Habra
搜索"Habra" ，找到 以下影视作品
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瑞德·穆拉诺
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依据Mark Burnell所著“Stephanie Patrick”系列小说四部曲的首部改编,女主Stephanie的生涯在家人遭受空难后土崩瓦解,她开端沉沦于酒精!毒品!卖淫之中。当她发明空难实在是一场行刺案后,决议离开苦海摸索事件本相。这不是一本惊悚复仇小说,固然女配角要踏上这一途径。这是一个对于自我救赎的故事,她必须要从从前表演的多个脚色里苏醒过去,认清本人究竟是谁。作为妓女,她名叫Lisa,金发惹火；随后从一名无当局主义酿成恐惧分子的雇佣兵,假名Petra Reuter；偶然作为瑞士女贩子Marina Gaudenzi或美国先生Susan Branch,亦或是英国营业参谋Elizabeth Shepherd。无论是谁,她都不是本人,由于她的生涯基于她表演的脚色,这是她效劳的机密机构所实行的原则。而当她爱上Frank White后,身份危急逐步激发劫难。
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在一个阳光明媚的日子里，瑞恩（瑞恩·麦考伊RyanMcCoy饰）、布雷特（布雷特·卢森伯格BrettRosenberg饰）、爱什莉（爱什莉·布莱肯AshleyBracken饰）、艾比（艾比吉尔·里奇AbigailRichie饰）这四个好友相约前往郊外露营度假，其间瑞恩还带上DV，记录路途中各种各样有趣的见闻逸事。一路上欢声笑语，插科打诨，无忧无虑的青年男女来到了杳无人烟的野外。可是每当夜幕降临，黑暗的尽头便传来令人不寒而栗的嚎叫。加上突然出现的陌生人，他们的心恐慌到了极点。为了证明这一切仅仅是某些人的恶作剧，他们尝试用摄像机记录下事件的真相，却由此经历了最为恐怖的事件……
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艾德亚多·桑奇兹
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在一个静寂肃杀的夜晚,栖身在镇上的柯迪（保罗·麦卡锡·波英顿PaulMcCarthy-Boyington饰）!杜克（布莱德·威廉姆·汉克BradWilliamHenke饰）跟欧提斯（麦克·C·威廉姆斯MichaelC.Williams饰）穿越在阴沉的森林中,多少番比武终极抓到一只描述恐惧的异种怪兽。它的眼睛可以困惑人的心智,被其损害后满身会因沾染而腐败,终极疼痛逝世去。柯迪的欧巴提米15年前即逝世于异种之手,多年来他跟错误始终来回森林跟小镇,寻觅复仇的机遇。此次他们带着异种离开昔时的挚友韦尔（亚当·考夫曼AdamKaufman饰）家中。柯迪!杜克受伤被沾染,韦尔的女友缓和之余还打德律风报警。凌乱之际,异种摆脱锁链逃走,恐惧在小房之中伸张……
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阿兰·里奇森
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FollowshackerConnor,hisbestfriendAviandacunninglibrarianwhofindthemselvesovertheirheadswhenforcedtocompeteinasophisticateddarkwebsecretsociety’sglobalrecruitmentgame.
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Netflix预定5集限定剧《意料之外的凶手TheUnlikelyMurderer》,2021年播出。这部瑞典剧集为半虚构故事,基于ThomasPettersson在2008年出版的书籍创作。RobertGustafsson饰演平面设计师StigEngstr?m,他被认为很可能刺杀了瑞典前首相奥洛夫·帕尔梅。该剧讲述1986年帕尔梅遇刺后,Engstr?m凭借大胆和幸运,以及警方在案件办理中的迷茫,成功逃脱了法律制裁,直到他死去。主演还包括EvaMelander,MikaelPersbrandt和PeterAndersson。JoelSpira,EmilAlmén,ShantiRoney,TorkelPetterson,HenrikNorlén,LiaBoysen,MagnusKrepper,Bj?rnBeng...
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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马塞尔·卡尔内
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巴黎热闹的街上，美丽的女子Garance（阿莱缇Arletty饰）先是认识了演员FrédérickLemaître（皮埃尔·布拉瑟PierreBrasseur饰），然后又认识了BaptisteDeburau（让-路易斯·巴劳特Jean-LouisBarrault饰），她还有一个追求者Pierre-FrançoisLacenaire，一个偷东西做些坏事的人。某个夜晚，Baptiste又在酒吧遇见了Garance，他向她表白爱意，Garance也喜欢Baptiste，两人来到Baptiste居住的旅馆。Baptiste希望Garance像他爱她一样爱他，于是离开了她的房间。恰巧Garance的隔壁住着的是Frédérick，两人遂一夜春宵，坠入爱河。Garance也加入了Baptiste和Frédérick的剧团。在一次演出上，一位花花公子，ComteÉdouarddeMontray被Garance的美丽深深吸引。他来到后台像Garance表达了他的爱，但被Garance拒绝。于是Édouard留下了他的联系方式，希望Garance有难的时候可以找他。不久，Garance卷入一宗谋杀案，她只能寻求Édouard的帮助。多年过去了，随着Édouard走遍各地的Garance又回到了巴黎，又遇到了Baptiste、Pierre-François和Frédérick.....
