Sameh
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Awealthyrais(aheadoflocaladministrationinTadzhikistan)buildshistoiletrightnexttothehouseofateacherinthevillage.Thearomasofthetoiletdisturbthelifeoftheteacher’sfamily;itisveryupsettingforthem.ButtheraisisalsoanewTadzhik(newmoney)andignoresthecomplaints.Moreover,everytimehevisitsthetoilet,heshamelesslystaresattheteacher’syoungwifeoverthefence.However,thepoweroftheraisissogreatthatnobodydarestoopposehim.Theteacherbuyscheaplyahomerightinfrontoftherais’shousefromanoldmananddecidestobuildapublictoiletthere.Itseemsthattheeraoffairytalesandlegendshasvanishedanditisnotpossibletomakefilm-parables.However,JamshedUsmonovcreatesfilm-parables.Ineveryoneofhisfilmsthereisacharactertellingalegendthatturnsthemeaningofthefilmallaround.InFlightoftheBeeitisataleaboutabee,whichsavedthelifeofanarmy:Onceuponatimeitwasacustomtokilloldpeoplewhoreachedacertainage.ButoneofthesoldiersofAlexandertheGreatdidn’thavethehearttokillhisfather.Hehidhiminhistravelingtrunkandcarrieditonhisbackduringmarches.Thearmycametoadesertandthewarriorsstartedtodiefromthirst.Nobodyknewhowtofindwater.Thefathersaidtohisson:Catchabee,tieawhitethreadtoitslegandfollowit.Itwilltakeyoutowater.Theyfoundwaterandthearmywassaved.Afterthatoldpeopleweresparedbecauseeverybodyrecognizedthemasasourceofwisdom.Thevillageteachertellsthisstorytohisstudentsatthebeginningofthefilm.ItisinterestingtonotehowinthefilmFlightoftheBeedifferentmentalitiesintermingledandco-existed.TheteacheristypicaloftheSovietintelligentsia:hewritesbooksthatnobodypublishes;helooksforjusticefromthegovernmentthathasneverbeenfairtohim.ThesurroundingsofthevillagearestillSoviet:theraishasLenin’sportraitinhisoffice;youngpeopleareidleanddrunkastheyalwayswereduringtheSovietera.Thenewcapitalists,thenewTadzhiksinthevillage,donotweardesignerjacketsanddonottalkoncellphones.Thenewmoneyispresentedinthecharacteroftherais.Ithasalmostafeudalquality;itisthepowerofalocallord.JamshedUsmonovhasauniquetalenttobalancethefunnyandserious,thesimpleandcomplicated.He,likenobodyelse,sensesthisborder,whereasimplestoryturnsintoaparableandfilmcharactersstandoutasarchetypesofdifferentperiodssettogetherinthegapoftimes.(kinokultura/GULNARAABIKEEVA)
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汉萨·梅塔
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The film is a unique social comedy based in a small town of Uttar Pradesh directed by Hansal Mehta.
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Starz过去宣布拍摄《白王后TheWhiteQueen》及《白公主TheWhitePrincess》的姐妹篇限定剧《西班牙公主TheSpanishPrincess》,由CharlotteHope饰演女主角。该剧根据PhilippaGregory所著的小说《TheConstantPrincess》及《TheKing’sCurse》改编,现定于美国时间5月8日首播。《西班牙公主》主角为「亚拉冈的凯瑟琳」(CatherineofAragon,CharlotteHope饰演),漂亮﹑聪明﹑出身自西班牙王室的她因为政治婚姻下,带着摩尔人女官Lina来到英国并嫁给威尔士王子亚瑟,女主亦因此成了威尔士王妃,然而二人尚未洞房亚瑟就因病去世。亚拉冈的凯瑟琳声称自己尚为处女,而如果上一段婚姻能判定为无效,那她就可以嫁给亨利七世的次子亨利(未来他继任为亨利八世)。其他主演包括StephanieLevi-John﹑NadiaParkes﹑AaronCobham﹑AngusImrie﹑DameHarrietWalter﹑LauraCarmichael﹑RuairiO’Connor﹑GeorgieHenley﹑ElliotCowan﹑AlexandraMoen﹑PhilipCumbus﹑AlanMcKenna。
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《德里罪案》第二季将聚焦于不同的犯罪故事,但制作人尚未透露案件会是什么。主创瑞奇·梅塔(Richie Mehta)透露,《德里罪案》第二季将成为一个选集系列。他分享道:下一季会有。同样的人物,不同的罪行在《德里罪案》中饰演副警务处长瓦尔迪卡·查图尔维迪的演员莎法莉·什提(Shefali Shah)将在下一季中与其他关键角色一同回归。
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Sarwat Gilani
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Yasra Rizvi
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Nimra Bucha
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Mehar Bano
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Kashif Hussain
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Meher Jaffri
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Omair Rana
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Adnan Malik
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Eman Suleman
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Churails is a ZEE5 - Exclusive Zindagi Original series starring Sarwat Gillani, Mehar Bano, Nirma Bucha, and Yasra Rizvi. Set in Karachi, the series re册ves around four young women who form a secret detective agency under the guise of a fashion store named 'Halal Designs' with the purpose of finding and exposing unfaithful husbands amongst Karachi's elite. Then the story takes a dark twist...
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内详
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WiththeimminentreleaseofRoseMatefeo’sbrandnewromcomStarstruckonBBCThreeattheendofApril,thiscomingyearmarksawatershedmomentinbroadcastinghistorywithmostBBCThreecomedyeitherstarring,writtenbyorcreatedbywomen.BBCThreewillbethefirstUKchanneltoachievethislandmarkinfemalerepresentationwith58%oflong-formscriptedcomedywrittenbywomen.UpcomingtitlesincludeLazySusan,StarstruckandEllieandNatasiaplusthesecondseriesofbothInMySkinandBacktoLife.Inadditiontothis,theBBCtodayannouncesfournewBBCComedySlicesforBBCThree,allofwhicharewrittenbyand/orstarfemaletalent:Ladybaby,Amicable,DinosaurandBritney,whichresultsinthemajorityofcomedyprogrammesonBBCThreenowbeingfemaleled.KateDaughton,outgoingHeadofComedyattheBBC,says:BuildingonthehugesuccessofPhoebeWaller-BridgeandDaisyMayCooper,thismarksamonumentalachievementandistestamenttothefactthemostpioneeringandexcitingnewvoicesincomedyareincreasinglyfemale.KateleavestheComedyCommissioningteamtodayhavingmadeatremendousimpactoverseeingaraftoffemalefirsttitles.SinceKate’sarrivalin2017shehascommissionedandnurturedFleabag,Mum,Ghosts,Gavin&Stacey:ChristmasSpecial(2019),ThisTimeWithAlanPartridge,BacktoLife,TheGoesWrongShow,OutofHerMind,TwoDoorsDown,InMySkinandManLikeMobeen.AlongsidetheforthcomingWitchfinder,Alma’sNotNormalandStephenMerchantseriesTheOffenders(w/t).ShaneAllen,DirectorofBBCComedy,says:Fiveyearsagotherewerestillarticlesaskingwhereallthefunnywomenwere.Thathoaryoldnonsensecanfinallybedispensedwithonceandforall.It’salevelplayingfieldwiththemostvibrantanddynamicworkcomingthroughfromfemaleswritersandwriterperformerswhoareelevatingtheartformofcomedyandexpandingitshorizons.AsforKateDaughton,nolongerwillshecurseatmeforloudsneezingintheoffice.Partlybecauseshe’sleavingandmostlybecausewe’venotbeenintheoffice.Trulybereft;indenialthatshe’soffandwe’reluckytohavehadherforsolong.CharlotteMoore,ChiefContentOfficer,says:Kate’simpeccabletaste,whipsmartcomedybrainandbeguilingwayswithtalenthavehadatransformativeimpactonthecomedyoutputinhertimehere.ThefactthatBBCThreecanclaimtobethefirstUKchannelwithamajorityoffemaleledandwrittenscriptedcomedyisinlargepartdowntohervisionandpassionforbackinggenredefiningfemalecreatives.She’llbesorelymissedbutthankfullyleavesbehindaterrificlegacyofshowsahead.
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Meet Camilla, a teenager like many others and like many others somehow special. She lives in a quiet city in Northern Italy, she's a good student, she has a conflicting relationship with her sister Francesca and a dream that her mother doesn't understand, an Eastern woman, pragmatic and hard working, unlike her father, who's more "maternal". Camilla wants to be a ballet dancer and an upcoming audition to be accepted in a prestigious academy is a great opportunity. Meet Sara, another aspiring ballet dancer, who disrupts Camilla's life, like an unrelenting summer wind. Sara is one year older, she's charismatic and sexy; her father is wealthy and her mother is never there. Provoking affectionate moments, defining decisions, twists and turns will shift their relationship in an unexpected direction, changing Camilla's life forever.
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多丽丝·德里
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戈洛·欧拉
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入月彩
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汉内洛勒·埃尔斯纳
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艾尔玛·韦伯
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菲力克斯·伊特纳
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Floriane Daniel
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Maximilian Ehrenreich
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比吉特·米尼希迈尔
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苏菲·罗盖尔
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树木希林
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Carlotta Rupp
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Lotanna Ogbughalu
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Chloé Marie Mischek
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Corinna Binzer
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Katja Bürkle
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Sissy Höfferer
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弗洛里安·菲舍尔
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Monika Manz
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Zehn Jahre nach dem Tod von Rudi (Elmar Wepper) und Trudi (Hannelore Elsner) steht ihr jüngster Sohn Karl (Golo Euler) vor den Trümmern seines Lebens: Er trinkt, hat seinen Job verloren und lebt getrennt von Frau und Kind. Seine schwarzen Dämonen lassen sich bloß mit Alkohol besänftigen. Karl weiß nicht mehr, wer er ist. Wie eine Halluzination taucht plötzlich Yu (Aya Irizuki) auf, unfassbar und geheimnisumwoben. Yu erscheint wie eine Andeutung aus einer vergangenen Welt und hebt das Leben von Karl aus den Angeln. Nur widerwillig begleitet Karl sie in sein leerstehendes Elternhaus, allzu lebendig sind die Erinnerungen an die Eltern und die eigene, schwierige Kindheit. Warum lassen die toten Eltern Karl nicht frei? Welche Dämonen verfolgen Karl? Mit Dämonen und Gespenstern hat Yu Erfahrung, was an ihrer japanischen Herkunft liegt. Dort sind sie ganz real und mächtig, und man lernt schon als Kind, wie man mit ihnen umzugehen hat: Man lädt sie ein auf eine Tasse Tee. (© Constantin Film)
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宮崎光代
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Yumaisa23-year-oldwomanfromTokyo.Whenshecommutesbytraintoherjobinamangastudio,herfaceisathipheighttotheotherpassengersstandingup.Yumausesawheelchaironaccountofcerebralpalsy.Herdeformedlimbsonlyallowhertocrawl–andtoholdapencil.Thefactthatherboss,asuccessfulcomicartistandbloggernamedSayaka,whohasapenchantforgarishFairyKeiattire,passesYuma’sdrawingideasoffasherown,dismaysthetalented‘mangaka’.Evenworse,heroverprotectivemotherhardlyletsheroutofhersightandrefusestotalkaboutherfather.AsYumaattemptstoliveamoreindependentlife,shestumblesacrossadultcomics–mangaporn–andtoyswiththeideaofdrawingsomeherself.Thepublisheradviseshertogainsomepersonalexperiencefirst.ButwhathappenswhenawomaninawheelchairasksatoutinTokyo’sredlightdistricttofixherupwithasexdate?DirectorHIKARI’shumorousandendearing37Secondsdepictsanunusualjourneyofself-discovery-inartistic,physicalandfamilialterms.And,asthefilm’scharmingprotagonistlearns,friendswhoarenotprejudicedcanbefoundanywhere.