的!有着[多重面孔]的都会,这里也是恶魔赏金猎人MariaAbascal(MenaSuvari)的完善故里。她30多岁,模样令人冷艳,但她的才能却远比模样更主要。她练习有素,在追击恶魔的时间无所害怕。这些恶魔附在其余人身上,假如不是她如许的恶魔猎人,基本不人能分辩出他们的实在身份。她当初的错误是她的亲兄弟David。跟那些被她追踪的人一样,Maria本人体内也有一个恶魔——Abigail。Abigail代表了Maria的暗中面,她专门吸食那些被Maria从其余人体内驱赶的恶魔。Maria跟Abigail共用一具躯体,共享一个魂魄,独特寻求一个目的。Maria尽力以赴想要彻底扑灭Abigail,但她很清晰Abigail为了在她体内永久活下去不吝采取任何手腕。ZacharyBooth表演Maria的兄弟David,他也是一名恶魔猎人,是Maria的密切搭档,但他遭到事实天下[恶魔]的困扰——染上毒瘾,且老是与疑问女人牵涉不清。BillIrwin表演Maria跟David的父亲EnosAbascal,是个异常狡诈!擅长把持他人的罪恶之徒,他引导着如雷贯耳的拜恶魔邪教[长生会](OrderofEverlasting)。DrewMoerlein表演Maria的漂亮街坊Dusty,参军中退役后在外地干琐务。LammanRucker表演ElijahBledsoe牧师,对Maria颇感兴致,Maria对他也很有好感。Bledsoe牧师的女儿Grace(PaulinaSinger)是个混血人,她阅历了异常恐怖的情绪创伤。演员兼模特LydiaHearst表演北方美人CharlotteRoberts,聪慧美艳,不害怕用本人性感的身材离开达目的。SlateHolmgren表演外地的大毒枭Sweetmouth。LaurenVelez表演Maria跟David的谍报供给人!鬼魂Tetra,她将两人引向被恶魔附体的目的。
街区斗士
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Remo Street is a young fighter who comes from a world where nothing is easy, so when he is faced with the opportunity to train with a world class coach, he has to choose between the long hard road to honor and glory, or succumbing to a brutal future as a cage fighter for the Russian Mafia.
时尚模特物语
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人气时尚杂志《LASTRADA》旗下,集聚了一群充满梦想的女孩。在她们中间,顶尖名模美保(加贺美セイラ饰)无疑成为女孩们奋斗的目标。作为专属模特的女孩雏子(本田翼饰)也是如此,她不辞劳苦,工作之余辛勤打工贴补生计,在镁光灯前展现自己最美的一面。在此期间,有的同伴因无法减肥而被放弃,有的迫于生活压力返回故乡。雏子决不放弃梦想,而她的努力也终于得到严苛主编(手冢理美饰)的肯定,得到了和美保共同拍摄写真的机会。站在顶尖的美保同样有着难以想象的巨大压力,年龄不断增长,野心勃勃的后辈如影随形,她与当年挖掘了自己的摄影师宅间(伊藤洋三郎饰)相恋,感情归宿却没有着落。繁华喧嚣过后,留给时尚女孩的还有什么……
天堂的孩子
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巴黎热闹的街上,美丽的女子Garance(阿莱缇Arletty饰)先是认识了演员FrédérickLemaître(皮埃尔·布拉瑟PierreBrasseur饰),然后又认识了BaptisteDeburau(让-路易斯·巴劳特Jean-LouisBarrault饰),她还有一个追求者Pierre-FrançoisLacenaire,一个偷东西做些坏事的人。某个夜晚,Baptiste又在酒吧遇见了Garance,他向她表白爱意,Garance也喜欢Baptiste,两人来到Baptiste居住的旅馆。Baptiste希望Garance像他爱她一样爱他,于是离开了她的房间。恰巧Garance的隔壁住着的是Frédérick,两人遂一夜春宵,坠入爱河。Garance也加入了Baptiste和Frédérick的剧团。在一次演出上,一位花花公子,ComteÉdouarddeMontray被Garance的美丽深深吸引。他来到后台像Garance表达了他的爱,但被Garance拒绝。于是Édouard留下了他的联系方式,希望Garance有难的时候可以找他。不久,Garance卷入一宗谋杀案,她只能寻求Édouard的帮助。多年过去了,随着Édouard走遍各地的Garance又回到了巴黎,又遇到了Baptiste、Pierre-François和Frédérick.....
墨西哥情书
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A washed-up trainer takes a self-destructive young boxer under his wing.
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