Ender

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未坐监第一季
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由《丑闻》女主KerryWashington以及《傲骨之战》“Adrian”DelroyLindo主演的八集电视剧《未坐监》(Unprisoned)定档3月10日于Hulu开播,届时全剧所有集数将一并上架。这是早前Disney专为少数族裔创作者提供平台的OnyxCollective企划的首部喜剧,届时Hulu和Star+将分别负责美本土/拉美范围的播出,Disney+则负责其它地区内的独家行销与推送。本剧的灵感来源于因为《广告狂人》获得编剧工会奖,参与了《火星生活》、《离家童盟》等剧的TracyMcMillan的真实生活;Kerry饰演“PaigeAlexander”,一名虽然生活有点糟但十分完美主义的家庭婚姻关系治疗师,日前她和自己十六岁的儿子“Finn”一起生活。但是当自己的父亲“Eddie”(Delroy饰演)出狱,和她与Fin...
Go!Go!小小车向前冲柯利嘟嘟车
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《Go!Go!CoryCarson》是一部面向学龄前儿童的动画剧集,由加利福尼亚州伯克利的KukuStudios制作。由亚历克斯·吴(《机器人总动员》《美食总动员》)、斯坦利·穆尔(《海底总动员2:多莉去哪儿》《怪兽大学》)和托恩·蒂内(《WonderPets!》《TheAdventuresofNapkinMan!》)担任监制。《GO!Go!CoryCarson》改编自VTechElectronics的热门玩具产品“Go!Go!智能玩具车”(Go!Go!SmartWheels),讲述了小汽车科里·卡森在邦波顿丘陵的弯曲小道中穿行的童年冒险故事。
维洛姆
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维洛姆(Vilom)是一位来自印度的孤单,孤破的年青人,他陷溺于成为互联网着名流士,并对本人的性生涯深感迷惑。 当他与布满活气,公然的同性恋美发师阿迈(Amay)跟挣扎中的俏丽女星尼维(Nivi)住在一同时,他发明他们俩都逐步爱上了他。 这个忽然的三角恋带来了更多的凌乱,迫使维洛姆更深刻地审阅本人的性欲跟浪漫欲求。 同时,社会压力跟成见正开端在他们的家墙外树破。 维洛姆(Vilom)是孟买演员桑德·帕尔(Sunder Pal)的长篇小说首演,这是一部坚决不移的社会政治戏剧。 这部片子以融会性其余同性恋/直系情工资中央,报告了一个冒险,冒险,发明力,反叛跟生活的寻衅性故事。
贝巴
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First-timefeaturefilmmakerRebeca“Beba”Hunttundertakesanunflinchingexplorationofherownidentityintheremarkablecoming-of-agedocumentary/cinematicmemoirBEBA.ReflectingonherchildhoodandadolescenceinNewYorkCityasthedaughterofaDominicanfatherandVenezuelanmother,Hunttinvestigatesthehistorical,societal,andgenerationaltraumashe’sinheritedandpondershowthoseancientwoundshaveshapedher,whilesimultaneouslyconsideringtheuniversaltruthsthatconnectusallashumans.ThroughoutBEBA,Hunttsearchesforawaytoforgeherowncreativepathamidalandscapeofintenseracialandpoliticalunrest.Poetic,powerfulandprofound,BEBAisacourageous,deeplyhumanself-portraitofanAfro-Latinaartisthungryforknowledgeandyearningforconnection.
手术室的故事外科医生生命边缘第二季
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DocumentaryseriesgoingbeyondthetheatredoorsofQueenElizabethHospitalBirmingham,wheresurgeonspushmedicalboundariestothelimits.?EverySecondCounts?Surgeonshavejustminutestoperformlife-savingemergencytraumaoperations.?GettingBetter?Asurgeonremovesawoman’soesophagusandusesherownstomachtoreplaceit.?ANewBeginning??AtBirminghamChildren’sHospital,twochildrenundergolife-changingsurgicalprocedures.?ARiskWorthTaking??SurgeonscarryoutQueenElizabethHospitalslargesteverremovalofexcesstissue.?PushingTheBoundaries?Afacialsurgeonventuresintounchartedterritorytooperateonapatient’sraredisease.?OneFalseMove?Theseriesreturnswithbrainsurgeryonapatientwhoisawakeandariskyaortarepair.
法律与秩序第十七季
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纽约警员跟查察官的故事,逾越15个年龄,1990年首播,至今仍遭到亿万不雅众注视标长剧。 law & order第55届艾美奖最大的遗憾,已持续11年入围剧情类最佳电视剧奖提名的这部热点电视剧,此次却不测埠未被提名,破碎了它本来想要创造的12次提名新高。 本片融警匪与法庭于一体的电视剧,片中报告的犯法根来源根基于实在生涯,每每是近期报纸上的头条消息。节目分为两部门,上半部门先容警员研讨现场,咨询证人,提审怀疑犯等一系列的侦破运动,后半部门细致记载结案件侦破的前期任务,案件转交到检讨官手里,检讨官权衡案情,告状,直到庭审,节拍紧凑,动平易近气魄。因为终极坏人不用定被绳之于法,以是不雅众看的时间每每暗自捏一把汗。 这个剧集除了曾经播出的15季之外,还包含3个特殊的系列,一个是 Special Victims Unit 系列(6季),一个是Criminal Intent 系列(4季),跟Trial By Jury 系列。可见其火爆水平。可谓NBC汗青上,以致美国影史上最雄伟的剧集。 "In the criminal meijubar.net justice system, the people are represented by two separate yet equally important groups: the police, who investigate crime; and the district attorneys, who prosecute the offenders. These are there stories. " 这是Law & Order十四年如一日,也是我百听不厌的终场白,是以Law & Order franchise(包含spin-off的SVU)都兼有捕快的办案进程跟查察官在法庭上的滚滚雄辩,这二者互相平起平坐成为Law & Order奠基其cop drama之教父位置的奇特魅力,然而迩来每回看Law & Order,都彷彿只是在期待后半小时的法庭戏上,也不是说后面的办案就不杰出,然而总要在进入告状进程中才显出本剧的成熟!圆滑,精致精妙处的出神入化;一男一女老小两位查察官的差别考量而激盪出的互动!辩证,告状的策略目标每每不仅是彩色清楚的司法公理考量,而牵涉到当面司法轨制及其偏狭破绽!纤细的政治氛围,Law & Order更不仅是关在拍照棚里假造天马行空的新奇案件,它每回老是不犹豫地定睛盯上社会中的敏感命题。
狂野街头
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Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007  Author TimothyFarrell from Worcester, MA  Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.  The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)  -from imdb
印度连环杀手档案:血腥日记
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Findoutaboutthespine-chilling,horriblecrimesofthesadistickillerRajaKolander.Markyourcalendarsbecause,IndianPredator:TheDiaryofaSerialKillerisreleasingon7thSeptember,onlyonNetflix.
人工性智能
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Ederlezi Rising is an exciting science fiction romance set in near future about the pioneering space mission to Alpha Centauri undertaken by the multinational Ederlezi Corporation. Ederlezi recruits MIlutin a Slav cosmonaut trained in the newly reformed futuristic Soviet Union and accompanies him with Nimani, a female android programmed to fulfill whatever he desires.
少年犯第三季
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The hit Irish comedy from producers Vico Films will be back on BBC Three for a third series in the new year. Created by Peter Foott, The Young Offenders tells the coming of age adventures of Conor (Alex Murphy) & Jock (Chris Walley) and their mother/guardian Mairead (Hilary Rose) as she tries to keep them on the straight and narrow. The best friends navigate their awkward teenage years, hatching plans and adventures to help distract from their tough home lives and their inability to stay out of trouble. The whole second series launched as a BBC iPlayer box-set earlier this month and has picked up an amazing 4.1 - million requests so far. Combined with the 13.5 - million for series one and last year’s Christmas special, that over 17.6 - million requests to date. Kate Daughton, Head of BBC Comedy, says: "Young Offenders is spit-your-tea out funny and heartbreakingly emotional. A rare combination that’s testament to the talents and passion of a very special cast, crew and writing team, led by creator and show-runner Peter Foott. We can’t wait to share series three - Cork’s finest have never looked finer." Fiona Campbell, Controller BBC Three, says: "At BBC Three, we love championing local voices and The Young Offenders are a brilliant success story for us. With great characters and on-point writing that is hugely relatable to our audience, we’re delighted they’re coming back for another series." Peter Foott, creator of The Young Offenders, says: "We are so grateful to BBC Three and thrilled that they had such faith in the stories and characters of The Young Offenders that they commissioned a third series from us. We had a lot of fun filming series two and three back to back over the summer in Cork, and we can't wait for everyone to see more of Conor, Jock, Mairead and all the characters next year in our third series. "We've been amazed at the huge reaction to series two so far, and we're so happy that we can officially announce that there's more on the way for fans of the show." The Young Offenders has been commissioned for BBC Three by Fiona Campbell, Controller of BBC Three and Shane Allen, Controller, BBC Comedy Commissioning. The Commissioner for the BBC is Alex Moody. The Executive Producer for Vico Films is Peter Foott, the Producer is Tim Whitby. The Young Offenders series two continues on Monday nights on BBC One and is available on BBC Three & BBC iPlayer.
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