Parmer

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

Im Sommer 1943 - ist Ostpolen von Deutschland besetzt, die Sicherheitspolizei für die Kontrolle der polnischen Bevölkerung zuständig. Vier Teenager erleben die Grausamkeiten des Krieges – und die Schönheit zwischenmenschlicher Gefühle. Romek (Filip Piotrowicz), Heizer auf einer Rangierlok, möchte Lokomotivführer werden. Und er möchte Franka (Urszula Bogucka) für sich gewinnen, die als Küchenhilfe im deutschen Gendarmerieposten arbeitet. Franka wiederum ist in den jungen Deutschen Guido (Jonas Nay) verliebt. Er wurde wegen des Hörens entarteter Musik in das polnische Dorf strafversetzt und hat nun die Aufgabe, die Bahnstrecke zu sichern sowie Flüchtlinge und Partisanen aufzuspüren. Der Krieg ist weit weg, solange Romek, Franka und Guido zu dritt sind. Doch dann findet Romek die verletzte Bunia (Maria Semotiuk), eine Jüdin. Er beschließt, dem Mädchen zu helfen…

ArmandoIannuccipresentsapersonalargumentinpraiseofthegeniusofCharlesDickens.Throughtheprismoftheauthor’smostautobiographicalnovel,DavidCopperfield,ArmandolooksbeyondDickens-thenationalinstitution-andinsteadexploresthequalitiesofDickens’sworkwhichstillmakehimoneofthebestBritishwriters.WhileDickensisoftencelebratedforhispowerfuldepictionsofVictorianEnglandandhisroleasasocialreformer,thisprogrammeforegroundstheelementsofhiswritingwhichmakehimworthreading,asmuchforwhathetellsusaboutourselvesinthetwenty-firstcenturyasourancestorsinthenineteenth.ArmandoarguesthatDickens’sremarkableuseoflanguageandhisextraordinarygiftforcreatingcharactersmakehimastartlinglyexperimentalandpsychologicallypenetratingwriterwhodemandsnotjusttobeadaptedfortelevisionbuttobereadandreadagain.

Whenacrookedfederalagentisinvolvedinahumansextraffickingring,SniperandCIARookieSniperBrandonBeckettgoesrogue,teamingupwithhisformeralliesHomelandSecurityAgentZeroandassassinLadyDeathtouncoverthecorruptagentandtakedownthecriminalorganization.

　　Eliska's husband has left her for a younger woman. She is childless, in her early forties, yet still attractive. Till then she had taken care of her successful husband, but now she has to start anew without his financial support. Eliska starts teaching at a local village school. Since she can't find a lodging, she moves to a former morgue. The small house is already occupied by a quirky and grumpy graveyard keeper named Bozicek. Their house sharing leads to a series of comical conflicts, but they eventually fall in love and Eliska proves to her ex-husband that she is able to stand on her own.

David,nowanoldman,isstillkingofIsrael.Amonghissons,theambitiousAdonijahandthecleverSolomon.Thetwoyoungmenarefiercerivals,sincebothareprospectiveheirstothethroneandonlyonecanbesuccessful.Duringahuntingexpedition,AdonijahchallengeshisyoungerbrotherSolomontoachariotrace.WhileSolomon,thoughbrave,stillretainsamodicumofcaution,thedaredevilAdonijahiseagertowinatallcosts-andlosescontrolofhischariot.SolomontakestheseriouslyinjuredAdonijahbacktoJerusalem.OnthewaytheretheymeettheattractiveAbishag,whodespiteheryouthisversedintheu搜索引擎优化fhealingherbs.Sheactuallysucceedsinhelpingtheprince.AdonijahfallsinlovewithAbishag-butBathshebaarrangesthingssothatsheworksforDavid,hopingthatheryouth,herbeautyandherhealingpowerswillsoothetheoldking’ssuffering.SeveralmembersoftheinfluentialpriesthoodandalsotherespectedarmygeneralJoab,whoservedDavidloyallyformanyyears,supportAdonijah’sclaimtothethrone-eventhoughDavidhasstillnotmadeanydecisionwithregardtoapotentialsuccessor.Thebattle-experiencedJoabregardsSolomonasanindecisiveweakling,underwhoseleadershipthekingdomwouldsoonfallapart.WhentheprophetNathanfindsoutaboutAdonijah’sconspiracyheinformsBathshebaandSolomon,whourgeDavidtotakeimmediateaction.AndsoitcomestopassthatpreparationstoanointthefuturekingofIsraelaremadebothattheSpringofEnrogel,whereAdonijahandhismenareencamped,aswellasinJerusalem.ThefestiveprocessionforAdonijahhasalreadybeenassembledandthepeopleenticedwithdeliciousdelicaciestocheerhimon,whenthenewsofSolomon’scoronationreachesEnrogel.ThepeoplepromptlyacknowledgethewillofKingDavidandstreamofftoJerusalemintheirhordestogreetSolomon,theirfutureruler.Adonijahremainsbehindwithahandfulofloyalfollowers.Herealizesthathehaslost-forthetimebeing.Humblyheplaceshislifeinhisbrother’shands.Adonijahisforgivenononecondition:thathealwaysremainsloyaltohisbrotherSolomon.ThegreatKingDavidisdead,andhissonSolomonhassucceededhimastherightfulrulerofIsrael.AdonijahnowhasarequesttomakeofBathsheba:hewantstomarryAbishag.Solomonhearsaboutthisseeminglyinnocentwish,andrecognizesitasarenewedployonbehalfofhisbrothertoreclaimthethrone-Adonijah’smarriagetothelastwomantoshareKingDavid’sbedwouldstrengthenhispoliticalpositionconsiderably.Solomonknowsthathehastoactquicklyanddecisivelyifheistosecurehisownpower.HehashisbrotherAdonijahandthelatter’sclosestassociateJoabexecuted.Afterthisradicaldecision,Solomonwithdrawstopresentsacrifices.InadreamtheLordappearstohimandgrantshimthefulfillmentofawish,whateveritmaybe.Solomonmerelyasksforwisdom-inordertobecomeagoodrulerandjudge.WarwithEgyptislooming.Toarmhiskingdomagainsttheterritorialambitionsofitspowerfulneighbors,Solomonnotonlyintroducesseveralreformsbutalsodecidestomarrythedaughterofthepharaoh.TheEgyptianprincessdoesnotremainSolomon’sonlywife,however:astimegoesbythekingmarriesnumerousnoblewomenfrommanydifferentcountriesforpoliticalandeconomicreasons.Inthiswayhepreservespeaceforhispeople,andcreatesgreatprosperity.ByallowingthewomentocontinuepracticingtheirdomesticcustomsandreligiousritualsinJerusalemaswell,hecomesintoregularconflictwiththepriesthood,whoseetheforeignreligionsasendangeringIsrael’ssolecovenantwiththeLord.ThewisdomgrantedtoSolomonbyGodbecomesfullyevidentwhenthekingsitsinjudgment.Onedaytwoharlotseachclaimtobemotherofthesamebaby.Solomon’sdecisionseemsutterlycruel:hesaysthatthechildshouldbecutintwosothateachwomanreceiveshalf.Solomoncannowdeterminewhotherealmotherisfromherreaction:shewillnotallowherchildtobeharmed.Solomonhandsthechildbacktoitstruemotheramidcheersofapproval.OneofthemostimportanttaskshandeddowntoSolomonbyhisfatherDavidisbuildingthegreatTempletohousetheArkoftheCovenant.Ithastobelargerandmoremagnificentthanallothertemplesintheworld,andSolomonnowsetsaboutfulfillinghisfather’swish.HeplacesJeroboaminchargeoftheIsraeliteworkersaschiefoverseer.Sevenyearslater,theworkiscompleted.Theexpensiveconstructionmaterialshavebeenbroughtfromfar-offlands,andthepeopleofIsraelhavepaidexceedinglyhightaxeswithoutcomplaintinordertofinancetheconstructionwork.TheArkoftheCovenantcannowfinallybetakentotheTempleinatriumphantprocession.Aftersomanyyearsofwandering,theIsraelites’mostsacredpossessionnowhasafixedhomeofitsown.PeoplestreamtoJerusalemfromacrosstheentirecountrytocelebratethegreatday.Abishag,nowmarried,comestooandbringsherfamily.Solomonhasdecidedtomingleamongthepeopleindisguise,andheandAbishagareoverjoyedwhentheyaccidentallymeetagainaftersomanyyears.TheTemplemakesJerusalemanditskingfamousthroughouttheworld.Eventhedark-skinnedQueenofShebasetsoffwithalargeretinuetovisitthewiseandcultivatedSolomonandadmirehismagnificentcity.Theadmirationturnsouttobemutual:Solomon,captivatedbyherbeauty,fallsdeeplyinlovewithher.Thetwoofthemhaveachild,Menelik,butonedaytheQueenofShebadecidestoleave.ShedoesnotwantMeneliktobedeprivedoftheregaldignityawaitinghiminhishomecountry.Solomonstaysbehind,withaheavyheart.Thekinghasnowachievedeverythinghesethishearton,butwiththepassingoftheyearsthewiseSolomongraduallybecomesamelancholy,skepticaloldmanwhoregularlyquestionshisveryexistence.Materialthingsseemtorepresenttheonlyrealityforhim.Healsorefusestoadoptanykindofsteadypolicy,especiallyinreligiousmatters.Withhisforeignwives,Solomonsacrificestoforeigngods,andthisincursthewrathofthepriesthood.TheloyalJeroboamappealstohisking’sconscience,buttonoavail.DuringoneofSolomon’ssortiesindisguiseamonghispeople,asimplefarmerremindshimofthefirstoftheTenCommandmentsrevealedbytheLordtoMoses:"Youshallhavenoothergodsbeforeme."Atanotherdecisivemoment,GodHimselfspeakstoSolomonandannouncesthepunishmentforhissinfulness:thekingdomwillcollapseafterSolomon’sdeath.Thekinghasgrownoldandweary.HehaslosttouchwiththepeopleofIsrael,whoaresufferingfromheavytaxationandforcedlabor.Solomonhastreatedhislong-standingcompanionJeroboam,towhomheentrustedtheadministrationofthenortherntribes,withmurderousangereversinceaprophetpredictedthedivisionofthekingdomtohim.Thekingnolongerhasthestrengthtochangethings-hejustleavesthemastheyare.Theconsequencesofthisbecomeclearshortlyafterhisdeath.Solomon’ssonandsuccessorRehoboamtreatsthecountry’sleaderswitharrogance,andprovokesthedivisionofthekingdomintotwoparts:theonlytribestillloyaltohimisthatofJudah,whilealltheothersuniteunderJeroboam.Theprophecyhasbeenfulfilled.ThekingdomthatSolomonreceivedfromhisfatherDavid,andinvestedwithsuchmightandmagnificence,isnowdivided.

Ayearhaspassed,LordGlendenninghasdiedandMorayisworkinginParis.RecentlymarriedtothephilanderingTomWeston,whohasayoungdaughterFlora,Katherine,nowowneroftheParadise,summonsMoraytoreturnandrevitalizethestore,whichislosingtrade.OnarrivalbackheproposestoDenise,whoisstillemployedattheParadise,andAudreyproposestoEdmund.Newstaffnumbershop-girlSusyandstore-manNathaniel,theformerinlovewiththelatter,unawarethatheisasaboteurforFenton,arivaltradesmanseekingtobuytheParadise.KatherineisawarethatWestonalsowantsthesaleandurgesMoraytomakeasuccessofthegrandreopening.SuspiciousofNathaniel’sactions,Deniseexposeshim,leadingtohisdismissalandahugelyprofitablefirstdayunderMoray’smanagement.SeeingitspotentialWestoncallsoffhisdealwithFenton.

施耐德（汤姆·德·威斯布莱尔TomDeWispelaere饰）是一名杀手，今天是他的生日，他答应妻子会在家和她一起准备晚餐。此时，施耐德接到了上司梅尔滕斯（吉恩·伯沃依兹GeneBervoets饰）打来的电话，梅尔滕斯委托施耐德去杀一个名叫巴克斯（亚历斯·冯·华麦丹AlexvanWarmerdam饰）的男人，对于经验丰富的施耐德来说，这是一份十分轻松的工作，如果时间来得及的话，他完成任务后甚至能够赶回家吃午餐。巴克斯住在芦苇丛环绕的湖边小屋之中，每天依靠酒精和毒品自我麻痹，这一天和往常一样，他在昏昏沉沉中醒来，向其女儿弗兰西斯卡（玛丽亚·卡拉克曼MariaKraakman饰）回来拜访，虽然巴克斯和女儿之间的关系向来不能算好，但他实际上十分期待此次会面，此时巴克斯并不知道的是，除了弗兰西斯卡外，今天还会有另一位不速之客。

A year has passed, Lord Glendenning has died and Moray is working in Paris. Recently married to the philandering Tom Weston, who has a young daughter Flora, Katherine, now owner of the Paradise, summons Moray to return and revitalize the store, which is losing trade. On arrival back he proposes to Denise, who is still employed at the Paradise, and Audrey proposes to Edmund. New staff number shop-girl Susy and store-man Nathaniel, the former in love with the latter, unaware that he is a saboteur for Fenton, a rival tradesman seeking to buy the Paradise. Katherine is aware that Weston also wants the sale and urges Moray to make a success of the grand reopening. Suspicious of Nathaniel's actions, Denise exposes him, leading to his dismissal and a hugely profitable first day under Moray's management. Seeing its potential Weston calls off his deal with Fenton.

本剧用倒叙方法报告了一个连环凶杀案的故事,剧名Rellik是英文单词Killer的回文。剧中犯法变乱之末将会在一开端就公之于众,而后以受创伤﹑毁容的伦敦警探GabrielMarkham为中央,在回溯追凶进程平分析该警探的故事。介入上演「雪岛迷踪」及「权利的游戏」的RichardDormer扮演精深莫测﹑卑躬屈膝﹑具感化力的警探Gabriel,他痴迷于追捕一个在他身心留下创痕的连环杀手。JodiBalfour扮演Gabriel的拍档Elaine,她是个开朗﹑有热忱﹑迫切谄谀他人的警探。艾美奖提名者SamMiller将执导该剧,编剧Williams兄弟及其公司将担负本剧的履行制片方。