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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

Following the crisis in Ukraine and Russia’s involvement in Syria, the world is closer to super power confrontation than at any time since the end of the Cold War. Now a committee of senior former British military and diplomatic figures comes together to war game a hypothetical ‘hot war’ in Eastern Europe, including the unthinkable - nuclear confrontation. The War Room faces a scenario that has haunted western strategists since civil war broke out in Ukraine potential Russian military involvement in the Baltic States of Latvia and Estonia. Like Ukraine these countries have sizable Russian speaking minorities, but unlike Ukraine they are members of NATO, whose founding treaty states that an attack on one ally is an attack on all of them. Because of this, western analysts regularly war game a situation where Russia seeks to exploit ethnic tensions in the Baltic and test the strength of the NATO Alliance.

Thisstoryisaboutamusician,Natalie,whomovestoabigcityandtriesherluckatbecomingfamous.Andhereshefindsnotonlyagreatopportunityforhercareer,butalsoanewlovewithanothergirl,Anna.Theytwoareverydifferent:onepoor,theotheroneisrich,oneofthemwritesmusicandsings,theotheronecannothearorspeak…Theyareunitedbyloveforeachother,buttheirownfearsstandinthewayoftheirhappiness.Theybothgothroughdoubtsandpain.Whentheyfinallyfindcourageintheirhearts,itseemslikeitstoolate…Butdoestruelovehavetimelimits?HISTORYTheproposedfilmisbasedonshortfilmILOVEHER(2013).Thefilmparticipatedinsuchfilmfestivalsas:Frameline39,SanFranciscoInternationalLGBTQFilmFestival,MIXCOPENHAGEN,FestivalInternationalEntr2Marches(Cannesfilmfestival),BostonLGBTFilmFestival,TheBarcelonaInternationalLGTIBFilmFestival.//ThefilmalsoparticipatedinfilmfestivalsheldinMadrid,Paris,Seattle,Boston,London,Hamburg.Inwholethefilmparticipatedin28filmfestivalsof12countries(France,USA,Canada,Switzerland,Germany,Serbia,LatinAmerica,Turkey)and3continents(Europe,America,Asia).

An attack on the new President of a fledgling Eastern European democracy pits an American covert operative against the country's ruthless military leader determined to seize control of the government.

BestfriendsMimmiandR?nkk?workafterschoolatafoodcourtsmoothiekiosk,franklyswappingstoriesoftheirfrustrationsandexpectationsregardingloveandsex.VolatilemisfitMimmi,unexpectedlysweptupinthethrillofanewromancewithEmma(adrivenskatertrainingfortheEuropeanchampionships),strugglestoadjusttothetrustandcompromiserequiredbyalastin...

TheFutureofWorkandDeathisadocumentaryconcerningthegrowthofexponentialtechnologyandwhereitistakingus.Thefilmfocusesonhowfuturetechnologycouldsignificantlychangethetwoinevitablefeaturesofthehumanexperience;punchingtheclockandfadingaway.Itexploreshowadvancedautomation,AIandtechnologicalsingularitycouldbeachievableinthenext30years.Howjobobsolescenceandtechnologicalunemploymentcouldconsequentlyoccurandhowdigitalimmortalitymaynotbeathingofsciencefiction.Butwhatarethesocio-politicalrepercussionsoftheseinnovationsandarewereadyforthem?Doesworkinglessmeanlivingmoreandisendingageingincumbentonus?Worldwideexpertsinthefieldsoffuturology,anthropology,neuroscienceandphilosophysharetheirthoughtsonthesefutureadvancements.

　　16 year old Rocco's two aims in life are to get laid and to see his favourite pop star in concert with his best friends, sassy and tomboyish Maria and nerdy and quiet Mauri. When a bullying incident at school forces Rocco to come out to his divorced middle-class parents their liberal leanings are severely tested. Luckily his two friends stand by him and join him in running away from home (in his parents stolen car) to see their favourite singer in concert, followed hot on their heels by his neurotic mother and eccentric gran to hilarious effect.  A vibrant , funny coming out tale,, A Little Lust is both immersive and totally life-affirming.

George Bryan Brummel, a British military officer, loves Lady Margery, the betrothed of Lord Alvanley. Despite her own desperate love for Brummel, she submits to family pressure and marries Lord Alvanley. Brummel, broken-hearted, embarks upon a life of revelry. He befriends the Prince of Wales and leaves the army, becoming subsequently the best-known rake and decider of fashion in Europe. As his affairs flourish, so does his disdain for his benefactor, the Prince. Eventually Brummel falls into disfavor, and it is only Lady Margery who has any chance of helping him.

RADIOGRAMissetin1971Bulgaria,undertheCommunistregime:whenanywesterninfluence,especiallymusic,isanationalthreat.AtimewhenradiostationslikeBBC,DeutscheWelleandRadioFreeEuropearemuffledandprohibitedandwhenallreligiousorganisationsarerestrainedandanysuchexpressionisbanned.Basedonatruestory,itfollowsafather,whowalksforalmost100kmtotownsohecanbuyanewradioforhisrock’nrollobsessedson.Thefilmisaboutmusic,freedomandidentity

Inthistwo-partseries,SimonReevetravelstoGreece,oneofthemostbeautiful,troubled,andextremecountriesinEurope.TravellingfromtheIslandsoftheAegeantotheruggedandmountainousnorth,Simongetsbehindthepicture-postcardimagetolearnmoreaboutGreeceandtheGreeks-andwhythecountryhasfacedaseeminglyendlesseconomiccrisis.Alongthewayheencountersanextraordinarycastofcharacters,fromrebelmonksandgun-totingpriests,todesperatemigrantsandaninjuredbearcub.ThefirstlegofSimonReeve’sjourneyaroundGreecetakeshimfromtheholidayislandsoftheAegeantothecapitalcityofAthens.OffthetinyislandofPserimosSimongoesunderwaterwiththediverswhostillhuntfortheseacreaturewhichmadetheseislandsrich:thenaturalsponge.Hehearshowtheisland’spopulationisstrugglinginthefaceofdecliningstocksandthewidereconomiccrisis.TravellingontoLesvos,justafewmilesfromtheTurkishcoast,Simonencountersanotherofthehugechallengesfacingthecountry:themigrantcrisis.TheislandhasbecomeEurope’sfrontline,withthousandsofrefugeesarrivingdaily,fundamentallychangingthelivesoftheislanders.OnGreece’slargestisland,Crete,Simonheadstotheruggedmountainswhereeveryshepherdisarmedandthelocalpriestisalsoheadofthelocalgunclub.CampingoutunderthestarsSimonlearnshowforCretans,memoriesofGermany’sroleintheSecondWorldWarstillcolourtheirviewoftheGreekdebtcrisis.InAthens,Simoninvestigatestheeffectsofthatcrisis.Hehearshowhardlifeisforanimpoverishedcommunitylivinginconvertedshippingcontainers,andinthecityheisconfrontedbyangryprotesters-andseesjusthowquicklytheseprotestscandescendintoariot.