Stevens
搜索"Stevens" ，找到 以下影视作品
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托德·索伦兹
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乔伊（简·亚当斯 Jane Adams 饰）、海伦（劳拉·弗林·鲍尔 Lara Flynn Boyle 饰）和崔西（辛西娅·斯蒂文森 Cynthia Stevenson 饰）是情同手足的三姐妹，三人从小玩到大，共同度过了一段无忧无虑的童年时光。长大后，三姐妹踏入了复杂混乱的社会，亦遇到了每个女人都逃不过的情感难题。 乔伊和男友之间的关系一直都充满了纠葛。崔西嫁给了心理医生比尔（迪伦·贝克 Dylan Baker 饰），哪知道看上去仪表堂堂的他隐藏了一个肮脏而又丑恶的秘密。艾伦（菲利普·塞默·霍夫曼 Philip Seymour Hoffman 饰）是比尔的病人，一次偶然中，他邂逅了风情万种的海伦，就此坠入爱河无法自拔。与此同时，三姐妹的父母突然宣布要结束他们为期四十年的婚姻。
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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ABC宣布以13集首季直接预订PoppyMontgomery主演的夏季剧《暗礁ReefBreak》，这部预定19年播出的剧是由ABCStudiosInternational﹑ABCStudios及法国方M6三方合拍。《暗礁》由PoppyMontgomery及KenSanzel共同开发，剧中讲述前飞贼的女主CatChambers当起了问题解决者（《寻人密探组WithoutaTrace》及《记忆神探Unforgettable》的PoppyMontgomery饰），她为一处犹如天堂般的太平洋小岛的总督处理各种问题；Cat的犯罪过去令她最为了解罪犯的想法，因此她对这工作可谓是得心应手。DesmondChiam饰演小岛警探JakeWyatt，他与Cat一夜情过后发现自己得与女主在一件案子上合作。RayStevenson饰演很有男子气慨﹑近期运气不佳的Jake；尽管他是名联邦探员，但比起待在办公室，他更愿意过着像海滩客的生活。他与Cat过去有段历史，而且双方都没完全放下对方。
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吉娜·罗德里格兹
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《处女情缘》Gina Rodrigue领衔的ABC新单镜头喜剧试映集《老娘还没死》（Not Dead Yet）获得正式预订，将作为2022-23播出季新剧开播。
这个项目改编自Alexandra Potter于2020年出版的书籍，Gina将饰演一名如今破产、恢复单身、感觉自己老了的女子“Nell Stevens”，尽管她认为自己的生活是场灾难，但仍然想要重新开始自己十年前留下的生活与事业。搬回帕萨迪那的她，发现这里每个人都比她拥有更好的生活（在孩子、事业、婚姻等方面），而自己却只能与一个常常监视公寓用电量并且就她的回收习惯进行纠缠的陌生人合租公寓。
Nell本是一名成功的记者，为了帮助当时的未婚夫餐厅开业而搁置了事业- -如今重回文字事业的她，被迫接受了目前唯一能得到的工作，那就是写讣告。看起来这像是人生的又一层倒退，却或许帮助Nell理清了继续前...
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马克·埃文斯
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卢克·伊万斯
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欧文·蒂尔
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基思·艾伦
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亚历山大·莱利
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大卫·芬恩
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斯戴凡·辛尼德
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Oliver Ryan
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Richard Corgan
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Charles Dale
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Caroline Berry
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Ioan Hefin
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卢克·伊万斯将主演ITV三集新剧「彭布罗克郡行刺案」(The Pembrokeshire Murders,暂译)。 Nick Stevens(「近在面前」)操刀脚本,剧集卡司还包含基思·艾伦([飞鹰艾迪])!欧文·蒂尔(「权利的游戏」)!亚历山大·莱利(「去他*的天下」)等。该剧依据高等考察官史蒂夫·威尔金斯与ITV消息记者乔纳森·希尔独特撰写的纪实文学改编,报告了1980年月有两起未处理的双重行刺案。2006年,新上任的督察长史蒂夫·威尔金斯(卢克·伊万斯饰)决议再度考察这两起案件,采取了古代法医考察办法,应用DNA等线索,将两起行刺案与一系列的偷盗案接洽在一同。在这些偷盗者行将刑满开释前,史蒂夫团队是否找到充足的证据来控告嫌犯呢！该剧将于本月开拍。
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
