Cash
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宇多田光
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本次录音棚演唱会是在伦敦著名的唱片工作室AirStudios进行录制,主旨在于将1月19日发布的新专辑《BADMode》中录制的歌曲以现场表演的方式首次呈现。在新专辑发布的同一天,将专辑中收录的大部分歌曲以演唱会的形式进行展现,对于宇多田光来说也是初次的尝试。M1.BADMODEM2.OneLastKissM3.君に夢中(为你着迷)M4.誰にも言わない(不告诉任何人)M5.FindLoveM6.TimeM7.PINKBLOODM8.FaceMyFears(EnglishVersion)M9.HotelLobbyM10.BeautifulWorld(DaCapoVersion)M11.AboutMe
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When a young coffee shop owner is threatened with repossession she must take a chance with life and love as she fights to save her business
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查尔斯·弗伦德
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Captain Ambrose comes from a long line of distinguished sailors...but is all too susceptible to seasickness. After the war, he buys himself a nautical command on shore; a decrepit amusement pier at the British resort town Sandcastle-on-Sea, whose prim town council has outlawed arcade games as a form of gambling! Running the pier like a naval vessel, the captain's determination to make it a modern, going concern meets steady opposition. But with an unexpected new ally, he pursues a remarkable scheme to liberate his ship from land authorities...
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俏丽的男子苏芮缇被幽灵困在家中不得自在,她深厚怀念至心所爱的蠢才墨客杰德夫·沃玛(Aftab Shivdasani 饰)。此前他们凭仗手札交换,虽未碰面但互属忠意。无法相爱之人不相见,杰德夫认为苏芮缇早已逝世去,沉迷在无尽的疼痛中不克不及自拔。在忠实的佣人布拿的赞助下,苏芮缇持着圣物趁夜逃遁,却阅历了最为恐惧的夜晚。另一方面,在一片奢华庄园内,杰德夫怀念爱人,愁眉苦脸,听凭妹妹卡伦娜怎样奉劝。某天,他径自骑马去郊野排解心中郁结,却在河滨发明一名苏醒的男子。 他将男子带回家,似曾了解的感到让贰心中如有所动,而接上去的故事朝着弗成猜测的偏向开展……
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Americanabortionclinicsareinafightforsurvival.TargetedRegulationofAbortionProviders(TRAP)lawsareincreasinglybeingpassedbystatesthatmaintaintheyensurewomen’ssafetyandhealth,butasclinicscontinuetoshuttheirdoors,opponentsbelievetherealpurposeoftheselawsistooutlawabortion.WorldPremiere
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布瑞亚·格兰特
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It's 1998 - and over the course of one 12 - Hour Shift at an Arkansas Hospital, A Junkie Nurse (Angela Bettis), Her Scheming Cousin (Chloe Farnworth) and a group of black market Organ-Trading criminals (Mick Foley, David Arquette, Dusty Warren) start a heist that could lead to all of their demise.
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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AhighschoolEnglishteachergoestodisturbinglengthstoprotecthisfavoritestudentsfrombullies.
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戴维斯·古根海姆
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故事发生在一幢位于洛杉矶的豪华别墅之中,美丽性感的西德尼(劳拉·雷顿LauraLeighton饰)是屋子的主人,她有着谜一样的过去和神奇的魅力,别墅中的所有租户都和她有着或多或少的纠葛。大卫(肖恩·西珀斯ShaunSipos饰)的父亲麦克(托马斯·卡拉布罗ThomasCalabro饰)曾经和西德尼有过一段浪漫过往,如今,大卫则接替了父亲的位置,成为了西德尼的新宠。艾拉(凯蒂·卡西迪KatieCassidy饰)曾经和西德尼关系十分要好,可最终,两人变成了不共戴天的仇人。除此之外,还有接受过西德尼慷慨帮助的奥吉(科林·伊格斯菲德ColinEgglesfield饰)和年龄虽小却城府颇深的女孩瓦莱特(阿什丽·辛普森AshleeSimpson饰)等人,随着一具尸体的曝光,发生在这所豪宅里的秘密即将大白于天下