Orry

【布偶大追缉】的故事则是关于一场珠宝大窃案，本故事中主角 Kermit 和伙伴 Fozzie 是报社的记者，被报社派去英国伦敦采访一位知名的时尚设计师 Lady Holiday ，Kermit 还爱上了设计师的助理秘书 Miss Piggy，不料这时却发生窃案，设计师的名贵珠宝不翼而飞，而且 Miss Piggy 被陷害成为嫌犯，为了要洗刷 Miss Piggy 的冤屈，Kermit 和他的布偶伙伴们于是展开一场追缉珠宝窃贼的大冒险。　　【布偶大追缉】（The Great Muppet Caper）是 Jim Henson 《布偶系列》跨入大银幕的第二部电影，于１９８１年推出，当年是由环球电影所发行的，迪斯尼于２００４年２月买下了 Jim Henson 《布偶系列》的所有作品版权之后，本片如今也已经成为迪斯尼旗下的作品了。　　本片是由 Jim Henson 亲自担任执导，他同时也在片中担任包括主角 Kermit 等众多角色，其它布偶配音的也都是原来电视节目【大青蛙布偶秀】的原配音者，包括 Frank Oz 、Richard Hunt 、Jerry Nelson 、Dave Goelz 、Richard Hunt …等等，至于真人的演员部份，则包括 Diana Rigg 、Charles Grodin …等等，还有许多客串演员，包括 John Cleese 、Robert Morley 、Peter Ustinov 、Jack Warden 等。本片的配乐是由 Joe Raposo 负责，他同时也一人包办片中所有歌曲的作词与作曲，歌曲“The First Time It Happens”还获得该年奥斯卡金像奖的题名。本片的原声带在美国曾经有发行，但如今已经绝版多年了。

　　故事发生在1955年的法国南特，彼时那里正在进行一场轰轰烈烈的工人罢工运动，而钢铁工人弗朗西斯（理查·贝里 Richard Berry 饰）就是参与其中的一员。弗朗西斯租下了寡妇玛格特（达尼尔·达黎欧 Danielle Darrieux 饰）手里的一间房子，玛格特虽然是资产阶级，但是却对工人阶级充满了同情，时长向他们伸出援手。　　弗朗西斯有一个相恋多年的女友瓦雷特（Fabienne Guyon 饰），虽然瓦雷特腹中已经怀上了他的孩子，但这个冷漠残酷的男人还是选择抛弃了她，转而将注意力投向了一个名叫艾迪斯（多米尼克·桑达 Dominique Sanda）的女人。艾迪斯嫁给了一个富有的商人，可婚后的生活却令她苦不堪言，为了排遣内心的愤懑，艾迪斯偷偷从事着妓女的职业。

旧金山唐打手黄必须处决他儿时的朋友孙。孙知道自己的时间到了，并在黄出现在他家门口之前写下了遗嘱。当孙意识到黄是要杀我时，他试图说服他的朋友告诉他他是孙所有世俗财产的受益人，并说服王答应照顾孙的小女儿托亚桑，孙将她遗赠为他的妻子。多年后，当她成年时，她嫁给了王，现在是一个强大的人物，尽管她爱邪恶的哈利。当Wong得知Toya和Harry在一起会更快乐时，他允许他们离开。后来Wong得知哈利已被驱逐出境，并且由于Toya无法证明她已与其他人结婚，她也被驱逐到中国。黄得知此事后，开始追捕他们。“...我们的故事在有权有势的 Lem Sing Tong 成员 Hop Li 去世后开始，我们看到他的送葬队伍经过杜邦街”...一面巨大的龙旗展开，宣战。人们恐慌：人们磨刀霍霍；商店都关门了。Wong Low Get 从萨克拉门托被召唤来为 Hop 的死报仇。当议会主席诺康发告诉他，他儿时的朋友孙逸明才是有罪的一方时，他感到震惊。孙先生见到王先生既惊讶又高兴。他已经为自己的暗杀做好了准备：他的遗嘱将一切都留给了他的老朋友。他还要求王抚养他的小女儿托亚桑，并在她成年后娶她。黄同意了，然后透露他是林星堂的打手。王在佛陀面前发誓，托亚永远不会知道“悲伤之歌”。孙平静地跪下祈祷并原谅黄的“无辜之手，正义之举”。“今天的唐人街”……“与我们刚刚看到的情况相去甚远。交战的钳子已经消失了——队列和筷子也消失了。” 黄先生是一位著名的商人，富有而快乐。诺格厌恶改变，尤其是女性被“智慧和自由”宠坏的方式。今天是 Toya 的生日；这应该是她订婚的日子。诺格惊讶地发现黄将打破传统并给她一个选择。Wong 向 Toya 提供了他母亲的戒指并表达了他的爱意。当她回答“我父亲的愿望也是我的愿望”时，他欣喜若狂。他跪在佛像前，承诺给她带来唯一的幸福。婚礼当天，居住在萨克拉门托的亡命徒“Bing Foo”宣战。黄担心全国范围内的冲突以及帮派变成黑帮。诺格雇佣了保镖，英俊的年轻黑帮成员哈利恩海（莱斯利·芬顿饰）被指派给黄。托娅是一位受过良好教育的现代女孩，起初她对哈利不屑一顾。黄和托亚在一起很开心，但来自萨克拉门托的威胁和勒索仍在继续。黄的忠实职员钟浩被杀，黄前往萨克拉门托与宾富会面。只有挑起战争的白人黑帮大佬吉姆·马龙拒绝合作。王消灭了他，战争结束了。与此同时，哈利引诱了托亚。当黄回来时，他发现他们热情地拥抱着。她走到哈利和王之间，想起他曾许诺要永远让她快乐。黄把托亚和她的幸福交给哈利，让他发誓，警告如果他违背信仰，佛陀就会找到他。因为这个“无耻行为”，黄先生被处处从堂的记录中除名。遭到回避，他陷入贫困。最后，王从托亚那里收到了一张在中国“由活死人写成”的字条，告诉他她只爱他。政府抓获哈利贩卖鸦片，并将他们两人驱逐出境。黄从典当中赎回了他的斧头，跨越太平洋来到中国，担任司炉。托亚被囚禁在鸦片馆/妓院，被哈利卖给丝丝夫人。哈利看到了黄，但认为他是药物引起的幻觉。Toya 一看到他就晕倒了，但 Wong 对她只有爱。他与丝丝夫人对峙，并根据中国古代法律和打手的荣誉，要求他的妻子。丝丝夫人嗤之以鼻；他通过击中壁画中龙的眼睛来证明这一点。托亚和王离开。他承诺会回来救哈利。在隔断的另一边，丝丝夫人对着反应迟钝的哈利尖叫，而她的仆人则从隔断和哈利的头骨上取下斧头。哈利的身体落下，切向佛像；黄向哈利重复了他的警告。“无论你在地球表面的哪个地方，伟大的佛陀都会找到你”。

改编自SherrylWoods小说的《钢木兰花SweetMagnolias》以三位南卡罗来纳州女性为中心，自高校起就是死党的她们互相照应对方在感情﹑事业和家庭上的问题。

一班自命非凡!出人头地的酒肉友人,相约礼拜三晚举办“呆子晚宴”。规矩异常简略,等于大家只须携一名“呆子之最”共赴晚餐,便能掉掉落丰硕奖品。介入者之一皮埃尔（蒂埃里·莱尔米特 Thierry Lhermitte饰）盘算带着新意识的皮侬（雅克·维列雷 Jacques Villeret饰）赴宴。皮埃尔本认为这个看似笨头笨脑的皮侬,必定是最才子选。但是他的快意算盘却完整掉落,皮侬把关联倒置了过去,反而让皮埃尔酿成了被整的工具。于是,一场笑料百出的乌龙事件相继产生。这部由法兰西斯·威柏编剧执导的笑剧片子「晚餐游戏」,改编自他写于1993年的舞台剧「假凤虚凰」。一波三折的笑剧情节跟极具推翻性的跋扈狂笑料,使得本片喝采又叫座。一举拿下1999年第24届凯撒奖,最佳男演员!最佳男主角跟最佳脚本(原创或改编)大奖。

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故事开始于很多年前，海盗头子弗林特（蒂姆·克里 Tim Curry 饰）带领着他的手下们，将他们截获的金银财宝运送到了一座神秘的小岛上，然而，为了独吞这笔财富，狡猾的弗林特杀死了全部的手下，宝藏的下落就此成为了秘密。实际上，知晓这份宝藏的存在的，还有当年绘制藏宝图的伯恩斯（比利·康诺利 Billy Connolly 饰），某日，伯恩斯收到了“黑记号”，他知道自己躲了这么多年，终究还是难逃弗林特的魔爪。　　于是，伯恩斯将宝藏的秘密告诉了酒保吉姆（凯文·毕晓普 Kevin Bishop 饰），吉姆带着自己的两位伙伴钢佐（大卫·戈尔兹 Dave Goelz 饰）和利左（斯蒂夫·惠特米勒 Steve Whitmire 饰），踏上了寻宝之旅。

Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

　　Marius is faced with a choice whether to fulfill his passion by sailing the seas or stay and marry the woman he loves.

Haunted by the memory of Walter Holderlin, a soldier he killed during World War I, French musician Paul Renard (Phillips Holmes) confesses to a priest (Frank Sheridan), who grants him absolution. Using the address on a letter he found on the dead man's body, Paul then travels to Germany to find his family.　　As anti-French sentiment continues to permeate Germany, Dr. Holderlin (Lionel Barrymore) initially refuses to welcome Paul into his home, but changes his mind when his son's fiancée Elsa identifies him as the man who has been leaving flowers on Walter's grave. Rather than reveal the real connection between them, Paul tells the Holderlin family he was a friend of their son, who attended the same musical conservatory he did.　　Although the hostile townspeople and local gossips disapprove, the Holderlins befriend Paul, who finds himself falling in love with Elsa (Nancy Carroll). When she shows Paul her former fiancé's bedroom, he becomes distraught and tells her the truth. She convinces him not to confess to Walter's parents, who have embraced him as their second son, and Paul agrees to forego easing his conscience and stays with his adopted family. Dr. Holderlin presents Walter's violin to Paul, who plays it while Elsa accompanies him on the piano.　　The film's original title, The Man I Killed, was changed to The Fifth Commandment to avoid giving wrong impressions in the minds of the public about the character of the story. It ultimately was released as Broken Lullaby.