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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

本片是根据加州连环杀手WilliamBonin的真实故事改编。多年来，WilliamBonin（ScottLeet饰）在加州的路上开着车寻找他的下一个受害者，公路旁可以看见丢弃的被殴打过的、遭性侵犯和肢解的尸体。看似诡计多端的凶手总是能很容易躲避警察的追捕，让警察捉摸不透他的身份。但当警察发现了凶手的身份后事情变得更加棘手，究竟有多少人遭遇了杀害？

ThefirstoftwoprogrammesshowcasingarchivefootageofsomeofBritain’smostacclaimedactinglegendsappearinginBBCdramaatearlystagesoftheircareers.ThefirstprogrammefeaturesMichaelCaineinarareShakespeareanrole,BenKingsley,IanMcKellen,DerekJacobiandMichaelGambon,aswellasbehindthescenesfootageoffamousseriesincludingWarandPeace,theMayorofCasterbridgeandtheSingingDetective.NarratedbyDavidTennant.Parttwooftwo.ArchivefootageofsomeofBritain’smostacclaimedactinglegendsappearinginBBCdramaatearlystagesoftheircareers.Theprogrammefeaturesearlyrolesandsomecareer-definingmomentsforJudiDench,MaggieSmith,DianaRiggandHelenMirren.NarratedbyDavidTennant.

不屈不挠的DCI维拉印刷机回到面临艰巨的病例数。帮助陷入困境的新招募DS艾登希利(肯尼的),他们在沿海商队公园调查一种致命的大火,发掘一个30岁的神秘老矿业社区,深入研究一个年轻人的悲剧最后几个月发现漂浮在一个农场泥浆坑和发现生活的秘密和谎言当一个挚爱的家人人坠落到他死于一个多层停车场。每个扣人心弦的情节都以令人叹为观止的诺森伯兰郡乡村为背景，而布伦达·布伦森饰演的这位混乱但才华横溢的侦探的精彩表演又使情节更加精彩。灵感来自于畅销小说,维拉,由著名的犯罪小说作家安二。在第五季中，Jon Morrison将会回归扮演D.C. Kenny Lockhart, Cush Jumbo将会扮演D.C. Bethany Whelan, Kingsley Ben-Adir将会扮演病理学家Marcus Summer, Riley Jones将会扮演D.C. Mark Edwards，并且Lisa Hammond将会扮演情报官员，Helen Milton将会加入Vera的团队。

DominicCooper将主演间谍题材的新剧#SpyCity##间谍之城#，英国作家威廉·博伊德(WilliamBoyd)将负责撰写剧本。该剧设定在1961年，柏林墙建立前夕。Cooper将饰演一名英国间谍，被派往柏林，目的是查出英国大使馆或盟国中的一名叛徒。当时的柏林被认为是最危险的地方之一，到处都是间谍或双面特工。

格里森兄弟布莱恩·格里森、多姆纳尔·格里森将出演6集喜剧剧集《爱尔兰的弗兰克》(FrankofIreland，暂译)。两人同时将担任编剧及执行制作人。剧集卡司还包括PomBoyd、莎拉·格林、汤姆-沃恩-劳勒。亚马逊与Channel4联合打造。该剧讲述32岁的音乐家弗兰克·马龙(布莱恩饰)的故事，遁世的他与母亲住在都柏林。多姆纳尔将饰演他的好友。

Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.

Whenwhip-smartCambodiandoctorThonyDeLaRosacomestotheUnitedStatesformedicaltreatmenttosaveherailingson,shesoondiscoversherpathwon'tbeasstraightforwardasshehadhoped.Asthesystemquicklyfailsher,pushingherintohiding,sheresolvesnottoallowherselftobebeatendownandmarginalizedandbecomesacleaningladyfororganizedcrime.Usinghercunningandintelligence,Thonyforgesherownpathinthecriminalunderworld,doingwhatevershehastosurvive.

A50-year-oldpainternamedLorenzodecidestorebuildhislifeafterhardtimes.Anxiousaboutthesonhewillhavewithhisnewwife,duringpregnancy,shebeginstohaveacertainobsessiveandmaliciousbehavior,whichmakestherelationshipbetweenthembothtense.Withthebirthofthebaby,therelationshipreachesnewlevelsofdangeroushostilityandcertainunhealthybehaviorsthatmakethecoupleanextremelyunstablesituation,fromwhichtherecouldbenoreturn