Millard

Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

故事产生在1921一年,艾娃（玛丽昂·歌迪亚 Marion Cotillard 饰）跟姊姊玛格达（安吉拉·萨拉弗安 Angela Sarafyan 饰）禁受不住繁荣都会的霓虹引诱,出发从波兰前去纽约淘金。半路上,玛格达可怜患上了事先是不治之症的肺结核,因而而被大夫断绝在了位于埃利斯岛上的病院之中,手足之情的姊妹两人就此各奔前程。 离开纽约之后,艾娃才发明,这里的所有远不如理想中的美妙,她可怜的落入了皮条客布鲁诺（华金·菲尼克斯 Joaquin Phoenix 饰）的手中,成为了一名妓女。艾娃的生涯中布满了伤痛跟辱没,可以再次跟姊姊相见成为了她心中的独一信心。一次偶尔中,艾娃结识了名叫奥兰多（杰瑞米·雷纳 Jeremy Renner 饰）的把戏师,仁慈的奥兰多让艾娃明确,他可能是本人迈向重生涯的独一跳板。

俄勒冈的汤姆（戴克斯•夏普德 Dax Shepard 饰）!杰瑞（马修•里沃德 Matthew Lillard 饰）!丹（赛斯•格林 Seth Green 饰）跟比利是四个从小玩到大,爱好冒险跟安慰的友人,二十岁那年,比利出门远行离别了三人。十年当前,比利在游览中因事变身亡,三个老店员再度在葬礼上相逢,三十而破的的三人生涯各有烦忙,他们回到童年时的树屋,发明白比利留给他们的“藏宝图”,比利美好的游览阅历吸引着他们,三人决议立刻按图出行,实现童年的梦。一起上,三人碰见了视丹为本人孩子的巨熊!在山谷中莳植囤积大批大麻的歹徒二人组,另有自夸为天然人的两个俏丽女人。一起上的冒险阅历,使三人对人生有了全新的意识……

　　当一个人问另一个人“敢不敢”的时候，另一个人必须说“敢”，这就是游戏的规则。小男孩于连和小女孩苏菲的相遇即开始于这样一场孩童的闹剧，一个精美的铁盒子就是他们游戏的见证。说脏话，扰乱课堂，在校长室小便，内衣外穿……一个游戏两人一玩十多年，他们什么都敢，除了承认彼此相爱。　　苏菲（玛丽昂·歌迪亚 Marion Cotillard 饰）提议两人分别四年，挑战的内容是于连（吉约姆·卡内 Guillaume Canet 饰）敢不敢伤害苏菲。恍惚四年逝去，于连找到苏菲，为了游戏的进行他决定另娶她人，邀请苏菲做伴娘。受到伤害的苏菲在于连的婚礼上抛出铁盒子“你敢悔婚么？”原本最最亲密的朋友相互伤害最深。同样心痛的两个人相约再次分别十年。　　十年里，于连拥有了一切，家庭、事业、朋友，只是没了苏菲宛如没了心，原来丧失激情的生活这般索然无味。　　终于十年过去，“Love me, if you dare...”