Cash
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GregSpottiswood负责的《全体起立AllRise》(前名《法庭内外Courthouse》)讲述在洛杉矶的法庭上,法官﹑助理地区检察官﹑公设辩护人﹑法警﹑文员﹑警察及陪审员等人的生活。在《夜魔侠MarvelsDaredevil》饰演靶眼的WilsonBethel饰演一个爱捣蛋﹑成功的地区副检察官Mark,他死党兼同事Lola新近任命为法官,因此两人在公在私的关系有所变化。在《卢克·凯奇MarvelsLukeCage》饰演MistyKnight的SimoneCook饰演Lola,独立﹑令人敬畏﹑偶尔冲动的她身为地区副检察官时令人印象深刻,成为新任法官后她更倾向越过界限,挑战常人对法官的形象。曾主演《犯罪现场调查CSI:CrimeSceneInvestigation》的MargHelgenberger饰演Judith法官,是加州罕有地打破玻璃天花板的女法官(玻璃天花板/GlassCeiling是种指因为某人的性别或身份或某自身原因,在虽然没明文下,仍然被限制了升迁)。她以监督法官身份看着Lola成为法官,在期间也因而令她重拾对正义的热情。J.AlexBrinson饰演慷慨﹑勤奋的Luke,白天当庭警﹑晚上是法学院学生的他决心成为一名律师。JessicaCamacho饰演坚定的公设辩护心EmilyLopez-Berarro,为了证明客户的清白会显得无畏无惧。LindsayMendez饰演Sara,热情洋溢﹑乐观﹑深藏不露的法庭记者,Emily的密友。她亦有主持法庭圈的牌局,并因此得到很多八卦及情报。RuthieAnnMiles饰演Lola的司法助理Sherri,负责时间表﹑证人列表等文书工作。
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WilliamThornhill,anilliterateThamesbargemanandamanofquicktemperbutdeepfeelings,stealsaloadoftimberandistransportedtoNewSouthWalesin1806.Likemanyoftheconvicts,hespardonedwithinafewyearsandsettlesonthebanksoftheHawkesburyRiver.PerhapstheGovernorgrantshimthelandorperhapshejusttakesit-theHawkesburyisattheextremeedgeofsettlementatthattimeandnormalrulesdontapply.Howeverhegetstheland,itsprimeriverfrontacreage.Itlookscertaintomakehimrich.Theresjustoneproblemwiththatland:itsalreadyowned.ItsbeenpartoftheterritoryoftheDarugpeopleforperhapsfortythousandyears.Theyhaventleftfencesorroadsorhouses,buttheyliveonthatlandanduseit,justassurelyasThornhillsplanningtodo.Theyarentgoingtohandovertheirlandwithoutafight.Spearsmaybeprimitiveweapons,butsettlersknowthattheycankillamanassurelyasaballofleadfromamusket.Asherealisesallthis,Thornhillfacesanimpossiblechoice.Someofhisneighbours-SmasherSullivan,SagittyBirtles-regardtheDarugashardlyhuman,savageswithaslittlerighttolandasadog.WhentheDarugobjecttobeingdrivenoff,thosesettlershavenocompunctioninshootingorpoisoningthem.Otherneighboursmakeadifferentchoice,andfindwaystoco-existwiththeDarug.Blackwoodhasmadeafamilyamongthem.MrsHerringgivesthemwhentheyask.Hostilitybetweenblacksandwhitesgraduallyescalates.FinallyagroupofsettlersdecidestogooutandsettletheDarugforonceandforall.WillThornhilljointhem?Thedecisionhemakesiswithhimfortherestofhislife.
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蒂尔曼·辛格
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Luz,ayoungcabdriver,dragsherselfintothebrightlylitentranceofarun-downpolicestation.Ademonicentityfollowsher,determinedtofinallybeclosetothewomanitloves.
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In the outskirts of London, Portuguese couple and parents of three, Bela and Jota, struggle to make ends meet. When a misunderstanding arises at school with their deaf daughter, the British social services grow concerned for the safety of their children. LISTEN portrays the tireless battle of these immigrant parents against the law to keep their family together.
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HospitalphysicianJuneLoweandsuccessfulauthorRickLowehaveaseeminglyperfectmarriage,theonestickingpointbetweenthembeingtheissueofchildren.RickwantsJunetogiveuphercareersothattheycanstartafamily,andwhileJuneisnotaversetothenotionofchildren,notonlydoesshenotwanttogiveuphercareerbutexpandintowritingherself,shenotun...
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罗兰·约菲
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Entertaining thriller about the perfect girl next door. Beautiful, friendly and a devout churchgoer, she believes in always doing good. but underneath the pleasant exterior is a ruthless woman, determined to get the lifestyle she thinks she deserves.
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Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
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亚历山大·摩尔
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作为编剧兼导演亚历山大·摩尔斯的首部引人注目的故事片,《蓝色的任性》是一部痛苦却又压抑的心理惊悚片,讲述了一个被遗弃的男孩被诱拐到美国,进入一个危险父亲形象阴影中的故事。受真实事件的启发,BLUE CAPRICE从两名杀手的角度调查了臭名昭著和可怕的环城狙击手袭击事件,他们扭曲的父子关系促成了他们漫长而血腥的美国之旅。以赛亚·华盛顿(Isaiah Washington)和特全·里奇蒙德(Tequan Richmond)令人着迷的表演、抒情的摄影作品和独特而大胆的结构为特点,《蓝色任性》(BLUE CAPRICE)记录了导致其主题拥抱身体暴力的机制。《蓝色的任性》描绘了一幅令人着迷的21世纪美国的画像,并令人难忘地描绘了两个冷血杀手,他们将在灯光亮起后长久存在。