Tieu

A cloaked figure slips into an exclusive psychiatric clinic and murders one of the female patients. Meanwhile, various sexuals liaisons are revealed. The mystery killer continues with his massacre he beheads a nurse with a scythe, pushes a chauffeur into a spiked “Iron Maiden”, strangles an older female patient, kills a nymphomaniac with an axe, and shoots a lesbian through the neck with a crossbow. Doctor Clay and the police set a trap for the killer using one of the attractive female patients as bait. However, they are not prepared for the onslaugth that follows…

艾莉森·珍妮、安妮·墨菲(《富家穷路》)、本·普拉特将主演婚礼喜剧[婚礼上我们讨厌的人](ThePeopleWeHateattheWedding，暂译)。该片由克莱尔·斯坎伦(《初来乍到》)执导，《开心汉堡店》第二季编剧Lizziemolyneux-logelin、温迪·莫里纽克斯共同操刀剧本。该片根据格兰特·金德撰写的同名小说改编，有望成为另一个[四个婚礼和一个葬礼]。故事讲述一个不太和睦的家庭，因为一场婚礼被迫相聚，他们过去的隔阂一点点被放大，这些也正是这个家庭在重归于好的路上需要解决的问题。

TwoGermancomputerpioneerswhogotocourtinthefightagainstanapparentlyinvincibleopponentinordertoberecognizedastheinventoroftheGoogleEarthalgorithm.Theseriesilluminatesboththehackersceneinpost-reunificationBerlininthe90s,aswellastheidealisticworldofearlySiliconValleyandtheharshrealityofamulti-milliondollarprocess.

人类，如同一叶扁舟，飘浮在物欲横流的大海中，若没有清醒的头脑，足够的理智来驾驭这艘船，便很可能沉没或是迷失在茫茫大海之中，找不到出路。。Matooros（女主的嫂子）是一名社会工作者，平时只关心外面社会的事，完全没有尽到妻子和母亲的职责。而Plao（女主的哥哥),是国家政府某部门的高官，平时也只顾工作和应酬，没有时间照顾家庭。所以女主Nitima，平时除了上班之外，还要帮忙照顾哥哥的三个孩子（Pimros，Pajana，Malathip）。Matooros为了面子，经常炫耀自己权势和财力，花钱无度，但事实上其经济来源只有丈夫Plao的薪水和只存的一点积蓄。Sirin（五星级酒店老板）和Feungthong(妓院老鸨)，作为Matooros的高中同学，十分清楚Matooros的经济状况。因为平常花销大，经济入不敷出，导致Matooros脾气暴躁，对家里的佣人大呼小叫，佣人受不了，便辞职了。她便雇请了Sai的女儿Kiang，让她白天来打扫，晚上回去。因为了解到Matooros家里的情况，所以Sai和Kiang两母女都对Matooros不是很尊重。Sai还经常把Matooros家里的事到处乱说。不好的事情发生了，Nitima的侄女Pimros怀孕两个月，她来找Nitima，让Nitima带她去堕胎。Nitima不同意，便去找Plao商量。Plao和Matooros很生气，便逼问Pimros怀的是谁的孩子。Pimros被逼无奈，只好说出是Chaipon的孩子，Chaipon的父亲是富豪Dech。当Matooros知道后，便要求Pimros把孩子留下，以向Dech索求利益。事情发生后，刚好Dech出国谈生意，便由Dech的弟弟,本剧的男主角Dam来处理这件事，而这便是男女主角第一次相遇。此事导致Feungthong很不满，因为她曾经把Chooda送给Dech当情妇，还妄想让自己的妹妹Fathong和Dam订婚，因为她相信，即使男主Dam只是家族中小老婆生的儿子，依然有权利继承遗产。但是她不知道的是，自己的妹妹早就和自己的老公暗通曲款了。因为Nitima和Dam给Pimros在外面找了房子待产，Nitima还搬去和她一起住，顺便照顾她。家中少了Nitima的照顾，Kiang出入Matooros家的机会就多了起来，最终和Plao发生了不正当男女关系。Dech从国外回来，知道儿子Chaipon的事非常生气，但他看到美丽的Nitima之后，便被迷住，所以改变主意接受了Pimros。Dam知道自己哥哥花心的本质，便叮嘱Nitima要小心自己的哥哥。Chooda发觉Nitima和Dam的关系之后，非常不满，因为她早已对Dam暗生情愫。她努力亲近Dam，甚至告诉Dam，她想和他一起生活，而Dam对Chooda并无好感。Chooda很生气，便将Dam和Nitima的事告诉Dech，Dech便勒令Dam不准纠缠Nitima。Dech一心想将Dam赶出家门，他借口说Dam不过是小老婆的儿子，还诬陷说Dam和Chooda暗中私会。Dam原本就打算离开那个家，搬到自己的公寓去了。Chooda为了脱离Feungthong，便给了她一大笔钱。虽然Feungthong不满，但也不得不放手让Chooda离开，并开始筹划让妹妹Fathong成为Dech或Dam的老婆。但Fathong努力想破坏其姐姐的安排，因为虽然表面上她是温婉的女子，但背地里却和她的姐夫，Feungthong的丈夫Veera暗通曲款。Dech一心要讨好Nitima，给她买了昂贵的戒指。但Dam要求Nitima拿去还给他，导致Matooros非常生气。因为她梦想着自己的女儿成为Dech的儿媳妇，妹妹成为Dech的妻子，那她肯定就会有享不尽的好处。Feungthong来Matooros家里做客，发现了Plao和女佣Kiang之间的关系，并公布于众，Matooros非常生气，便对Kiang大打出手。但由于Kiang怀孕了，Plao便带着Kiang去了外面租房住，Matooros非常伤心，甚至吃药自杀。所以Nitima不得不回到家中照顾Matooros和其他两位侄子侄女。所以Dech便将Pimros接回家中安胎，因为他相信Nitima一定会去家里看望Pimros。虽然pimros被接回家里,但Chaipon依然不关心自己的妻子，终日外面饮酒作乐，在一次醉驾中撞死了人。Chaipon撞人事件，让Dam和Nitima再次有机会一起处理该案子。Dech非常不满Dam插手自己家里的事，尤其是看到他和Nitima亲近。Feungthong建议Matooros接受Kiang，因为这样至少让丈夫Plao回到家中。Matooros听从了其建议，但当看到Plao对Kiang的万般宠爱，却又怒极攻心。而Kiang仗着肚子里的孩子，在家里任意妄为。不久，Pimros生下了一个女儿，Kiang也生下孩子，不幸的是,kiang的孩子生下来便残疾。Plao请了人照看Kiang的孩子，却没有让孩子住在家中，反而将女儿Pimros的孩子接回来抚养。有一天,Kiang假装失手，将Pimros的孩子从高处摔落，孩子紧急被送往医院，Kiang偷了Plao一大笔钱逃跑了。Dech开始承认无法赢得Nitima的心，便再次回去找Chooda。当Chooda有了足够的证据后，便公布了Fathong和Veera的私情。Feungthong非常愤怒，开车出去寻找背叛了自己的妹妹和丈夫，到却发生了车祸，伤势严重。Veera最终选择了和Fathong一起共度余生。Kiang偷走了自己的孩子，来向Plao勒索钱财。为了要回孩子,plao不得不支付她一大笔钱。Kiang拿到钱后，便过起了奢华的生活。偶然间她遇见了Chaipon，两人一拍即合，便公开交往。Pimros终于意识到自己的失误，决定继续回去念大学。Matooros学到了教训，也定下心了，好好抚养自己的外孙女。Plao愿意为自己的错误承担一切，他们一家人终于破镜重圆。Nitima和Dam一起设计建造了一个小小的家，他们约定要建立一个温暖，互相理解的家。一起小心的掌舵着这艘名为“家”的扁舟，不让它倾覆在茫茫的人生之海！

Adocumentarycrewandateamofamateurghosthuntersgotoinvestigateahauntedhotel.Howmanywillbeleftalive?

　　Polish comedy of 1971, the species 'crazy'. In a September, the Monday (and exactly 15 September), a group of residents and visitors struggling with adversity. Despite the light of criticism of Polish reality, expressed in a typical director Tadeusz Chmielewski surreal way, the movie is laurk? for Warsaw, full of optimism, nicely showing her beautiful places.

PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.　　We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.　　PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,

Awealthyrais(aheadoflocaladministrationinTadzhikistan)buildshistoiletrightnexttothehouseofateacherinthevillage.Thearomasofthetoiletdisturbthelifeoftheteacher’sfamily;itisveryupsettingforthem.ButtheraisisalsoanewTadzhik(newmoney)andignoresthecomplaints.Moreover,everytimehevisitsthetoilet,heshamelesslystaresattheteacher’syoungwifeoverthefence.However,thepoweroftheraisissogreatthatnobodydarestoopposehim.Theteacherbuyscheaplyahomerightinfrontoftherais’shousefromanoldmananddecidestobuildapublictoiletthere.Itseemsthattheeraoffairytalesandlegendshasvanishedanditisnotpossibletomakefilm-parables.However,JamshedUsmonovcreatesfilm-parables.Ineveryoneofhisfilmsthereisacharactertellingalegendthatturnsthemeaningofthefilmallaround.InFlightoftheBeeitisataleaboutabee,whichsavedthelifeofanarmy:Onceuponatimeitwasacustomtokilloldpeoplewhoreachedacertainage.ButoneofthesoldiersofAlexandertheGreatdidn’thavethehearttokillhisfather.Hehidhiminhistravelingtrunkandcarrieditonhisbackduringmarches.Thearmycametoadesertandthewarriorsstartedtodiefromthirst.Nobodyknewhowtofindwater.Thefathersaidtohisson:Catchabee,tieawhitethreadtoitslegandfollowit.Itwilltakeyoutowater.Theyfoundwaterandthearmywassaved.Afterthatoldpeopleweresparedbecauseeverybodyrecognizedthemasasourceofwisdom.Thevillageteachertellsthisstorytohisstudentsatthebeginningofthefilm.ItisinterestingtonotehowinthefilmFlightoftheBeedifferentmentalitiesintermingledandco-existed.TheteacheristypicaloftheSovietintelligentsia:hewritesbooksthatnobodypublishes;helooksforjusticefromthegovernmentthathasneverbeenfairtohim.ThesurroundingsofthevillagearestillSoviet:theraishasLenin’sportraitinhisoffice;youngpeopleareidleanddrunkastheyalwayswereduringtheSovietera.Thenewcapitalists,thenewTadzhiksinthevillage,donotweardesignerjacketsanddonottalkoncellphones.Thenewmoneyispresentedinthecharacteroftherais.Ithasalmostafeudalquality;itisthepowerofalocallord.JamshedUsmonovhasauniquetalenttobalancethefunnyandserious,thesimpleandcomplicated.He,likenobodyelse,sensesthisborder,whereasimplestoryturnsintoaparableandfilmcharactersstandoutasarchetypesofdifferentperiodssettogetherinthegapoftimes.(kinokultura/GULNARAABIKEEVA)

ThreeyearsafterthelossofhisbrotherVittorio,withwhomhesharedhisentirecareer,PaoloTavianireturnstotheworksofLuigiPirandello,whichthepairadaptedin1984(Chaos)and1998(YouLaugh).InkeepingwiththeSicilianplaywright’svision,thefilmisnotatallwhatitappearstobe.Thetitlemaycomefroma1910novella,butthereisnotraceofthatbook’sjealousy-riddledplot.Instead,thefocusisonPirandellohimself,orrather,hisashes,whicharetransportedfromahastyburialsiteinfascistRometoapermanentrestingplaceinSicily,onatrekthattakesusthroughpost-warItalyanditsfilmedmemories,asseeninnewsreels,amateurfilmsandfragmentsofNeorealism.Havingburiedthemaster,Leonoraaddiothenshiftsgearfromroadmovietofilmadaptation,buthereitpicksadifferentPirandellostory,namelythelastone,writtenshortlybeforehisdeathin1936.Fromthefarewellofthetitletoitsreturntothewriter’slastwords,itishardnottoreadthiswork,sofreeandyetsomuchapartoftheTavianiworld,asamovingbrotherlyfarewellwhich,justasin2012’sGoldenBearwinnerCaesarMustDie,onceagainusescinematogivevoicetoliteratureandhistory.

这是一部最新、目前为止电视上最好看的宇宙科普纪录片！影片从离我们最近的月球开始，一路引导我们探索太阳系到银河系以至人类所认知的宇宙的“边缘”。细致呈现太阳系八大行星的神奇地貌，奇幻的气象变化，3D制作效果极致真实，带领你逐步走出太阳系，饱览整个宇宙的神奇景象，科幻和天文爱好者绝对不能错过的好片！！如果我們能夠前往宇宙的邊緣，我們會看見什麼?是什麼力量凝聚了宇宙，現在有什麼力量導致宇宙的最終毀滅?國家地理頻道新推出四個特別節目，將帶領觀眾進行跨越宇宙的史詩之旅，詳細觀察恆星如何誕生、宇宙的終極命運、其他行星上的生命、以及最神祕也最駭人的現象：黑洞。這一系列特別節目利用精心設計的電腦合成影像，有效地說明地球之外的環境。宇宙會被徹底撕碎到只剩下最小的基本粒子嗎？或者全部的恆星將逐漸熄滅，只剩下冰冷而且無生命的宇宙？宇宙之旅JOURNEYTOTHEEDGEOFTHEUNIVERSE超越尼爾阿姆斯壯(NeilArmstrong)遺留在月球的足跡，本節目飛過明亮的金星前往水星。幾乎完全由鐵構成的水星，或許是一較大行星的殘餘。火星是個充斥極端事物的行星：有龍捲風、火山，還有地球上前所未見的峽谷。木星上永久存在的紅色風暴有地球的三倍大，而且已經持續成千上萬年。土星的衛星泰坦，擁有類似地球的地形，但是泰坦星上的河流、湖泊和海洋，並不是由水構成，而是液態甲烷。那裡會存在生命嗎？節目中將帶領觀眾前往宇宙深處，進行一場終極太空之旅。