Satya

Aseeminglyconfidentcomedywriter,wifeandmomcomicallyexposesherinnerimmaturityandneurosesthroughunexpectedlifesituations.

Aseeminglyconfidentcomedywriter,wifeandmomcomicallyexposesherinnerimmaturityandneurosesthroughunexpectedlifesituations.

Thestorycentresonasinglemotherandamarriedmanwhobecomelovers.Theyhaveagreedtoonlymeetupforthepurposesofaphysicalaffairwithoutanyprospectoflove,knowingfullwelltheirrelationshipwouldhavenofuture.Buttheyfindthemselvesmoreandmoresurprisedbyhowwelltheygeton,theirsenseofcomplicityandthewell-beingtheyfeelineachother’scompany…

邦尼（兰比·卡普尔RanbirKapoor饰）同挚友艾维（阿迪亚·罗伊·卡普尔AdityaRoyKapoor饰）跟艾迪提（卡尔吉·柯伊切林KalkiKoechlin饰）一起踏上了前去马纳里的徒步路程,一次偶尔中,他们碰见了名为娜妮雅（迪皮卡·帕度柯妮DeepikaPadukone饰）的俏丽男子,偶合的是,娜妮雅跟邦尼已经是旧了解。就如许,专心想要逃走至死稳定的生涯的娜妮雅也参加了邦尼一行人的路程,在此进程中,邦尼的爽朗跟悲不雅垂垂的吸引了娜妮雅。遗憾的是,此时的邦尼并不想被情感所约束,得悉这一现实后,娜妮雅挑选了退出。时光一晃八年从前,邦尼跟娜妮雅在一场婚礼上相逢了,晓得这时,邦尼才发明本人实在始终都深深的爱着娜妮雅,这么多年的兜兜转转后,这对无恋人是否终成家属呢！

邦尼（兰比·卡普尔 Ranbir Kapoor 饰）同好友艾维（阿迪亚·罗伊·卡普尔 Aditya Roy Kapoor 饰）和艾迪提（卡尔吉·柯伊切林 Kalki Koechlin 饰）一同踏上了前往马纳里的徒步旅程，一次偶然中，他们遇见了名为娜妮雅（迪皮卡·帕度柯妮 Deepika Padukone 饰）的美丽女子，巧合的是，娜妮雅和邦尼曾经是旧相识。 就这样，一心想要逃脱一成不变的生活的娜妮雅也加入了邦尼一行人的旅程，在此过程中，邦尼的开朗和乐观渐渐的吸引了娜妮雅。遗憾的是，此时的邦尼并不想被感情所束缚，得知这一事实后，娜妮雅选择了退出。时间一晃八年过去，邦尼和娜妮雅在一场婚礼上重逢了，知道这时，邦尼才发现自己其实一直都深深的爱着娜妮雅，这么多年的兜兜转转后，这对有情人能否终成眷属呢？

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

Taylorisaworkaholicwithnotalotgoingoninhersociallife.Oliveisanaspiringactress,withlittlemoneytohername.Astheholidaysnear,TaylorgetsacallfromherdadaboutvisitingherfamilyforChristmasandthattheyfinallywanttomeethergirlfriend.Sheagrees,afterfeelingguiltyaboutnotseeingtheminalongtime,butthere'saproblem:Taylorandher...

TexasRangerCordellWalker,oneofthelastold-fashionedheroesoftheWest,isaprotectivefriendbutarelentlessfoewhowillstopatnothingtobringacriminaltojustice.Walkerworksoninstinct,oftendrawingonthetraditionsofhisNativeAmericanancestors.Hispartner,JamesTrivette,hasamoremodernapproachtocrime-solving.C.D.Parker,aretiredRanger,andAlexCahill,thecountyassistantdistrictattorneywhosharesamutualattractionwithWalker,supporttheRangersintheirbattletoservejustice.WrittenbyDANIEL

母亲的逝世让女孩丹兹（IpekDeger饰）堕入了伟大的悲哀之中,她生机童话里的彼得潘可以离开事实之中,将她带往不伤心跟疼痛的梦境岛。在挚友艾玛（FiratYalçin饰）的赞助跟勉励之下,丹兹决议直面昏暗的事实,跟挚友一同尽力去树破属于她们的梦境岛,一晃眼多年从前了,丹兹跟艾玛早曾经长大成人,让丹兹不想到的是,恐怖的病魔让始终都异常顽强的艾玛堕入了苏醒之中,随时都有性命伤害。掉望的丹兹再度想到了梦境岛,于是她坚定的踏上了寻觅邪术粉的路程,在途中,丹兹相逢了名为塞姆（穆罕默德·阿里·努罗谷MehmetAliNuroglu饰）的男孩,两人之间碰撞出了火花。

SmashisanAmericanmusical-dramatelevisionseriesthatpremieredonNBConFebruary6,2012.TheserieswascreatedbyplaywrightTheresaRebeckanddevelopedbyNBCexecutiveRobertGreenblatt,andfameddirectorStevenSpielbergservesasoneoftheexecutiveproducers.TheseriesisbroadcastintheUnitedStatesonthenetworkchannelNBCandisproducedbyDreamWorksTelevisionandUniversalTelevision.ThesecondseasonpremieredonFebruary5,2013.TheseriesrevolvesaroundafictionalNewYorktheatercommunityandspecificallythecreationofanewBroadwaymusical.Itfeaturesalargeensemblecast,currentlyledbyDebraMessing,JackDavenport,KatharineMcPhee,ChristianBorle,MeganHiltyandAnjelicaHuston.Theseries,particularlythepilotepisode,hasenjoyedconsiderablesuccess.ThefirstseasonreceivedanEmmyAwardforchoreography,anditwasalsonominatedforaGoldenGlobeandaGrammyaward.