Manolo

When the husband of a dying woman is approached by a corporation pioneering a new program to extend life through robotics, they get caught in a public debate over human's relationship with technology.

女主人名叫玛戈（艾莎·阿基多饰），她为了挽回自己和男友弗里奥（NunoLopes饰）的感情，放弃了她原本前途无量的大提琴演奏家的事业。然而爱情中的另一方弗里奥，却把所有的时间放在翻新一家破旧的旅馆上面，尽管当地的黑手党和腐败的官员给这一切带来很大的困难。在这样一个被金钱和野心主导的世界里，爱情能够抵挡得住冷漠和忽视的侵蚀吗？

In2262,EarthforceCaptainElizabethLochleyisappointedtocommandBabylon5.ThestationgrowsinitsroleasasanctuaryforroguetelepathsrunningfromthePsiCorps,resultinginconflict.G’Kar,formerNarnambassadortoBabylon5,becomesunwillinglyaspiritualiconafterabookispublishedthathewrotewhileincarceratedduringtheNarn-CentauriWar.TheDrakh,formeralliesoftheShadowswhoremainedinthegalaxy,takecontrolofRegentVirinionCentauriPrimethroughaparasiticcreaturecalledaKeeper,theninciteawarbetweentheCentauriandtheInterstellarAlliance,inordertoisolatetheCentaurifromtheAllianceandgainamalleablehomeworldforthemselves.CentauriPrimeisdevastatedbyNarnandDraziwarshipsandLondoMollaribecomesemperor,acceptingaDrakhKeeperunderthreatofthecompletenucleardestructionoftheplanet.(Portionsoftheendofhisreignareseeninvariousprescientvisionsthroughouttheseries;theyshowMollariandformernemesis(andlaterfriend)G’Karsixteenyearsinthefuturedyingateachother’sthroats,seeminglyoutoftheirgrudge.Itisgraduallyrevealedthattherewasamuchmorefriendlysubtext,withMollarihavingbecomeaslavetothedrakhruleandbeingtiredoflife;hisDrakhKeeperawakensandstranglesG’Karinreturn.VirCotto,Mollari’sloyalandmoremoralaide,succeedshimasemperor,freeofDrakhinfluence.SheridanandDelennmarryandmovetoMinbar,alongwiththeheadquartersoftheInterstellarAlliance.G’KarleavesBabylon5toescapehisunwantedfameandexploretherim.GaribaldialsomarriesandsettlesdownonMars.MostoftheothermaincharactersleaveB5.Nineteenyearslateronthevergeofdeath,SheridantakesafinaltriptotheobsoleteBabylon5stationbeforeitsdecommissioning.SheridanapparentlydiesbutisclaimedbytheFirstOnes,whoinvitehimtojointhemonajourneybeyondtherimofthegalaxy.Babylon5stationisdestroyedinademolitionshortlyafterSheridan’sdeparture,itsexistencenolongernecessaryastheAlliancehastakenoveritsdiplomaticpurposes.ThisfinalepisodefeaturesacameobyStraczynskiasthetechnicianwhoswitchesoffthelightsbeforeBabylon5isdemolished.

David is travelling. He's on a unique trip that doesn't take him from one place to another but from one moment in time to another. Seeking to understand the strange power he has to move around in his own timeline, David will eventually have to confront the disassembled chronology of his own life as well as his repressed past.

多數人都住在城市，但是沒多久之前，我們都來自農村。可惜的是，現代城市與鄉村已成為大相逕庭的兩個世界。有多少人了解現在的農村？又有多少人關心現代農村的艱難處境？農村不應該是都市開發的預備用地，更不是容納各種都市鄰避設施的垃圾桶。農村區域有其自主性、神聖性，是一個健全國家永續發展不可或缺的一部份。現代農村並非與都市或現代生活完全隔離，在現代的科技與產業型態下，農村如何維持其歷史、產業、空間、文化、生態、景觀等特色，卻又與時俱進，已成為全世界政府極嚴肅的課題。公共電視《農村的遠見,TheEternalFarmVillages》系列紀錄片，將帶領觀眾走入世界各地的農村典範。製作團隊造訪了德國、荷蘭、美國、日本、印尼與臺灣數個國家。藉由這些國家的農村經典典範，啟發觀眾對自己農村更多的想像，並從這些心懷遠見的農民、居民與經營者打拼的故事中，看見農村永續發展的無限可能。擁有30年紀錄片製作經驗的寶花團隊，耗時四年，透過第一手的材料、優美細膩的4K影像、溫馨的人物與劣勢突圍的故事，帶領觀眾重回我們心靈的故鄉。Mostofusnowliveincities;however,nottoolongago,mosthumanslivedinvillages.Unfortunately,moderncitiesandfarmingvillageshavebecomevastlydifferentworlds.Howwelldowereallyknowourvillagesnow?Doweevenpayattentiontothem?Villagesshouldnotberegardedasstill-to-bedevelopedcities,orwastedisposalsitesforurbanareas.Aself-regulatedfarmingvillagewithitsownsenseofvalueisindispensablefornationalsustainability.Theseparationoffarmingvillagesfromurbanormodernlifeisnotnecessaryorinevitable.Facingthechallengesofmoderntechnologyandindustry,itiscriticalforvillagestodevelopwithoutlosingtheiressentialnature.ThisPTSproductionof‘TheEternalFarmVillages’takestheviewertosomeoftheworld’smostexemplaryvillages.TheproductionteamvisitedGermany,theNetherlands,theUnitesStates,Japan,IndonesiaandTaiwan.Theinspiringvillagestheydiscoveredwillexpandourhorizons,andthestoriesofvisionaryfarmers,residentsandbusinessownersgiveusachancetoseehowsustainabilitycanbeachieved.With30yearsoffilm-makingexperience,BowwowProductionsspentfouryearsmakingthisdocumentaryseries.Combiningfirsthandmaterials,4Kresolutionfootage,charmingcharacters,andinspirationalstories,thevieweristransportedbacktothehometownsweallhavesomewhereinthebackofourminds.

ThePsiCorpsandPresidentClark,whosegovernmenthasdiscoveredShadowvesselsburiedinEarth’ssolarsystem,begintoharnessthevessels’advancedtechnology.TheClarkadministrationcontinuestobecomeincreasinglyxenophobicandtotalitarian,andusesamilitaryincidentasanexcusetodeclaremartiallaw.ThistriggersawarofindependenceonMars,whichhadlonghadastrainedpoliticalrelationshipwithEarth.Babylon5alsodeclaresindependencefromEarth,alongwithseveralotheroutlyingEarthAlliancecolonies.Inresponse,theEarthAllianceattemptstoretakeBabylon5byforce,butwiththeaidoftheMinbari,whohavealliedwiththestationagainstthegrowingShadowthreat,theattackisrepelled.BecomingconcernedovertheShadows’growinginfluenceamongsthispeople,CentauriambassadorLondoMollariattemptstosevertieswiththem.Mr.Morden,theShadows’humanrepresentative,trickshimintorestoringthepartnershipbyengineeringthemurderofMollari’smistresswhileputtingtheblameonarivalCentauriHouse.OpenwarfarebreaksoutbetweentheShadowsandtheallianceledbyBabylon5andtheMinbari.ItislearnedthatgeneticmanipulationbytheVorlonsisthesourceofhumantelepathy,asitislaterdiscoveredthatShadowshipsarevulnerabletotelepathicattacks.DispleasedattheVorlons’lackofdirectactionagainsttheShadows,CaptainJohnSheridanbrowbeatsVorlonambassadorKoshNaranekintolaunchinganattackagainsttheirmutualenemy.Kosh’sdeedsleadtohissubsequentassassinationbytheShadows.FormerstationcommanderJeffreySinclairreturnstoBabylon5toenlisttheaidofCaptainSheridan,Delenn,IvanovaandMarcusinstealingtheBabylon4spacestationandsendingit1,000yearsbackintimetouseitasabaseofoperationsagainsttheShadowsinthepreviousMinbari-Shadowwar.UndergoingthesametransformationasDelennattheendofSeason1,SinclairtransformsintoaMinbariandissubsequentlyrevealedtobetheactualValenofMinbarilegend,ratherthanareincarnation.Spurredbythereappearanceofhisassumed-deadwife(whonowworksfortheShadows),SheridantravelstoZ’ha’dum,theShadowhomeworld,inanattemptbythemtorecruithim.Howeverheinsteaddestroystheirlargestcityinakamikazenuclearattack,andislastseenjumpingintoamiles-deeppittoescapetheexplosion.Garibaldi,duringafightwithShadowvessels,goesmissing.

Using breakthrough flesh-regeneration technology, a biotech firm creates a set of living dinosaurs. But when the creatures escape their museum exhibit and terrorize Los Angeles, a former firefighter must rescue his teenage daughter from the chaos brought on by the Age of Dinosaurs.

Inthefuture,technologywillbeabletomakethelivesofeverykideasier.SeewhathappenswhenchildhoodcuriosityleadstochaosinCircuitBreakers,premieringNovember11onAppleTV+.

In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment

[InAsYouSee,Farockisearchesforthoseinstancesandfactsinthehistoryoftechnologythathavebeenoverlookedorignored,alsoexploringtheambivalentrelationshipbetweentechnologiesdevelopedforciviluseandthosedesignedformilitarypurposes.Thusthefilmforinstancedescribeshowinthe1970'sworkersattheBritisharmsfactoryLucasAerospaceattemptedtod...