Amer
搜索"Amer" ，找到 以下影视作品
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ThesonofanAfrican-AmericanJudgeiskilledbypoliceofficersonthedayhewassettobeginlawenforcementacademy.Whenthecourtscleartheofficersofwrongdoing,theJudgemustdecidewhetherthecourtsaretheonlyarbitratorsofjustice.
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停止了墨西哥的假期,正值芳华幼年的梅尔（佩顿·里斯特 Peyton List 饰）跟茱尔丝（卡梅隆·古德曼 Cameron Goodman 饰）乘夜晚的航班回到洛杉矶。适值深夜,大雨瓢泼,企图廉价的两个女孩跟刚意识的青年塞斯（詹姆斯·辛德 James Snyder 饰）!马特（戴夫·鲍尔 Dave Power 饰）搭上一辆深色的机场巴士。除梅尔等人之外,另有一其中年人与他们偕行。 四个年青人相谈甚欢,鬼不觉鬼不觉间却被司机（Tony Curran 饰）拉入一条生疏的途径。因为一个不测,巴士半路抛锚。合法世人七手八脚之际,司机露出狞恶面貌。他收掉落他们的手机,并预备实行掳掠。面临这个凶狠的暴徒,她们是该计无所出,仍是乘机逃命呢！
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Diastème
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After attempting to set a mailbox on fire, Pimpette, 14 - and her elder sister, Joséphine, spend their summer holidays shuttling between their secretly pregnant mom and bachelor father. But when Joséphine gets in册ved with the wrong crowd, little Pimpette turns out to be more responsible than the grown-ups who spend their time educating her.
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《#星际之门#Stargate》剧集系列自《星际之门：宇宙StargateUniverse》被砍后一直停摆，不过MGM宣布他们将拍摄10集网剧《星际之门：起源StargateOrigins》，以CatherineLangford为主角。（今年亦是《星际之门SG-1StargateSG-1》的第20周年）《星际之门：起源》由MarkIlvedson和JustinMichaelTerry执笔﹑MercedesBryceMorgan执导，会以全新篇幅讲述CatherineLangford与星际之门之间的早期故事；年轻的Catherine在意料外的冒险中解开了星际之门的神秘面纱，并同时在黑暗力量手中拯救地球。
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埃洛瑞·埃卡伊姆
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齐克（埃尔文·丹德尔 Elvin Dandel 饰）在一场意外中不幸受伤，他的好友朱利安（约翰·基夫 John Keefe 饰）打电话叫来了救护车，将齐克送进了医院。然而，当朱利安想去医院探望齐克之时，却被院方告知齐克已经重伤不治，然而，凯蒂（亚娜·克拉梅尔 Jana Kramer 饰）却发现，她的老东家海波科技公司偷偷将齐克藏了起来，这其中究竟有着怎样的阴谋？ 朱利安一行人决定潜入公司救出齐克，哪知道在公司里，等待着他们的竟是一群残暴嗜血的僵尸。与此同时，他们亦发现了这间公司极力想要隐藏的秘密。茱莉亚在无意之中放出了这些僵尸，霎时间，整个公司陷入了一片血海之中。
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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玛丽露·贝里
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Depuisdeuxans,Gilles(homme-parfait-non-fumeur-bon-cuisinier-quiaime-les-chats)etJoséphine(fille-attachiante-bordélique-mais-sympathique)s’aiment.Toutestparfait.Jusquàunenouvelleinattendue:ilsserontbientttrois.Nepasdevenircommesamère,gardersonmecetdeveniruneadulteresponsable,toutuntasdépreuvesqueJoséphinevadevoiraffronter,avecGill...
