Marianly
搜索"Marianly" ，找到 以下影视作品
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ThisisthestoryofEvaPerónafterherdeath.Theembalmedbodyof“Evita”hadaneventfuljourneythatlastedfor22years,andwaseverybitaseventfulasher33yearsoflife.Evitadiedin1952,buthercorpsewaitedabovegroundforthreeyearsfortheconstructionofamonumentthatwasultimatelyneverbuilt.In1955,PresidentPerón’sgovernmentwasoverthrownbyamilitarycoup,whohidthebodyfor19yearstopreventitfrombecomingasymbolagainsttheregime.WhileonlyapoliticalfigureforsixyearsasGeneralPerón'swife,hercorpseinfluencedArgentinepoliticsformorethantwodecades—weavingamorbidlystrangestorythatpassedintotherealmofmythology.Tothemilitaryofficersthattookover,Evitawasevenmoredangerousthanwhenshewasalive,asallfearedthaterrantcorpsewithoutarestingplace.
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SamedilivesinavillageinWallonia.Heworksfromtimetotimeasagardenerandhasacloserelationshipwithhismother.Everydaylifeinthevillage,whichhasseenbettertimes,Samedi'squietandfriendlynatureandthestilllargelyintactruralsettingstandinstarkcontrasttotheheroinaddictionSamedihassufferedfromforover20years,whichonlyhisfamilyknowsabout.Hisrelationshipwithhismotherchangeswhenhemakesanotherattempttogetclean.PalomaSermon-Daï’sdocumentarypaintsarestrained,highlyprecisepictureofarelationshipmarkedbyaffectionandlovebutwhichisalsodifficulttodefineinrelationtoSamedi'sproblem.Asthecameraobservesthelong,concentratedconversationshehaswithbothhismotherandhistherapist,apictureofaddictioncomesintoviewwhichispartofafamilystructure.Thisbecomesembeddedinsomethinglargerinturnviatheindividualimagesofthevillage.PetitSamedicreatesanimageofdependenceinwhichindividual,familyandsocialcoexistenceareintertwined,withoutfallingintothetrapofsayingwhatmightbeabletosolvetheproblem.
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罗德·拉申
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脉轮是14岁，过着精疲力竭的生活。他、他的父母和他的许多兄弟姐妹都在柬埔寨的稻田里一起工作。晚饭时，他们围坐在小木屋里的木桌旁，父子之间总是意见分歧。当一个朋友告诉查克拉在工厂赚钱的可能性时，这个男孩决定自己出发。但在途中，他落入了贩运人口的魔掌，被贩卖为奴隶。在他现在必须工作的泰国渔船上，船长的政权既残忍又武断。暴力、酷刑甚至谋杀都是当今社会的当务之急。脉轮意识到他唯一的希望就是摆脱折磨他的人。罗德·拉什金的第一部故事片是一部残酷而现实的描述柬埔寨强迫劳工处境的电影。这位澳大利亚导演的方法远远不够漂亮，无人能幸免。他的扣人心弦的电影是一个对社会不公正的激情见证，同时也是一个关于一个被考验人性的男孩的令人感动和震惊的成年故事。Chakrais14andleadsanexhaustinglife.He,hisparentsandhismanysiblingsallworktogetherinthericefieldsofCambodia.Atdinner,theycrowdaroundthewoodentableintheirsmallhut,andtherearealwaysdifferencesofopinionbetweenfatherandson.WhenafriendtellsChakraaboutthepossibilityofearningmoneyinafactory,theboydecidestosetoffonhisown.Butontheway,hefallsintotheclutchesofhumantraffickersandissoldintoslavelabour.OntheThaifishingboatwherehenowhastowork,thecaptain’sregimeisbothcruelandarbitrary.Violence,tortureandevenmurderaretheorderoftheday.Chakrarealisesthathisonlyhopeistogetridofhistormentors.RoddRathjen’sfirstfeaturefilmisabrutalyetrealisticdepictionofthesituationforCambodianforcedlabourers.ThisAustraliandirector’sapproachisfarfromprettyandsparesno-one.Hisgrippingfilmisapassionatetestimonyagainstsocialinjusticeand,atthesametime,atouchingandshockingcoming-of-agestoryaboutaboywhosehumanityisputtothetest.
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Sean
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A businessman mysteriously wakes up in an open-air prison cell with only an old grist mill. Forced to work as a beast of burden, he must find a way to escape before the birth of his child.
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The proprietor of an ice-skating revue promotes a peanut-vendor at the show to a management position based on suggestions he made to improve the act of the show's star, who also happens to be the owner's wife. However, he soon begins to notice that his new manager is paying more attention to his wife than he believes is appropriate, and begins to suspect that his new manager has designs not only on his wife but on his business. Meanwhile, someone from the new manager's past shows up with information that could wreck his plans.
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金定恩
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Gyeong-ahworksasacaregiverandlivesalone.Theonlyoneshecanrelyonisherdaughter,Yeon-su,butit'shardtoseeheraftershemovedoutonherown.Meanwhile,Yeon-su,whoissufferingfromherex-boyfriend,Sang-hyun,argueswithhimagainandvisitshermother’shouse.AfterYeon-suleft,Gyeong-ahreceivesashockingmessagefromastranger.
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罗德尼·阿谢尔
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In The Nightmare, director Rodney Ascher (Room 237) has done just that. The film explores the condition commonly referred to as “sleep paralysis.” That’s a condition where someone is in bed, but totally physically immobilized. Some who suffer from the condition – including the eight subjects in this documentary – feel they are visited by something evil during these periods. Ascher lets these subjects tell their stories, then we watch them play out on screen. It’s absolutely horrifying, if not wholly rewarding.
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宮崎光代
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Yumaisa23-year-oldwomanfromTokyo.Whenshecommutesbytraintoherjobinamangastudio,herfaceisathipheighttotheotherpassengersstandingup.Yumausesawheelchaironaccountofcerebralpalsy.Herdeformedlimbsonlyallowhertocrawl–andtoholdapencil.Thefactthatherboss,asuccessfulcomicartistandbloggernamedSayaka,whohasapenchantforgarishFairyKeiattire,passesYuma’sdrawingideasoffasherown,dismaysthetalented‘mangaka’.Evenworse,heroverprotectivemotherhardlyletsheroutofhersightandrefusestotalkaboutherfather.AsYumaattemptstoliveamoreindependentlife,shestumblesacrossadultcomics–mangaporn–andtoyswiththeideaofdrawingsomeherself.Thepublisheradviseshertogainsomepersonalexperiencefirst.ButwhathappenswhenawomaninawheelchairasksatoutinTokyo’sredlightdistricttofixherupwithasexdate?DirectorHIKARI’shumorousandendearing37Secondsdepictsanunusualjourneyofself-discovery-inartistic,physicalandfamilialterms.And,asthefilm’scharmingprotagonistlearns,friendswhoarenotprejudicedcanbefoundanywhere.
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Thisfilm’sOnlineScreeningisavailableintheUnitedStatesOnly,requiresanRSVP,andisviewableintheSXSWTVappONLY.Onceyou’vesecuredyourRSVP,watchthisfilmstartingat9amCTonThursday,March17,2022through9amCTonSaturday,March19,2022,ontheSXSWTVappONLY.LearnhowtoRSVPforSXSWOnlineScreenings:
