Tre、Porapat、Neng、Sarun、Naraprasertkul、Plengkwan、Nattaya、Thongsaen

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日本的性:苛求陪伴
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Information Japan is on the brink of a population crisis - it‘s in decline and its young people are to blame. They‘re not having sex. They‘re not getting into romantic relationships. And they‘re not getting married.60 - percent of women and 70 - percent of men aged 18-34 - identify as single. While this could be dismissed as a possible trend of young people in Japan rejecting traditional relationships, they‘re not hooking up either. Around 44 - per cent of unmarried women and 42 - per cent of unmarried men have reported in a government census that they are virgins. In just 2017 - alone, Japan saw a 403 - 000 - population decline. For a country of 127 - million people, declines like this could be catastrophic if the trend isn‘t reversed.Host of The Feed, Marc Fennell, went to Japan to investigate the crisis for the documentary Sex In Japan: Dying For Company
美丽美利坚
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It'sthelandweloveandthelandwethinkweknow.WeseeAmerica'sbreathtakinglandscapesandwildlifeastimeless,butthetruthisverydifferent.Itsuniquegeographydrivestheforcesofnaturetoextremes,shapingandreshapingthelandandthrowingdownnewchallengesforlife.
罂粟花田
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PoppyFieldfollowsthestruggleofayoungRomaniangendarme,Cristi,whotriestofindthebalancebetweentwoapparentlyopposingpartsofhisidentity:thatofamanworkinginamachohierarchicalenvironmentandthatofaclosetedgaypersonwhotriestokeephispersonallifeasecret.Whilehislong-distanceFrenchboyfriend,Hadi,isvisitinghim,Cristiiscalledinforaninterventionatamovietheatre,whereanultra-nationalist,homophobicgrouphasinterruptedthescreeningofaqueerfilm.Afteroneoftheprotestersthreatenstoouthim,Cristispiralsoutofcontrol.
触犯
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Atraumaticbetrayaldrivesawomantowardsavengefulextremity.
搞事警察(美版)第二季
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Setagainsttheworldofamajordrugcartelbust,theseriesfollowstwolow-levelcopswhohavespentfartoomuchtimeinacartogether;twocriminalswhoarelargelykeptinthedark;twodispatchworkerswhohaven'treallyclicked;andtwoMexicantunnelerswhoareinwaytoosmallaspaceconsideringthey'veonlyjustmet.
地狱之门最致命的电影
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Addressesthelegendofafilm,longthoughtlost,thatresultedindeathorinjuryforthefewwhosawit.Thenrevealsthatkillerfilm,titledAntrum,hasbeenfound,andshowsit.
手术室的故事外科医生生命边缘第二季
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DocumentaryseriesgoingbeyondthetheatredoorsofQueenElizabethHospitalBirmingham,wheresurgeonspushmedicalboundariestothelimits.?EverySecondCounts?Surgeonshavejustminutestoperformlife-savingemergencytraumaoperations.?GettingBetter?Asurgeonremovesawoman’soesophagusandusesherownstomachtoreplaceit.?ANewBeginning??AtBirminghamChildren’sHospital,twochildrenundergolife-changingsurgicalprocedures.?ARiskWorthTaking??SurgeonscarryoutQueenElizabethHospitalslargesteverremovalofexcesstissue.?PushingTheBoundaries?Afacialsurgeonventuresintounchartedterritorytooperateonapatient’sraredisease.?OneFalseMove?Theseriesreturnswithbrainsurgeryonapatientwhoisawakeandariskyaortarepair.
伦敦钉子炸弹案全面缉凶
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Thisdocumentarytellsthestoryofthe1999Londonbombingsthattargetedminoritycommunities,andtheracetofindthefar-rightextremistbehindthem.
狂野街头
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Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007  Author TimothyFarrell from Worcester, MA  Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.  The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)  -from imdb
黑色复活节
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AnExtremistgrouptravelsbackintimetoassassinateChristbeforetheCrucifixion.Thefateoftheworldnowdependsonageniuswithnofaith...andamanwhohaslosthis.
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