Sachs
搜索"Sachs" ，找到 以下影视作品
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IstvánBaloghHungarianfarmerhastotalcontroloverhiswife,familyandslave.Thecharactersmeettheirtragicfatethroughtheirextremerelationships.Thisfilmhasbeeninspiredbymemoriesofpeoplewhohavesurvivedsuchsituations.
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戴夫·格林
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城市在恢复平静后，大反派重新召集旧部卷土重来，并勾结外星恶势力朗格试图称霸地球，忍者神龟莱昂纳多（皮特·普劳泽克PetePloszek饰）、拉斐尔（阿兰·里奇森AlanRitchson饰）、多纳泰罗（杰瑞米·霍华德JeremyHoward饰）和米开朗基罗（诺尔·费舍NoelFisher饰）与女记者艾蓓丽尔·奥尼尔（梅根·福克斯MeganFox饰）、韦恩·芬威克（威尔·阿奈特WillArnett饰），及面具义警凯西·琼斯（斯蒂芬·阿梅尔StephenAmell饰）并肩作战打击恶徒。在史莱德（布莱恩·泰BrianTee饰）逃脱拘留后，他与疯狂的科学家巴克斯特斯·托克曼（泰勒·派瑞TylerPerry饰）及其两个笨拙的左膀右臂猪面和牛头联合，发布了一个控制世界的恶魔计划。在神龟们与史莱德及其同伙对抗的同时，他们发现自己正面临着一个更邪恶的力量大反派格朗，神龟们面对的将是宇宙级的强大对手。
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米夏埃尔·艾斯
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Paris,1981.ThewindsofchangeareblowingonelectionnightandtheFrenchstormthestreets,elated.ButÉlisabeth(CharlotteGainsbourg)strugglestosharethegeneralmoodofoptimism.Hermarriageiscomingtoanendandshewillnowhavetosupportherfamily.Sheisdistraught,andherfatherandteenagechildrenareworriedthathertearssimplywillnotdry.Butwhatiflisteningtoheremotionscouldhelphertostartfillingtheblankpageofherfuture?Whatifsheweretowritealetteronawhimtothehostofherfavouriteradioprogramme?Orinviteahomelessgirlintoherhouse?Whatwouldhappenifsheweretomakethekindofgesturesthatactuallychangelives?Inthisfollow-uptothebeautifulAmanda,MikhaëlHersdirectshishypersensitivegazeatthe1980sandtheseeminglymundanemomentsinonefamily’slifethatshapeindeliblememories.Alargenumberofcharacterspopulatesthisnostalgicsagaofself-invention.Thedirectorhonourstheirvulnerabilityandkindnessinawaythatstandsoutinacinematiclandscapemoreoftenfascinatedbydisillusionedantiheroes.Thisisfilmatitsmostprofoundlyintimateandmesmerising,thekindthat,whenwereflectonhowwefunctionasasociety,givesusanideaofwhylovematters.
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皮奥特尔·舒尔金
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耶日·斯图尔
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克里斯提娜·杨达
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卡里娜·谢鲁斯克
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马里乌什·德莫霍夫斯基
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马雷克·瓦尔切夫斯基
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扬·诺维茨基
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亨里克·比斯塔
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莱昂·涅姆奇克
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克兹佐夫·马扎克
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斯坦尼斯瓦夫·伊加尔
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Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.
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SuccessfularchitectWillRobertsorganizesagrandsurprisebirthdaypartyforhiswifeMandywiththeirdaughterKellyandcollegedaysfriend,onlytobetoldafterwardshewantsadivorcetoleadherownlife.Sooneachspousecommitstoanotherlover.@www.pniap.com
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JanhviKapoorhasbegunshootingforthehorror-comedyRoohiAfza,inwhichshestarsalongsideRajkummarRaoandVarunSharma.
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内详
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关于Match的，他正在寻找一个室友，在一个新的公寓里合租一个大房间。但是有两个人同时联系他。Match有3周的时间来决定他会选择谁做他的室友。所以Match开始了一个名为#MateMatch#HelpMeChooseRoommate的YouTubeVLOG，并要求观众投票决定他应该选择谁。这就是那三周的故事。It’saboutMatch,who’slookingforaroommatetoshareabigroominanewcondominium.Buttherearetwoguyswhocontacthimatthesametime.Matchhas3weekstodecidewhomhewillchoosetobehisroommate.SoMatchstartsaYouTubeVLOGcalled#MateMatch#HelpMeChooseRoommateandaskstheaudiencetovotewhomheshouldchoose.Sothisisthestoryduringthose3weeks.
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布兰科·普莱沙
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1970年瑞士洛迦诺国际电影节最佳影片金豹奖.Ayoungteenagegirlissenttoanorphanagewhenshebecomestoomuchforhermothertohandle.Lilika(DraganaKalaba)issenttotheinstitutionafterhermother(TamaraMiletic)discoverssheisstealingfruitfromthelocalmarket.Sheisveryprotectiveofheryoungerbrotherandamentallychallengedfriend,andtakesalikingtohercounselor(BrankoPlesa).Shedreamsofhavinganordinarylifeandescapingthejuvenilehomesheregardsasaprison.Lilikafantasizesaboutherfutureasshehopesforawayoutoftheorphanage.Elevenyearsoldgirl,daughterofawomanaffectedbywar,feelssheisunneededinlifeofherfosterfatherandhermother.Fromcruelenvironmentandtwistedfamily,thejudgeandthejurywillfindHouseofcorrectionasheronlywayout,whichshedoesn’tregardasnewhome,butaspenalservitudeforchildren.
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Depressing,darklovedramawiththinstoryline,thatmakesyouwonderwhetherthemakersbelieveinlifeatall.Themaleprotagonistisconstantlyrunningintoproblemsandgetsbeatenuptimeandtimeagain,somuchsothatafterawhileIcouldnothelplaughing,whichcannothavebeentheintentionofthemakers:theyarevèry,vèryserious.ThecruxofthefilmseemstobeasharpcommentonthemoneydrivenGermansociety,inwhichitisimpossibletoshowanyrealaffection;ofcoursethiscouldbeadilemmaofthemakersthemselves:moneyisnottheproblem,butwhatyoudowithit.Notforgottenistoincludeanextremerightwingmanwhoseself-proclaimedpurposeinlifeitistofreethestreetofsociallyundesirableelements.Itisallveryheavysymbolismwithnorelief,butitiscertainlywell-madewithascriptthat-asthefilmprogresses-becomeslessandlesssurprising.Thetwoactingleadsaregood;finecinematography.(janonderwater)
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沃尔特·杰拉曼
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TheladyisMrs.Hilyard,awealthypoetesswholivesinathree-storycitymansionandhercageisherelevator,whichstopsadozenfeetshortofthemainfloorduetoanelectricalfailureonaJuly4thweekend.Sheringsheroutsidealarm,eventuallynoticedbyadrunkenderelict,whobreaksintothehouse,ignoresherplightandhelpshimselftovariousitemsandalcohol....
