Karame
搜索"Karame" ，找到 以下影视作品
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Ontherunfromhisformeremployer,areluctanthitmanseeksrefugeinanisolatedvillagewhereheisfacedwitheventsthattestthetruenatureofhisconscience.
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OnlyforTerezaisaromanticcomedyfullofawkwardsituationsanderrors,whichproves,thatfightingforlovecansometimesbeincrediblyarduous,especiallywhenlifeslapsyouinthefaceallthetime.Thecharactersofthe"severelytriedcouple"areplayedbyIgorOrozovicandVeronikaKhekKubarova,supportedbyDavidMatásek,LenkaVlasákováorMatousRuml.
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萨姆·佩金帕
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Mike Locken is one of the principal members of a group of freelance spies. A significant portion of their work is for the C.I.A. and while on a case for them, one of his friends turns on him and shoots him in the elbow and knee. His assignment, to protect someone, goes down in flames. He is nearly crippled, but with braces is able to again become mobile. For revenge as much as anything else, Mike goes after his ex-friend.
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Satyendra aka Sattu (Rajkummar Rao) and Aarti (Kriti Kharbanda) meet for a proposed arranged marriage and fall in love in the process. On the night of their marriage, an unexpected turn of events turns their world upside down. Set in the backdrop of India's civil services, Shaadi Mein Zaroor Aana explores the challenges that Satyendra and Aarti face as a middle-class couple in India.
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After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --? Official Site
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乔纳森·里贝斯曼
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在德州某屠宰场,瘦削的女工正在案板切肉,忽然觉得腹中剧痛,本来身怀有孕的她羊水已破,产下一个畸形儿,抛弃在渣滓箱,厥后被干净工救起。N年后,一群年青人驾车途经这里。刚从越南火线返来的艾瑞克（马修•波莫 Matthew Bomer 饰）刚与未婚妻克莉希（乔丹娜•布鲁斯特 Jordana Brewster 饰）团圆,就得悉弟弟迪恩（泰勒•汉德雷 Taylor Handley 饰）又要去火线,他本想陪弟弟共赴疆场。但迪何在女友贝莉（迪奥拉•拜尔德 Diora Baird 饰）的挽劝下预备将参军证烧掉落,他们为此发生了争论。这时,他们受到了飙车党寻衅。厥后,为首的女孩居然被警员击毙。警员霍伊特（R•李•艾尔米 R. Lee Ermey 饰）拦住了他们的车子,把他们带到了令人不寒而栗的屠宰场,开端了惨无人性的熬煎……
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故事发生在电影《美国队长》之后，1946年战争结束了，和平的到来反而使她被社会排挤。随后她加入了霍华德·史塔克的机构SSR(StrategicScientificReserve)，做一些行政和秘密任务。即使失去了史蒂夫·罗杰斯，她依然要面对人生。“特工卡特”首次现身银幕是在2011年的电影《美国队长》（CaptainAmerica:TheFirstAvenger）中，当时由海莉·阿特维尔（HayleyAtwell）饰演这个角色，作为“美国队长”的恋人，卡特在前者撞机之后成立了“神盾局”保卫国家安全。2013年漫威曾制作《特工卡特》的电影短片，故事内容是关于美国历史上最令人震惊的十二宫连环案，而在《美国队长2：冬日战士》（CaptainAmerica:TheWinterSoldier）中，卡特也曾短暂现身，不过此时的她已经是耄耋老人命不久矣
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
