Laus
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OnlyforTerezaisaromanticcomedyfullofawkwardsituationsanderrors,whichproves,thatfightingforlovecansometimesbeincrediblyarduous,especiallywhenlifeslapsyouinthefaceallthetime.Thecharactersofthe"severelytriedcouple"areplayedbyIgorOrozovicandVeronikaKhekKubarova,supportedbyDavidMatásek,LenkaVlasákováorMatousRuml.
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After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --? Official Site
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‘TreasuresfromtheWreckoftheUnbelievable’chartsthestorybehindDamienHirst’smostambitiousprojecttodate.Almosttenyearsinthemaking,theeponymousexhibitionwasdisplayedacrossthePuntadellaDoganaandPalazzoGrassiinVenicefrom9thApril–3rdDecember2017.HirstcollaboratedwithdirectorSamHobkinsonandproducerNicolasKenttochronicletheexhibi...
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
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Just over 40 - years ago, marriage in China was arranged by the state. Romantic love was seen as a capitalist concept and was not allowed during this period. Wedding photography (if any at all) consisted of one black and white passport photo of the couple (dressed in Mao- style outfits) as proof of the marriage. Now, China has fallen in love with love and its exploding wedding industry is worth 80 - billion dollars, and it is on an upward curve. Pre-wedding photography is one of the most significant and curious parts of the industry. Every couple marrying in China will take part in a pre-wedding shoot. It in册ves several costume and backdrop changes where you can become a character in any fantasy you choose. For the most exotic lo- cations couples pay up to $250 - 000 - AUD. Pre-wedding photo shoots have become an important national ritual. They are proof of the marriage but now also of love, romance, freedom, status, money and the new China Dream. As an expat living in Shanghai with a long history of coming to China, Sinophile photographer Olivia Mar- tin-McGuire was captivated by the construction of dreams through this booming photographic world. Once she started to delve deeper into this new traditional she found a unique window into China. One that revealed a country dreaming, a country rapidly booming and a country reconstructing its recent past trauma all through their own lens. China Love takes us on a wild journey into the warmth of the family web in China into the hearts of our characters and into their personal dreams with an understanding of why and where these aspirations come from. The project explores China's new position as a globalised country from its restrictive and highly traditional past - through the window of its booming wedding industry and asks what is the new China Dream when it comes to love.
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西德尼·吕美特
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《典当商》改编自Edward Lewis Wallant同名小说，主人公是一名犹太人典当商，从纳粹集中营逃出后在纽约哈莱姆经营当铺时维持生计，男主角罗德·斯泰格尔由此获得了当年奥斯卡影帝的提名。在纳粹德国，德国犹太裔大学教授索尔·纳泽曼与家人一起被送往集中营。他目睹了自己的两个孩子死亡，妻子在被杀前 被纳粹军官强奸。二十五年后，纳泽曼仍被自己的记忆所困扰。他在东哈莱姆区的一个贫民窟经营一家当铺，同时与他的嫂子（也是大屠杀幸存者）和她的丈夫住在长岛的一个匿名住宅区。他因自己的经历而变得麻木和疏远，他训练自己不流露出情感。他形容自己非常痛苦，将周围的穷人视为“败类”和“拒绝者”。他对绝望的顾客表现得漠不关心、愤世嫉俗，给他们的钱远远低于他们典当物品的价值。纳泽曼深受耶稣·奥尔蒂斯 (Jesus Ortiz) 的崇拜，他是一位雄心勃勃的波多黎各年轻人，与母亲住在一起，并为纳泽曼担任店员。奥尔蒂斯的女朋友是一名妓女，为罗德里格斯工作，罗德里格斯是一名以当铺为幌子的诈骗犯。下班后，纳泽曼教奥尔蒂斯有关贵金属鉴定和金钱的知识，这是他唯一仍然看重的东西。奥尔蒂斯称纳泽曼为他的“老师”，但他的友谊尝试遭到拒绝。邻居社会工作者玛丽莲·伯奇菲尔德也在追求纳泽曼，她想更好地了解他，但他与她保持着一定的距离。奥尔蒂斯的女友试图典当珠宝来资助他开店的计划；她将自己的身体献给纳泽曼以赚更多的钱，但他拒绝了她。当她告诉他她为罗德里格斯工作时，他意识到罗德里格斯的大部分财富都归功于妓院他拥有并经营。纳泽曼回忆起妻子在集中营中的堕落，并告诉罗德里格斯他不再想与他做生意。他还告诉奥尔蒂斯，他对他来说毫无意义。奥尔蒂斯对这个评论感到震惊，他安排当铺被坦吉领导的邻里帮派抢劫。与此同时，罗德里格斯和一名心腹来到当铺，殴打纳泽曼，并威胁要杀死他，因为他拒绝配合洗钱活动。在他自杀的绝望中，他告诉他们杀了他。罗德里格斯向他保证，他会在某个时候死去，但不会像纳泽曼所希望的那样立即死去。在坦吉的团伙企图抢劫期间，纳泽曼拒绝交出他的钱。该团伙的一名成员拔出枪，试图拯救纳泽曼，奥尔蒂斯被枪杀。这伙人逃跑了，奥尔蒂斯拖着身子走到街上。纳泽曼跌跌撞撞地走出店门，在奥尔蒂斯去世时默默哭泣。奥尔蒂斯的尸体被救护车带走，纳泽曼回到里面。他的手被收据钉刺穿，然后离开商店，这可能是最后一次。
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A shy teenager accidentally kills a mocking peer, and his mother helps him hide in a spare room in their house. Problems arise when the mother goes for an operation and dies, and the house is sold to a new family, with the teen still living inside. Written by Kyle Palkowski Scott Jacoby, a nerdy high school youth, accidently kills a neighbor's young daughter. Panicking mother, Kim Hunter, fears the police will not believe that it was an accident. She moves her son into a bathroom that she turned into a secret hiding place. After her death, a new family moves in. In the mean time, Ronald has gotten lost in a fantasy world created in his own head from being hidden away for so long. Written by Humberto Amador
