Laus
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理查德·勒梅
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Every25years,itbegins.Boundtoanancientpact,afamilyofunlimitedpowerdescenduponasmallruraltowntosacrifice4humanlives,onebeingamemberoftheirownfamily.Theritualstartswiththerapeofalocalgirl,18yearoldKerry.Findingherselfpregnant,sherealizesherunbornbabyisthetargetofasinisterplot.Asthemonthspassandpeoplearoundherbegintoturnupdead,shedesperatelysearchesforawayoutofthisunthinkablesituation.Thefamilymustperformthisritualtomaintaintheirpowerordie.InchargeofcarryingouteachsacrificeashisinitiationisDavid,ayoungmanconflictedwithhisdestiny.HeunexpectedlybeginstofallforKerry,whichweighsonhisconscienceastheygetclosertothefinalsacrifice.Whatstartsoffasathrillersoondescendsintotherealmofhorrorasoccultritualsandancientpactstakeholdofonegirlslife,bindinghertoafateshecannotpossiblyfathom.ROSEMARYSBABYmeetsDRAGMETOHELLinthistwistedanddarklookintotheoccultandhowfarthehumanspiritcantakeonesoulinitsmostdesperatehour.Layeredwithplottwistsandconflictedcharacters,BLOODLINEfollowssixpeopleastheycarryouttheirdestinytotheirultimatehorror.
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伊泰·塔尔
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ConcertpianistAnat’swatersbreakwhilesheisplaying.Devastatingly,hersonprovesdeaf.TheBabyMozartCDherfathergiveshercangostraightinthebin.However,Anatswilltoraiseapianogeniuswhowouldbefitherrespectedmusicalfamilyonlybecomesstronger,andshetakesdrasticmeasurestomakethishappen.Composedasamoralparablewithatouchofthriller,GodofthePianotellsthestoryofamother–playedwithgreatreservebyNaamaPreis–whoseobsessivebehaviourandmile-highexpectationsthreatentocrushherchild,justasshewasoncecrushed.Whilefocusingonmother-sonrelations,thefilmalsoexplorestheuncertainnatureofprodigy.Istalentinherited?Isthereasecrettensionorevenaninterplaybetweengiftednessandaverageness?And–mostimportantly–whatpricedoesaperson,beitadultorchild,payforbeinglabelledagenius?
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尼基·帕森斯
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Run-D.M.C.'sRevRunbringsusalongforahip-hopreimaginingofTheNutcrackerballetsetinNewYorkCity.It'sthenightoftheannualNewYear'sEveblockpartyandMaria-Clara's(CachéMelvin)momandpop(AllisonHolkerBossandStephen"tWitch'Boss)aren'tgettingalong...andit'sbringingherdown.Maria-Claraembarksonaholidayadventuretobringherparentsback...
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ClaudiaandMaria,roamthestreetsofthecityofGuatemala.Claudiaworksatacallcenterandisuninterestedintheworldaroundher.Sheliveswithheractivistgrandfather,whotriestopersuadehertojoinhiscause.MariaunlikeClaudia,ismorespontaneousandliveswithhermotherintheoutskirtsofthecity.Thechaoticstreetsarefilledwithcommonstoriesofabuse,unforgivingpoliceofficers,andcharmingsecretcorners.Everythingchangesonenightwhentheyareattackedbythreemen.Althoughtheymanagetoescape,Claudiaisfacedwiththedilemmaofchoosingrevengeorlisteningtohergrandfather’sadvice.
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Duringanexclusivetour,apowerbreakdowninsideasecretprisonknownastheDeathHousesendstwoagentsfightingthroughalabyrinthofhorrorswhilebeingpursuedbyaruthlessarmyofroaminginmates.Astheyfighttoescape,theagentspushtowardthelowestdepthsofthefacilitywheretheylearnasupernaturalgroupofevilbeingsaretheironlychanceforsurvival.
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Let Me Go is a film about mothers and daughters, it is about ghosts from the past and the impact they leave on the present. Developed from Helga Schneider's true life story, Let Me Go explores the effect on Helga's life of being abandoned by her mother, Traudi in 1941 - when she was just four years old. The film is set in the year 2000 - following not only Helga and Traudi's journeys but the next two generations and how Beth, Helga's daughter and Emily her granddaughter are confronted with the long-term effects of Traudi's leaving. When Helga receives a letter telling her that Traudi is close to death, it is Emily with whom Helga shares the truth. Emily 册unteers to accompany her to Vienna to meet the great-grandmother she thought was dead, and experience the unraveling of the darkest of family secrets.
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Oneyearonfromthenotorious"JackTheRipper"murders,thekillingshavestopped,buttheidentityofthekillerremainsamystery.Down-at-heelnewspaperreporterSebastianStubbhasmovedontoreportingonotherscandals,butwhenanew"Ripper"letterappearsonhisdeskandthekillingsstartagain,heunwittinglyfindshimselfatthecenterofanewmystery.Hasthe"R...
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Bipedalism, or 'two-footed walking', is the story of a painter who grew up in an orphanage and only years later learns the circumstances of his father's disappearance and death. Childhood memories bring the main character back to the past he buys a house in the suburbs that used to belong to his family. In the basement, he finds his father's archives and scientific research documents on the hybridization of human race with related biological species. Studying the archive material, he unexpectedly finds evidence of efforts to renew the experiments on the remaining hybrid population. The painter then becomes a researcher, and consequently a victim. The basic idea of his father's research was to change, control and influence the process of human evolution - initially connected with eugenics theories of the period before World War II, and now being placed in a context of modern 'biotechnological' expectations by his former colleagues. The main character tries to recreate and realize his father's heritage, who was forced to cooperate with state terror organizations, using the results of his secret research. In a tragic manner, this information turns into the main character's reality, at first forcing him to reappraise his father's values and later driving him to madness.
