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佐伊·卡赞将加盟导演布莱恩·伯蒂诺的最新的恐惧片[THEREAREMONSTERS],卡赞在片中会打破以往抽象扮演一位母亲,她的女儿丽兹遭受怪物的绑架跟熬煎,终极,只有母爱的气力能力将她们挽救。估计2015年上映。

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AfternewlywedJocelynlearnsthatherhusbandJody(MichaelWelch,Twilightfranchise)hadherfathershotdown,shefleesfromtheCallahanranchinfear.She'srescuedbygunmanBillyTyson,whosafeguardsherataremoteoutpostashestavesoffJody'sattemptstoreclaimhisbride.by:www.mke6.com

In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism. Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.

AcclaimedBritishactorChristopherEccleston(TheLeftovers,Thor:TheDarkWorld)willbejoinedbyMarshaThomason(WhiteCollar)andPatersonJoseph(TheLeftovers,Law&Order:UK)inanewfour-partdramaseriesSafeHousefromEleventhHourFilms.SafeHouseisatensethrillersetinthebeautifulwildernessoftheLakeDistrict.ThecastwillalsoincludeJasonMerrells(Emmerdale,WaterlooRoad),NicolaStephenson(AllAtSea,HolbyCity),andPeterFerdinando(DoctorWho,AFieldinEngland)andissettocommencefilmingtoday;Monday6thOctober.The4-partdramatellsthestoryofamarriedcouple:Robert(ChristopherEccleston)aformerdetectiveandKaty(MarshaThomason)ateacherwhoareaskedbyclosefriendandpoliceofficerMark(PatersonJoseph),toturntheirremoteGuestHouseintoaSafeHouse.Theirfirst‘guests’attheSafeHouse,areafamilyinfearoftheirlivesaftertheyareviolentlyattackedbysomeonewhoclaimstoknowthem.ForRobertprotectingthefamilyresurrectsfearsandanxietiesboundupinaterrifyingnighteighteenmonthsago-wherehewasprotectingastarwitnesswhowasabouttotestifyagainstherganglandhusband.Unexpectedly,hewasshot,andshewaskilled.AsaconsequenceofrunningtheSafeHouse,Robertre-questionsthisincidentanduncoversaweboflies.Inspiredbyarealcouple,SafeHouseisadistinctivecharacter-drivendramacreatedandwrittenbyMichaelCrompton(Kidnap&Ransom,Carrie’sWar),anddirectedbyaward-winningMarcEvans(Hinterland,Collision)andproducedbyAndrewBenson(Strikeback,MadDogs).ItisbeingdevelopedbyEleventhHourFilms’PaulaCuddy,whoisalsoanExecutiveProducer,alongsideJillGreen.SafeHouseispotentiallyareturnableseriesforITVandEleventhHourFilmsandwascommissionedbyITV’sDirectorofDrama,SteveNovemberandControllerofDrama,VictoriaFea.“We’redelightedtocommissionSafeHousefromJillGreenandEleventhHourFilms.It’sacompellingfour-partdramafromMichaelCromptonwithgreatcharactersandgenuinetwistswhichkeepyouguessingrighttotheend.”JillGreen(Foyle’sWar,Collision,TheAmerican)said:“Thisbrilliantideaforapsychologicalthrillerhasattractedastrongcast–andwillkeepviewersgripped.”

Trevor is 'between jobs'. He spends his days avoiding his nagging heifer of a wife by hiding out in his allotment shed and painting figurines for his wargames with his agoraphobic friend, Graham, and dreaming of his heroic alter-ego, the battle mage Casimir the Destroyer. When Mr Parsons, one of the other allotment tenants, petitions to have Trevor removed from his disgrace of a plot (he's not there to grow stuff!) an argument ensues that leaves Trevor with a corpse to hide. Unfortunately, this untimely accident coincides with the zombie apocalypse and Mr Parsons' return is just the beginnings of Trevor's problems. More pressing is whether or not he should try and save his wife and her beautiful best friend, who both he and Graham have a thing for.

Deep in the Northern California woods, in the heart of the notorious Emerald Triangle, lies a remote cabin. The residents struggle to fight off the repeated attacks and abductions by mysterious creatures that have plagued them for years. When a local pot farmer is caught up with a wayward group of campers the situation quickly escalates into total carnage.

Martin Bristol returns to where it all began: the home where he was kidnapped from. But he is not the boy who disappeared over 10 - years ago. Tortured and abused at the hands of his psychotic captor, Graham Sutter, Martin is damaged beyond repair. Lurking in the shadows of suburbia, he stalks and kills without remorse. Special Agent William Perkins follows Martin's trail of terror, desperate to capture him before he kills again. Martin's family, mourning his disappearance for over 10 - years, is informed not only that he is alive, but that he is responsible for the wave of murder sweeping through their town. Will they be able to reunite with their long lost son before it's too late, or will Perkins have to use excessive force to bring him down?

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