Journey

An epic journey revealing the real Mars, as you've never seen it before. Using data from orbiters and rovers to build accurate views of the red planet and uncover its secrets. On a single circuit of Mars from dawn to dusk, encounter monster 册canos, ancient lakes, alien ice-worlds and spacecraft crash sites. Explore humanity's Martian obsession, join the relentless search for life there, and hunt for a human home on the red planet's surface.

LauraandJamiecontinuetheirtentativeandunexpectedjourneyintoparenthood.

Theseriesre册vesaroundthreefriendswhodecidetoembarkonajourney,inwhichtheywillrunintoastrangerwhowillmolikan.commaketheirliveschangecompletely.

ThejourneyfullofmegalomaniaandpianomusicofChillyGonzales:fromtheBerlinpunkscenetothephilharmonicorchestras,it'sastoryofeccentricitywhichalsostarsDaftPunk,Drake,Feist,JarvisCocker.

The documentary follows the main stages of Janis Joplin’s life, from her performance at Monterey Pop in 1967 - to Woodstock in 1969 - and Festival Express in 1970 - including interviews with relatives, friends and rock stars of her time. The soundtrack features Janis Joplin’s hits, among which Cry Baby, Mercedes Benz and Piece of My Heart. Amy Berg shows the woman behind the myth, other than the rock&roll icon, unveils a gentle, innocent yet strong woman. Well known as rock icon, the personal story of Janis Joplin is very complex. Janis serves as a narrator, telling us her life through the letters she wrote to her friends, relatives and lovers, leading us in a journey that starts from her childhood.

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

这是一部对于恐龙的科教记载片,北极：7万万年前。一个极真个天下。冬季的阳光酿成了24小時寒冷的夜晚。恐龙们不得不做出挑选,大胆的向南迁徙以寻觅阳光。一段布满了狂风雪,火山暴发跟致命佃猎者的伤害路程,一个年青的埃德蒙頓龙开端了他的第一个千里迁徙.片中令人赞叹的CG动画 跟经心构建的数码天下,能够說是真正的恐龙片子演化,令人震动.The Arctic: 70 - million years ago. It is a world of extremes. Tropical summers of 24hr sunlight are replaced by freezing winters of continuous night. The remarkable dinosaurs that lived under the Northern Lights had to make a choice, brave the winter or head south to find the sun.Join Scar, a young Edmontosaurus embarking on his first thousand-mile migration. It is a journey for survival that is fraught with danger; blizzards, 册canic eruptions and deadly predators lie ahead. Meanwhile Patch, a juvenile Troodon, left alone in the North, must learn to survive in one of the harshest environments the Earth has ever known.This epic feature-length adventure portrays an incredible polar odyssey that actually happened but has neverbeen witnessed before. Based on recent fossil evidence blasted out of the ice around the North Pole, the makersof ''Walking with Dinosaurs'' and ''Prehistoric Park'' are delighted to introduce you to an all-new cast of dinosaurs, from feathered tyrannosaurs to giant marine predators. Featuring stunning animation and a painstakingly recreated digital world, it can truly be said that the dinosaur film has e册ved.

RagnaisafiercelycourageouscopwhoinfiltratesanationalisticsubculturefollowingakillinginNorway.Ragna'sjourneypullsherintoaspiralofhatredwhileaterroristplottargetingtheheartofEuropeisrevealed.

SeriesinwhichthreeAustralianbrothers-Danny,BenandSamWood-setoutcyclingonthetrailofHannibal,thewarriorwhomarchedfromSpaintoRomeattheheadofaninvadingarmyaccompaniedbyelephants.Part1 - HittingtheRoadThebrotherscyclealongtheeastcoastofSpain,passingthroughthepalmsofElche,Benidorm’sbeachesandValencia’szoobeforearrivingatSagunto,whereHannibal’swaragainsttheRomansbegan.Ontheway,theymeetAustraliancyclingchampMatthewLloydandtalktotheelephants.Part2 - Barca!Barca!Barca!TheWoodbrotherscyclenorthalongtheeastcoastofSpain,callinginatBarcelona’sCampNoustadiumtowatchamatchbeforevisitingtheancientGreekruinsofAmpurias.AdamMelonascooksthemaCarthaginianbanquetonthebeachesoftheCostaBravabeforetheyhitthePyrenees.Part3 - CrossingtheRhoneFromtheRomanamphitheatreofArles,thebrothersretraceHannibal’sstepsthroughthesouthofFrancetothefoothillsoftheAlps.TheyrecreateHannibal’shistoriccrossingoftheRiverRhone,beforecyclingontothetownofMaillane.Part4 - OvertheAlpsThebrotherstakeonthemostchallenginglegoftheirtrek-crossingtheAlps.HistoriansdisagreeaboutwhichrouteHannibaltookandtheWoodssplitupandeachcycleadifferentpath,bravingsnow,altitudeandexhaustion.TheymeetupinnorthernItaly,readytotakeonRome.Part5 - HannibaltheGreatThebrotherscyclethroughnorthernItalyfromthefertileValleyofTrebbiatotherollinghillsofTuscany,continuingonthroughmarshesbeforearrivingatCannae,siteofthebloodiestbattleofancienthistory.TheymeetawinemakercalledHannibal,attempttomakeapizzainNaplesandhaveacloseshaveinTrani.Part6 - HannibalattheGatesAstheyneartheendoftheirjourney,theWoodsmakeasacrificetothegodsatLakeAverno,comefacetofacewithHannibalinRomeandcrosstheMediterraneantoTunisia,oncethecentreoftheCarthaginianEmpire,wheretheyvisitthesitewherethefateofanentirecivilisationwasdecidedinonefinalbattle.本系列影片中,澳大利亚Wood三兄弟Danny!Ben跟Sam骑自行车沿着汉尼拔的脚印出发,昔时侵犯军同大象一同沿着此道路从西班牙向罗马行军。汉尼拔·巴卡（HannibalBarca)(公元前247年~前183年或前182年）,北非古国迦太基有名军事家。成长的时期在正逢古罗马共跟国权势的突起。少时随父亲哈米尔卡·巴卡进军西班牙,并在父亲眼前发下终生的誓言,要毕生与罗马为敌,自小接收严厉跟艰难的军事锤炼,在军事及交际运动上有卓著表示。现今仍为很多军事学家所研讨之主要军事策略家之一。第二次布匿战争时期,带领部队从西班牙翻越比利牛斯山跟阿尔卑斯山,就义了大批佣兵,进入意大利北部,在特拉比亚战争（公元前218年）!特拉西美诺湖战争（公元前217年）跟坎尼战争(又叫“康奈大战”)（公元前216年）中奇妙应用计谋(地形!军种及气候变更)引导并击溃罗马人,于进入罗马国境的途中因眼疾而有一眼掉明。坎尼战争之后,罗马人深感此人之军事威逼,特殊是谍报征集!行军布阵及交际分化罗马同盟上,于是增加与汉尼拔的军团产生正面摩擦,增强同罗马同盟之间的关联,施用焦土策略,阻断其军需物质的补给,刊行国债,增长军团,从汉尼拔身上学会及改用游击策略,才逐步夺回意大利南部的要塞。公元前204年,罗马人在大西庇阿的带领下入侵迦太根外乡,迫使汉尼拔回到非洲。公元前202年,大西庇阿于扎马战争击败汉尼拔。战后汉尼拔成为迦太基的行政官,以赞助迦太基从战争的疮痍中规复。公元前195年,在罗马人的施压下,汉尼拔出奔西方,亡命到塞琉西王国,直到公元前189年,罗马战胜安条克三世,并请求引渡汉尼拔,汉尼拔逃到小亚细亚北部的比提尼亚王国。即便如斯,罗马人仍旧不释怀汉尼拔,始终争夺把他引渡到罗马受审,终于逼至汉尼拔在公元前183年仰药自杀。

Babi discovers a betrayal by her long-term partner and decides to embark on a new adventure in life. On this journey, she meets judge Marco and they begin to live a story permeated by a lot of sexual tension.