Gardin
搜索"Gardin" ,找到 以下影视作品
剧情:
英国BBC2014年度大剧《火枪手》第一季正在热播,目前BBC已经续签了该剧第二季,但是在第一季中饰演反面角色红衣主教黎塞留(CardinalRichelieu)的男星彼得卡帕尔蒂(PeterCapaldi)因为档期关系将不再继续出演。《火枪手》剧组的同伴对此都很遗憾,但是也都表示理解尊重他的决定。其实彼得·卡帕尔蒂早在开始拍摄《火枪手》时就已经确定接拍《神秘博士》,现在为了这部长寿的英国科幻剧彼得卡帕尔蒂只能放弃继续出演《火枪手》第二季。对此,《火枪手》中饰演达达尼安(D'Artagnan)的卢克·帕斯夸尼洛在出席活动时说:“我可以肯定他是不得已做出这样的决定的,我们大家尊重他的决定。”另外,卢克·帕斯夸尼洛称赞彼得卡帕尔蒂是《火枪手》一剧中的亮点,他说:“他是我们这个时代最伟大的演员之一,他总是令人吃惊。他这个人慷慨又可爱,我祝愿他...
导演:
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丹尼尔·格洛
剧情:
BillyCampbell和KarineVanasse将主演CTV的一小时剧集《Cardinal》(暂定名)这部谋杀谜案剧根据GilesBlunt所著的JohnCardinal谜案系列小说第一部《FortyWordsForSorrow》改编,讲述了Campbell饰演的智慧、沉着、固执的侦探JohnCardinal,他来自阿冈昆湾的北部城市,身上背负着多年的多年的冤屈。Vanasse饰演Cardinal的搭档LiseDelorme,她是一个精明坚强、富有想象力和天生调查侦探才能的女人。本剧将在CTV的2016-2017时间段播出,最早将会在2016年2月开始制作拍摄。
剧情:
由Austin Winsberg执笔﹑Richard Shepard执导的NBC音乐剧「佐伊的读心歌单 Zoey’s Extraordinary meiju5.net Playlist」获正式预订,此剧被描述为「偷听女平易近气 What Women Want」及「爱乐之城 La La Land」 的融会体,剧中报告聪慧但不擅交际﹑典范A型人的快30岁女主Zoey,她某天忽然掉掉落以歌曲﹑音乐剧方法听到旁平易近气坎设法的才能,于是她决议以此才能懂得及赞助身边的人。曾在ABC笑剧「郊区故事 Suburgatory」主演的Jane Levy扮演女主Zoey。 Skylar Astin扮演女主共事兼挚友Max﹑Alex Newell扮演Mo,女主的随跟街坊﹑John Clarence Stewart扮演女主任务的科技公司贩卖助理Simon。Mary Steenburg.
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理查德·霍特豪斯
剧情:
NewDCIJohnBarnabyarrivesinMidsomerandisbemusedbythequaintvillagesandtheirquirkyresidents.ButwhenalocalDJiscrushedtodeathatatraditionalgirls’boardingschool,hesoondiscoversthatmurderanddeceptionareneverfaraway.Asthedeathtollrises,couldBarnaby’sfirstcasealsobehislast?
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卢基诺·维斯康蒂
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剧情:
意大利女子桑德拉(克劳迪娅·卡汀娜ClaudiaCardinale饰)带着丈夫回到了自己的故乡,她此行只有一个目的,就是和弟弟姜尼(让·索里尔JeanSorel饰)一起查明父亲真正的死因。姐弟两人的父亲受到纳粹迫害而死在了集中营里,桑德拉和姜尼一直怀疑,当年将父亲出卖给纳粹的正是母亲和她当年的情人,如今姐弟两的继父。实际上,桑德拉和姜尼之间亦有着不可告人的过去,在萌动之际,他们曾经有过僭越了伦理和道德的亲密行为。如今,桑德拉早已经不愿再回想当年的无知和天真,可姜尼却对那段往事念念不忘,甚至妄图令往事重演。愤怒的桑德拉拒绝了弟弟的请求,悲伤和绝望中,姜尼做出了令全家人都追悔莫及的举动。
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Luc
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De
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Ruelle
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Zouzou
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Ben
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Chikha
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Souad
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Boukhatem
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Maaike
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Cafmeyer
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Aimé
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Claeys
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Bart
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Claeys
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Mieke
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De
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Groote
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若斯·德波夫
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Piet
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De
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Praitere
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Lore
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Dejonckheere
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Werner
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Gielis
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Peter
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Gorissen
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Veerle
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Malschaert
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Emin
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Mektepli
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玛艾可·纽维尔
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Anne-Mieke
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Ruyten
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伊莎贝尔·范·赫克
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乌瓦曼古·科内利斯
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尼尔
剧情:
Twelveordinarypeoplearecalledforjurydutyforamurdercaseastraumatizingasitiscontroversialinwhichawomanstandstrialforkillingherownblood.
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居伊·德波
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内详
剧情:
Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.
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主演:
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罗宾·坎皮略
剧情:
「西方男孩」是对于东欧少年的巴黎陌头故事。从波兰!俄罗斯!罗马尼亚等国度合法进入法国的少年被称为“西方男孩”。他们大多刚成年,最大不会超越25岁,天天在地铁站等大众场合逡巡浪荡。有的会自动搭讪跟供给性效劳,但由此带来的效果每每难料。主人公丹尼尔(Olivier Rabo urdin 饰)是位奇迹有成的中年白领,他在巴黎北站广场相逢站街的乌克兰男生马列克(Kirill Emelyanov 饰),不由自立的被对方吸引。两人商准时光跟用度后,丹尼尔在家期待马列克拜访,不意却等来一个暴力构织的玄色圈套...... 「西方男孩」导演罗宾·康皮洛是法国有咭片子人,由他跟劳伦·冈泰编剧的「墙壁之间」曾获2008年戛纳片子节金棕榈奖。「西方男孩」是罗宾·康皮洛第二部导演作品。片子以诗意的画面跟稳静的剧谍报告一个男子与一个男孩从情欲纠葛到相濡以沫的特殊故事,岂但记载了陌头移平易近少年的生活状况,并且展现了阶层!春秋!贫富差距等种种法国社会疑问。「西方男孩」获第70届威尼斯片子节地平线单位最佳影片奖。
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4400weretaken.4400werereturned.Eachhasauniqueability.Oneamongthemhasamessage.Anyonecanbecomeextraordinary.Theriskisgreat.Butsoaretherewards.Andnowthere’snoturningbackTheworldwillhavetodealwithus.一个阳光普照的好日子,Tom站在自己的厨房里喝着咖啡。他看了看表,叫Kyle赶快下楼来,说他们快迟到了。Kyle笑盈盈地冲下来,父子俩这辈子也没这么开心过。Tom挥了挥手,桌上的车钥匙飞到了他的手中--难道Tom也喝下Promicin并产生了超能力?4400中心的广场上已经聚集了不少人,其中许多都是我们的老熟人:Diana、Maia、Marco、KevinBurkoff、TessDo...