Antoni
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DomtellsthestoryofPedro,ahandsomeboyfromRiodeJaneiro’smiddleclasswhoisintroducedtococaineinhisteenyears,puttinghimonthepathtobecomingtheleaderofacriminalgangthatdominatedthetabloidsinRiointheearly2000s:PedroDom.Shiftingbetweenaction,adventureanddrama,DomalsofollowsPedro’sfatherVictorDantas,whoasateenager,makesadiscoveryatthebottomofthesea,reportsittotheauthoritiesandendsupjoiningthepoliceintelligenceservice.Theseriesshowsthejourneyoffatherandsonlivingoppositelives,oftenmirroringandcomplementingeachother,whilebothconfrontsituationswhichblurthelinesbetweenrightandwrong.StarringalongsideGabrielLeoneandFlavioTolezaniareFilipeBragança,RaquelVillar,IsabellaSantoni,RamonFrancisco,DigãoRibeiro,FabioLago,JuliaKonradandAndréMattos,amongothers.DomisdirectedbyVicenteKubruslyandBrenoSilveira,whoalsoleadsthewritingteam,whichincludesFabioMendes,HigiaIkeda,CarolinaNevesandMarceloVindicatto.TheseriesisproducedbyRenataBrandãoeRamonaBakkerfromConspiração.AntonioPintocomposedtheoriginalsoundtrack.
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50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。 In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
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马丁·坎贝尔
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蒙面英雄佐罗（安东尼?霍普金斯AnthonyHopkins饰）为了阻止西班牙总督蒙特罗滥杀无辜，突然从天而降，劫走了准备行刑的犯人，从而与蒙特罗结下深仇。随后，蒙特罗派部队跟踪了佐罗。在一片混战中，佐罗的妻子被杀死，还在襁褓中的女儿被虐走，佐罗也被投入了监牢。一晃眼二十年过去了，为了让自己的事业后继有人，佐罗带上面具逃出了监狱。蒙特罗这时仍然在作恶，他计划买下加利福尼亚的所有权。佐罗找到了年轻的盗贼马瑞塔（安东尼奥?班德拉斯AntonioBanderas饰），将毕生所学都传授了给他，希望马瑞塔能够阻止蒙特罗的阴谋。马瑞塔继承了佐罗的面具，然而当他找到蒙特罗时，发现拦在他面前的凶狠的西班牙公主（凯瑟琳?泽塔-琼斯CatherineZeta-Jones饰）竟然就是当年老佐罗的女儿！
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Euskadi 1985. El colegio ha terminado, por fin llegan las ansiadas vacaciones. Marcos y sus tres amigos, José Antonio, Paquito y Toni, reciben expectantes la llegada del verano, un verano prometedor sobre todo porque a sus doce a?os poco importa dónde, ni cuándo, ni cómo. Recorrerán las horas en el laberinto que la vida les ha deparado, en una Euskadi antigua, luchadora, convulsa. Un laberinto de paredes grafiteras, donde rebotan las pelotas de goma y los sue?os de libertad; cubierto de un cielo gris prefabricado en cooperativas, donde la muerte y la vida ya no mantienen relaciones formales.
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Ernesto lives life in a limbo of sorts, stuck somewhere between the promise of an exit visa and the fear of rotting away in Havana. But his smooth-talking schemes to secure papers are complicated when he crosses paths with Anita, and is faced with the only incentive to stay in Cuba—love. Screenwriter Alejandro Brugués makes his directorial debut with this poignant romance about the price of freedom, the power of sacrifice and the meaning of happiness.Alejandro Brugues was born in Buenos Aires, but he is a Cuban national. After studying Advertising, Psychology and Philosophy, he graduated with a Screenwriting major from the Escuela de San Antonio de los Banos. After taking his first steps as a screenwriter, he directed and wrote this first work, which received awards at the Cine en Construcción section of the Guadalajara Film Festival. Personal belongings is a love story that takes on the everyday reality of Cuba: Ernesto keeps his "personal belongings" in a briefcase, waiting for the moment when he will finally be able to leave the island; meanwhile Ana has decided to stay and not go with her parents, who fled on a raft. The two youngsters meet when he goes to the policlinic where she works, and although by falling in love they each find what they were looking for in each other, they also know they have decided on very different paths and at some point they’ll have to make a final choice.
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温琴佐·马拉
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40岁的神父giuseppe面对信奉与心灵危急。他出身坎佩尼亚地域,先在非洲传道一段时光,之后回到罗马的小教区效劳,他要求主教将他调回故乡,素性能为本人的出身地尽一份力,主教允许了他。giuseppe开车离开那不勒斯四周一个有很多公寓大楼与社会室庐的小镇。 这个教区神父是don antonio,往年55岁,布满自我魅力也深受外地尊敬,他率领外地住平易近支持守法倾倒产业废弃物。黑手党在外地营运渣滓埋葬场,在田野合法倾倒并熄灭废弃物,有毒废弃物形成情况传染,外地人称之为“火之地”。 don antonio分开之前,把外地情况告知giuseppe,并先容了外地住平易近给他意识,包含癌症患者maria,她正在寻觅掉散多年的儿子saveio,40岁,颜面伤残的gaetano,他是外地黑手党魁脑,；8岁的祭坛助手daniele,他由于球场被一只山羊占领而整天在陌头踢足球,以及30岁的妇女assunta,don antonio表现她有严峻的精力疾病。 don antonio分开之后,giuseppe以行为证实本人,先帮daniele把足球场扫除清洁,从新开放园地,在一个吸毒者集合的处所找到saverio,压服他回家看母亲,他经心努力赞助社区住平易近,这时assunta告知他一个机密：她的朋友侵占她十岁的女儿。! giuseppe追求don antonio的帮助以查出本相,但don antonio疑惑assunta的说法。 Giuseppe也受到gaetano威逼,但他坚定找出本相,无论支付多大价值,他相对不废弃assunta母女。
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Antonioisa30yofamilyman,whoselifefindsanunexpectedtwistwhenhe'ssuddenlydumpedbyhishusband,whomhedependsbothpsychologicallyandeconomically:heneedstofindanewplacetostay,ajobandanewpurposeinlife.AntoniofindsaroominanapartmentownedbyDenisandstartstoworkinabakeryownedbyLuca,whileattendingpastryschool.Throughthisprocesshediscoversthatitwaswrongofhimtogiveuphisindependenceforthesakeofhisrelationshipinthepast.
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杰罗尔德·塔罗
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Set during the Philippine-American war, Heneral Luna follows the life of one of Philippine History's most brilliant military men, General Antonio Luna, as he tries to lead his countrymen against colonial masters new and old, and to rise above their own raging disputes to fulfill the promise of the Philippine Revolution.
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产生在Edie身上的一件事会在Fairview的左邻右舍中惹起怎么的反响！Lynette的癌症病情停顿怎样！小区里又搬来了新街坊,他们又是什么人！ 所有都行将在9月30日「掉望家庭主妇」第四序首播中找到谜底。 产生在紫藤街的好戏在新一季里将继承演出。在上季最后一会合,John Slattery（扮演Victor Lang）迎娶了Eva Longoria所扮演的Gabrielle。然而,在之后的采访中John说过,他在剧中出面的时日不会太多了。这就象征着一出大戏将要演出。而这场戏确定同Ricardo Antonio Chavira所扮演的Gabby的前夫Carlos有很大关联。来自加拿大的笑剧明星Nathan Fillion在新季中将表演一位新搬入的妇科大夫。别的,一对男同性恋朋友也将是新的脚色。他们的参加,也将为本剧增长更多笑剧颜色。 对紫藤街来说,镇静的名义之下实在暗流涌动。 「掉望家庭主妇」的故事是从Mary Alice Young为了掩饰一个惊天机密而自残身亡开真个。在每一会合,她都市以逝者的身份,从局外人的角度,用旁白的方法报告友人的生涯。这也是本剧制造上的亮点之一。 她的友人包含：Susan Mayer, 一位在恋情的旅途上崎岖一直的仳离独身母亲；Lynette Scavo,被奇迹跟家庭搞得焦头烂额的母亲；Bree Van De Kamp,养有两个疑问小友人的未亡人；Gabielle Solis,曾做过当红模特的她,占有许多女人们朝思暮想的货色——富有的老公!豪宅!香车,但圆满的婚姻却不愿眷顾她。另有一位屡次仳离的Edie Britt,地产经济人,她的恋情生涯也是一团糟。 剧中的三位男配角分离是： Mike Delfino,一位与Suan分分合合的水督工；Lynette的老公Tom则有不太光荣的从前；第三位是Gabrille的仳离老公Carlos。
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佩德罗·阿莫多瓦
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在位于郊外的华丽别墅内，人过中年的整形医生罗伯特·雷德加（安东尼奥·班德拉斯AntonioBanderas饰）和忠心老仆人玛丽莉娅（MarisaParedes饰）居住于此。在过去的十二年里，他先后失去了妻子盖儿和女儿诺玛（AnaMena饰），一桩桩人间惨剧彻底颠覆了罗伯特看似完美的生活，同时也将他的事业与研究推向了完全未知的领域。在别墅的某个神秘房间内，居住着一个美丽且与世隔绝的女子，她叫薇拉（埃琳娜·安纳亚ElenaAnaya饰），既是罗伯特的病人，又是他的实验对象，二人有着纷繁错乱的渊源。她经罗伯特之手精心塑造出来的容颜，将彼此紧紧缠绕在了一起……本片荣获2011年华盛顿影评人协会最佳外语片奖。
