Jisaura
搜索"Jisaura" ，找到 以下影视作品
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在Gibbs掉落这两个月里,Bishop暂时担负水师罪案考察处的引导。他们试图让所有坚持畸形,但那多少乎弗成能。与此同时,巴拉圭义务无论终局怎样,都将对本季后续剧情发生连续影响。JenniferEsposito曾经退出该剧,剧情支配她[分开水师罪案考察处去照料抱病的母亲]。这是在荧屏之外发生的,只有台词的描写,不现实镜头。MariaBello从15×04开端表演一名犯法心思学家,她曾在军中担负少尉,两次前去阿富汗火线。她是多数敢直接挑衅Gibbs的人,但她跟Gibbs始终都坚持着互相尊敬,他们的关联很特殊。Delilah会在圣诞前后的新会合生下她跟McGee的孩子,但也有说孩子在10月的新会合出身。Ducky（DavidMcCallum）无机遇在本人的母校致词,但他碰到了一个[异常有影响力的女人]。ClaytonReeves一个[天大的机密]将在本季开播数集之后曝光,那是一个异常私家化的机密。RobertWagner本季某个时辰再次表演TonyDiNozzoSr.,LauraSanGiacomo再次表演GraceConfalone。
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With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.
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The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 - by Raphael. Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 - years, right up until the birth of Modernism. As much as it was a cultural 'rebirth', the Renaissance was also a re册ution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.
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WildCanadaFromthefilmmakersoftheacclaimedseriesHumanPlanetandPlanetEarthcomesWildCanada,thisspectacularfive-partseriesonthewildlifeandthewildlandsofCanadarevealsaCanadathatfewhaveseenbefore.UnderlyingtheseriesisanepicnarrativethroughtimeandacrossthevastscaleoftheCanadianlandscape,thatprovidesexcitingnewstoriesabouttheplantandwildlifeofCanada.NewresearchrevealsthatmanyofCanada’suniqueandstunningnaturallandscapesarethedirectresultofancienthumanactivity.Eachepisodetellstwoparallelstories:thenaturalhistoryofCanada,andhowpasthumansshapedCanada’slandscapeandthewildlifespectaclesweseetoday.
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Jennifer,aHarvardPhDstudent,wassigningacheckatarestaurantwhenshefoundshecouldnotwriteherownname.Monthsbeforeherwedding,shebecameprogressivelymoreill,losingtheabilityeventositinawheelchair.Whendoctorsinsistedthatherconditionwaspsychosomatic,shepickeduphercameratodocumentherownstoryandthestoriesoffourotherpatientsstrugglingwiththeworld’smostprevalentorphandisease.
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「司法研习八人组」是以司法练习所为配景,一群来自四周八方!经由过程司法测验后,离开这里受训的先生；从司法练习所结业后的先生,有的担负法官,有的担负查察官,有的则担负状师；全体都是将来的司法精英。 但这八人组,倒是这个班上的异类,之所认为八人组,是由于第一次的呈文里,全班就这八人答错,被教官批为笨伯八人组；也因此促进这八人,在今后的功课上,特殊当真,一同探讨,一同度过这练习的课程。 这八人配景都差别,有粉领族枫由子（MIMURA饰）,有不良少年羽佐间（小田切让饰）,丰年老的女人森乃望（松雪泰子饰）,有掉势的当局官员桐原（堤真一饰）,有被裁人的下班族崎田（北村总一郎饰）,有家庭主妇黑泽（横山惠饰）,有法官的女儿松永（奥菜惠饰）,有花了十八年考司法测验的田家（我修院达也饰）；差其余配景,也让这八人独特分享性命差其余教训,也用差其余头脑撞击出更出色的设法。 全剧固然是以执法为主轴,以教官所给的种种案例,经过八人组的探讨,也供给不雅众许多在执法上思考的偏向,案例多数是较切近生涯的,不是那些严重刑案,也不是推理,就是在每个案例或配角上,以执法规章为主,再辅以人道的探讨,去赐与每个案例最后「妥善」的裁决。 看这部戏时,刚开端有种很奇异的感到,堤真一!松雪泰子!小田切让等等,这些都是独当一面的一线演员,为何会共同八人组中以MIMURA为主的衬托脚色！这或许也是这部戏的一个宣扬手段；在这部戏筹拍之时,富士电视台特殊办了一个「月九配角徵选会」,而MIMURA等于由万人参选者中掉掉落这个脚色,也旋即在「司法研习八人组」中担负女配角,一个新秀在这些硬根本演员傍边,固然演技稍嫌生涩,但能有如斯报酬,可真是再荣幸不外。 由MIMURA 扮演的枫由子,是一个凡事以平易近气为动身点的女孩子,她总会想到全部当事人的心境,产惹变乱时的情况要素等,也是从练习课程一开端,保持探讨方法连续到最后的人,她的真诚固然影响到方圆这些人,不管是不良少年仍是大姐头,或许是往日掉势的官员!斗志昂扬的公司主管!优良自满的女大先生,或许是全职的家庭主妇跟花了十八年其间只打工贫寒过日子破志要考下属法资历的人；各人都尽力的经由过程练习,也挑选了本人想从事的司法职务。 司法虽是公理的代表,然而旁边仍包含许多种庞杂的因子,怎样做出道理法统筹的裁决,或许站在什么破场为客户辩解,与执法者自身的特性!质素息息相干。看看八人组所探讨的判例,或许他们自身产生的变乱疑问,或许能供给不雅众以往对司法差其余印象。
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芝加哥产生了一桩震动全城的恐惧血案。外地一间教堂的主教罗森惨遭杀戮,身上被刻上奥秘数字,警方拘捕了事先在场身染血迹的犯法怀疑人阿伦（EdwardNorton饰）。马丁（理查•基尔RichardGere饰）作为阿伦的辩解状师,跟他的前女友检控官珍妮特较上了劲。马丁并不在乎现实,他为阿伦辩解的独一目标就是要博得讼事,让本人一战成名。而珍妮特作为公理的代表固然寸步不让。珍妮特（劳拉•琳妮LauraLinney饰）考察得只罗森主教生前曾对阿伦等人直接性侵占,而阿伦对于本人患有“时光掉忆”症的辩解亦显得荒诞,对于他提到的凶案证人始终都未找到。珍妮特以为杀人念优等所有证据俱全。马丁捏词阿伦患精力病使其胜利脱罪,但是,所有皆出乎预料。
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http://www.sho.com/site/weeds/home.doWhenWeedspremieresitssixthseasononAugust16 - NancyandcompanyareontherunafterShanemurderedPilarwithacroquetmallet.(ThesethingshappentotheBotwins.)AccordingtoEntertainmentWeekly,apairoffamiliarfaceswithbejoiningthefamilyontheShowtimehit.LindaHamilton,theoriginalSarahConnor,willportrayaneco-consciousmarijuanagrower.Alongwithherlifepartner,thischaracterwillhelpsNancysettleinSeattle.Also,PeterStormare(PrisonBreak,Entourage)willplayahot-temperedGermanchefandAndy’snewboss.
