Tru
搜索"Tru" ，找到 以下影视作品
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Adesperatemanmakesadealwiththedevilinhopesofmakingallhisearthlydreamscometrue.ButwhenheiscalledupontoliveuptohisendoftheFaustianbargain,hesoonlearnsthatthiscomeswithaverysteepprice,asthosearoundhimspiralintomadness,possessionanddeath.
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费莉佩·舒尔
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Diogo (17) likes to make anonymous phone calls to his psychoanalyst mother’s patients. That’s how he meets Angela (43), who had just been left by her husband. Although she is first irritated by learning about Diogo and his secret, Angela feels attracted and he brings a new sense to her life. Feeling a true bond between each other, Angela and Diogo fall in love. Yet, they have to face disagreement of his parents and fight for their relationship.
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Ernesto lives life in a limbo of sorts, stuck somewhere between the promise of an exit visa and the fear of rotting away in Havana. But his smooth-talking schemes to secure papers are complicated when he crosses paths with Anita, and is faced with the only incentive to stay in Cuba—love. Screenwriter Alejandro Brugués makes his directorial debut with this poignant romance about the price of freedom, the power of sacrifice and the meaning of happiness.Alejandro Brugues was born in Buenos Aires, but he is a Cuban national. After studying Advertising, Psychology and Philosophy, he graduated with a Screenwriting major from the Escuela de San Antonio de los Banos. After taking his first steps as a screenwriter, he directed and wrote this first work, which received awards at the Cine en Construcción section of the Guadalajara Film Festival. Personal belongings is a love story that takes on the everyday reality of Cuba: Ernesto keeps his "personal belongings" in a briefcase, waiting for the moment when he will finally be able to leave the island; meanwhile Ana has decided to stay and not go with her parents, who fled on a raft. The two youngsters meet when he goes to the policlinic where she works, and although by falling in love they each find what they were looking for in each other, they also know they have decided on very different paths and at some point they’ll have to make a final choice.
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T.I.
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迈克·艾普斯
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Mike
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Epps
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洛雷塔·迪瓦恩
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Loretta
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Devine
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奎恩·拉提法
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Queen
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Latifah
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Teyana
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Taylor
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Meagan
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Tandy
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乔尔·拉什
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Joel
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Rush
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Mila
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J.
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史蒂芬·毕肖普
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Stephen
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Bishop
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Kelly
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K.
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Dubb
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Walker
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小杜瓦尔
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Lil
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Duval
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D.C.
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Young
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Fly
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大冯波
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Big
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Boi
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纳尔逊·波尼拉
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Nelson
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Bonilla
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大卫·邓斯顿
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David
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AmanreturnshometoAtlantatohelphisbrothersstrugglingrestaurant.
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BestfriendsMimmiandR?nkk?workafterschoolatafoodcourtsmoothiekiosk,franklyswappingstoriesoftheirfrustrationsandexpectationsregardingloveandsex.VolatilemisfitMimmi,unexpectedlysweptupinthethrillofanewromancewithEmma(adrivenskatertrainingfortheEuropeanchampionships),strugglestoadjusttothetrustandcompromiserequiredbyalastin...
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In the outskirts of London, Portuguese couple and parents of three, Bela and Jota, struggle to make ends meet. When a misunderstanding arises at school with their deaf daughter, the British social services grow concerned for the safety of their children. LISTEN portrays the tireless battle of these immigrant parents against the law to keep their family together.
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Witnesses is a simple, yet powerful moving trilogy, depicting the horrors of the Holocaust. Each story in the film provides an unusual, yet harrowing perspective on the tragic events during World War II, told from the perspective of three uncanny witnesses. Shoes, the shortest of the stories, does not have a single line of dialogue or even a face featured in it. All we see is a pair of red shoes which beautifully depict first love, then marriage, the start of family life and the onset of the tragic war. Brutus, is a story about a German Shepherd dog separated from her beloved mistress and turned into a guard dog at a concentration camp. The final story, Violin, opens at the beginning of the 20th Century in a violin shop, where the instrument was created as a present for a Jewish boy. The violin becomes witness to the tragic events that followed during the Holocaust. A captivating score, makes this less than conventional film expose the sheer evil and terror that pervaded every aspect of the Holocaust, and is sure to open the eyes of everyone who sees it.
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A film version of a play Fassbinder directed in Hamburg, Clare Booth Luce's The Women. It gave Fassbinder an opportunity to indulge his passion for working with women - there are forty women in the play and no men. The play dates from the 1930s, and Fassbinder was accused by the critics of being anti-women (a frequent criticism of late). As usual, he chose to work against the text, and from this has constructed an entertaining and engaging play about love between upper-class women with nothing better to do than sneer at others when things go wrong with their lives and loves.
