Kiser
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Saturday Night Live aired its thirty-third season, during the 2007–2008 television season on NBC.
Because of the 2007–08 Writers Guild of America strike, there were only 12 episodes produced in this season instead of the usual 20 (with 4 consecutive episodes made between February 23 and March 15), making this the shortest season in the series run and beating out both the sixth (1980–1981) season and the thirteenth (1987–1988) season, which had thirteen episodes. This is also the only season in SNL history not to have a new Christmas episode, since the WGA strike spanned from November 2007 to February 2008.
No changes to the cast happened over the summer and everyone from last season returned. During the strike, long-time castmember Maya Rudolph left the show, as she had no contract with SNL that year. Casey Wilson, an actress and writer who frequently performs at the Upright Citizens Brigade Theater, was hired in January 2008 to fill the void, but due to the strike, did not appear on the show until they returned on February 23, 2008.
On November 5, 2007, after the episode hosted by Brian Williams, the Writers Guild of America went on strike. It was announced that SNL would air its next episode on November 10, 2007 (with host The Rock and musical guest Amy Winehouse), live on air, with a future episode to follow, featuring Jonah Hill and musical guest Kid Rock. However, on November 7, 2007, SNL's official website confirmed that those episodes were canceled and reruns would be seen beginning November 10, and would continue during the duration of the strike. The Rock/Winehouse show was canceled, along with the Jonah Hill/Kid Rock episode (though Jonah Hill would get a second opportunity, when he hosted the March 15 episode, with musical guest Mariah Carey [filling in for a flu-stricken Janet Jackson] and The Rock would host next season, with musical guest Ray LaMontagne. Amy Winehouse would never get the chance to be a musical guest, host, or even cameo due to her death in 2011).
During the strike on November 17, 2007, the cast of the show, along with host Michael Cera and musical guest Yo La Tengo performed an "episode" of the show entitled Saturday Night Live - On Strike! at the Upright Citizens Brigade Theatre (co-founded by cast member Amy Poehler) in New York City. Every cast member except for Maya Rudolph appeared, with former cast members Horatio Sanz and Rachel Dratch and musician Norah Jones making cameo appearances.[1]
On February 12, 2008, the strike was announced to be officially over with a 92.5% vote. Production continued on February 18, 2008 for the February 23, 2008 episode, hosted by former SNL cast member Tina Fey with musical guest Carrie Underwood.
This season also saw the death of the show's very first host: edian/actor George Carlin. A scheduled rerun of the episode hosted by Ellen Page was replaced with a rerun of the show's very first episode, which had Carlin as host and Janis Ian and Billy Preston as musical guests.
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伊塔莉·里奇
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伊纳基·戈多伊
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摩根·泰勒·坎贝尔
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瑞哈娜·迦帕尔
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凯拉·扎戈尔斯基
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Rhys Nicholson
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塞莉纳·马丁
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Junnicia Lagoutin
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雷克哈·莎尔玛
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Ron Selmour
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Chris Cope
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詹妮弗·千
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Brandon Fung
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Siddhartha Minhas
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Diego Stredel
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马克斯·洛伊德-琼斯
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约翰·卡西尼
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E.J. 卡茨
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Mariesa Crouse
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AComingofRagestorycomingtoNetflixin2022.Threetwentysomethingswereturnedintomonstersbyevilscientistsagainsttheirwill.Nowthey’reonthehuntforthemad-manresponsibleinhopesofreversingtheside-effects…butalsothey’rebeingchasedbyagovernmentagency,dealingwithcollegeapplications,teenageromance,randommonstermutations,andallofsortsofcomingofagerelateddramas.Oh,andthegovernmentagencyhastanks.Welcometothisfull-throttle,action-adventure,monstersci-fiNetflixoriginalseries.WelcometoaComingofRagestory.WelcometoTheImperfects.FeaturingItaliaRicci,IñakiGodoy,MorganTaylorCampbell,RhiannaJagpal,andRhysNicholson.Fromshow-runnerDennisHeaton,andthecreativemindsbehindTheOrder,FargoandVanHelsing.
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劳·阿尔贝特
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MarcelBorràs
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MiguelDelArco
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力诺·艾斯卡勒拉
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卡洛斯·马尔克斯·马尔赛特
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PabloMessiez
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DiegoPostigo
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帕布洛·雷蒙
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克拉拉·罗奎特
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卡拉·西蒙
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Serieantológicadeseisepisodios.Cadaunadelasseisentregascuentaconunequipocompuestopordestacadosautores,directoreseintérpretes.Unproyectoquemezcladistintasdisciplinasparacrearunafusiónexcepcionalentrelasartesescénicasyelaudiovisual.
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A group of middle school kids stumble upon a chest full of incredible toys from the future. The discovery takes them on an adventure using their newfound toys to save their neighborhood and ultimately the world from a maniacal corporate madman. In the process, these "loser" kids learn they have the qualities they thought they were lacking all along.
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梁智强
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本片以上世纪六十年代的本地家庭为主轴，通过成员的际遇，带出早期的甘榜生活以及后来的组屋生活，剧情横跨数十年。电影也将体现新加坡如何从一个以方言为主流语言的社会演变成华语到现今英语的过程，从中回顾流失的方言。它也会融入导演的许多亲身经历，并将安插多首怀旧歌曲。Afterthe1969nationwidefloods,ZhaoDitakesoverherfathersfamilyfarmwiththehelpofreformedgangsterAhLong.AsSingaporeseconomyprospers,theSingaporeanmindsetisalsoforcedtochangewiththetimes.Osmancatcheshisteenageson,Ahmadpracticingwithhisrockband.Asaconservativeman,OsmanbelievesrockmusicwillhaveanegativeinfluenceonAhmad.Fatherandsonargueovertheirdifferentopinions,causingAhmadtorunaway.Meanwhile,AhHeeandRanidecidetogetmarried.Buttheirtraditionalparentsdisapproveoftheirmarriage.In1977,theGovernmentbeginsexpropriatinglandforredevelopment,forcingvillagersfromtheirkampongs.Licensedfarmlandowners,suchasZhaoDi,arefinanciallycompensatedfortheirland.AhKun,ZhaoDisgreedybrotheraccusesZhaoDiandAhLongofhavinganaffairtotarnishhernameinfrontofthefamily.InthemidstofAhKunspersistentaccusations,ZhaoDishealthtakesahit.WillZhaoDibeabletokeepherhard-earnedcompensationmoney?WhatwillbecomeofherfamilyifZhaoDishealthcontinuestodeteriorate?Aspeoplechangewithtime,willthekampongspiritremain?
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赫尔伯特·怀斯
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Themini-seriesfollowsthehistoryoftheRomanEmpire,fromapproximatelythedeathofMarcellus(24/23BC)toClaudius’owndeathin54AD.AsClaudiusnarrateshislife,wewitnessAugustus’attemptstofindanheir,oftenfoiledbyhiswifeLiviawhowantshersonTiberiustobecomeemperor.WealsoseetheconspiracyofSejanus,theinfamousreignofCaligula,andClaudius’owntroubledperiodofrule.
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皮奥特尔·舒尔金
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耶日·斯图尔
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克里斯提娜·杨达
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卡里娜·谢鲁斯克
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马里乌什·德莫霍夫斯基
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马雷克·瓦尔切夫斯基
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扬·诺维茨基
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亨里克·比斯塔
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莱昂·涅姆奇克
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克兹佐夫·马扎克
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斯坦尼斯瓦夫·伊加尔
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Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.
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巴里·莫罗
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"ALL YOU EVER WISHED FOR" is a fanciful tale of romance, comedy, and Italian charm. It begins in Milan with the abduction of a young American, the son of a wealthy businessman, and a ransom demand. But when the three bumbling mafia kidnappers and their hapless victim get lost in the mountains, they end up spending the night in an abandoned cottage that is under a gypsy spell. Upon awakening, each man falls instantly in love with the first soul to meet his gaze, which are, for the kidnappers: a homely spinster; a handsome woodsman; and one cute cow. The American, as luck would have it, is smitten by the sharp-tongued, raven-haired village beauty. Despite everyone's pure motives, things begin to unravel when the double-crossed mafia don and the victim's father arrive on scene to put an end to the madness. But they, too, fall victim to that gypsy love spell, and our tale comes to a fitting end with everyone getting what they wished for - or at least what they deserved.
