Laise
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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亨利·塞利克
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名气漫画家斯图•米利(Brendan Fraser 布兰登•弗雷瑟 饰)自童年起便饱受恶梦困扰,醒来后他将梦中场景用画条记载上去。回顾过往,他的性掷中全是恐惧昏暗的色彩。在结识了俏丽的茱莉(Bridget Fonda 布里独特•方达 饰)后,斯图在她的勉励下实验用左手绘画,终于创作出可憎的蹦蹦猴及其同系列漫画。作品一经刊行,大受欢送,斯图的人生今后涌现转折。 但是合法他预备向茱莉求婚时,却遭受了一场新奇车祸。堕入重度苏醒的斯图离开一座独特鬼怪的城堡,令他觉得惊讶的是,这里涌现的人跟物竟跟他恶梦中的气象何其类似。未多少他更得悉,本人必需在12个小时之内前往世间,不然将永久留在逝世亡之国。而四周独一能够依附的,恰是那只他亲手发明的淘气搞怪的蹦蹦猴……
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皮克斯知名动画《怪兽电力公司》《怪兽大学》将拍衍生剧集,登陆迪士尼流媒体Disney+,最新宣布大量信息:剧名为《怪兽上班》(MonstersAtWork,暂译),2020年推出,电影版配音大眼仔比利·克里斯托和毛怪约翰·古德曼等都回归继续配音。设定在《怪兽电力公司》背景时间后六个月,怪物电力公司如今能够靠着收获孩子们的笑声而不是尖叫来为城市发电,多亏了大眼和毛怪的发现,笑声能产生比尖叫强十倍的能量。剧集主角将是新人:TylorTuskmon(《百味超市》的本·费德曼配音),怪物电力公司的一名年轻技工,雄心勃勃,想要加入他的爱豆大眼和毛怪所在的笑声层,成为一名创造笑声的Jokester。《星球大战8》的Rose凯莉·玛丽·陈将配音他的一生好友和知己ValLittle。
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作品一直滞销的三流小说家Aom-am(奥密兹·苏查拉特饰)从小生活在一所叫FullHouse的大房子里,父母死后和姐姐相依为命。因意外怀孕急需用钱,姐姐骗Aom去韩国度假,瞒着她将房子转卖给泰国超级巨星Mike(麦克饰)。毫不知情的Aom在飞机上偶遇了前往韩国发展歌唱事业的Mike,二人还意外地入住同一家酒店,在这期间这对欢喜冤家发生了种种哭笑不得的事故。Aom和Mike的缘分并不止于此。回国后,Aom得知自己房子已被转卖,房子的新主人正是不打不相识的大明星Mike。因为种种阴错阳差,二人协议结婚并住在同一屋檐下,发生在FullHouse里的浪漫爱情故事,悄然酝酿。
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Supernatural investigation of a case of sleepwalking
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Victoria, 8 year old girl whose mother just passed away, relocates with her father in a small mountain village. She finds solace in the adoption of a puppy of unknown origin found in an isolated farm.
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服部光則
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ThebeautifulShizukaHimanokihasbeensavingherselfforaboyshemettwelveyearsago.Theymadeapromisebackthen,andshe’sdeterminedtokeepit.Butwhenshefinallytrackshimdown,shecatcheshimintheactwithanotherwoman.Wherecananineteen-year-oldvirginturnforsolace?
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乔丹·亚历山大
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惠特尼·皮克
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米歇尔·崔切伯格
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伊莱·布朗
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乔尔·韦斯特伍德
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阿什莉·诺斯
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Natalie
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Shaw
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Gretchen
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Allison
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Alex
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Anagnostidis
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Denia
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Aponte
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Isa
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Barrett
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Jac
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Bernhard
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Naomi
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Castellano
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Anthony
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Cipriani
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Victorya
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Danylko-Petrovskaya
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Dominique
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Gatlin
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Anthony
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Gullotta
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David
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Negri
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Booch
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O'Connel
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It'sthesecondsemesterofJunioryear,andGossipGirlisleavingnostoneunturnedinherefforttocontrolthescandalouslivesofManhattan'selite.She'slearnedathingortwofromherfirstgo-round-namelywhatheraudiencewants,theyshallget.It'stimeforhertoturntheheatuponwhat'sbeensimmering.Oldenemies,newallies,constantlyshiftingsands-thiss...
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“我每天午夜的就餐者是漫长一天的结束,也是新一天的开始。”——吉姆《月光鸡饭》讲述了一个以卖海南鸡饭为生的普通小伙吉姆,在自己的餐车里遇到了醉酒的顾客文的故事。把他们两个带到一起的那个晚上,创造了一种难以理解的感觉。尽管文是一个被绑架的人,但两人都无法停止对彼此的思念。之后他们生活中的一切都不一样了。"Mydineratmidnighteverydayistheendofalongday,butalsothestartofanewday."-Jim"MoonlightChicken"tellsthestoryaboutJim,anordinaryguywhosellsHainanesechickenriceforaliving,whometWen,adrunkcustomerinhisdiner.Thenightthatbringsthembothtogethercreatedafeelingthatishardtounderstand.NoneofthetwocanstopthinkingabouteachotherdespiteWenbeingatakenman.Everythingintheirlifeisnotthesameafterthat.
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Unforeseen circumstances threaten the passionate relationship between star-crossed lovers.