Lisbo

WhenwealthylandownerGregoryLancaster’sbodygoesmissingonthenightofhisdeath,asinisterwebofsecretsandliesisexposedinthevillageofLittleMalton.DCIBarnaby,DSNelsonandnewForensicPathologistKamKarimorearedrawnintoamacabreworldofbody-snatchingastheyseektoidentifythevillain.

英国郊区,一家人搬到一幢玄色的公寓中。父亲（Hanns Zischler 饰）在修葺院子时猝逝世,母亲（Sinéad Cusack 饰）则自此抱病,盛极一时。为了不使四个孩子被福利机构领走,母亲保持不去病院,终极郁郁分开人间。宗子杰克（Andrew Robertson 饰）与长女朱莉（Charlotte Gainsbourg 夏洛特•甘斯布 饰）将母亲的遗体偷偷沉进水泥之中,带着弟妹汤姆（Ned Birkin 饰）跟苏（Alice Coulthard 饰）径自生涯。 四兄妹的生涯固然艰难,却自在自在。杰克更与朱莉开展出一段忌讳之恋…… 本片荣获第43届柏林片子节最佳导演奖!1993年英国第纳尔德片子节金希区柯克奖。

老公彼得（阿登·杨 Aden Young 饰）的逝世让道恩（夏洛特·甘斯布 Charlotte Gainsbourg 饰）伤心欲绝,就在此时,道恩的小女儿西蒙娜（摩根·戴维斯 Morgana Davies 饰）却告知她,彼得的魂魄栖身在院子里的一颗伟大的榕树之上,正冷静的保卫着全部家庭。靠着榕树的支持,道恩垂垂从永掉我爱的疼痛跟伤心中走了出来,优良青年乔治（马尔顿·索克斯 Marton Csokas 饰）的涌现更是让道恩从新感触到了被爱跟被关心的快活。没想到,道恩跟乔治之间的情感受到了女儿的激烈支持,西蒙娜无奈信任除了父亲外,母亲居然还能爱上其余男子。同时,院子里的榕树好像对道恩身上所产生的事件一目了然,它居然也开端用它本人的办法干涉起了道恩的生涯。©豆瓣

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

《黑名单BurnNotice》男主JerrreyDonovan，以及KaDeeStrickland早前接下Hulu新剧《ShutEye》男主与女主角色。该部由LesBohem开发的剧，讲述的是洛杉矶某犯罪财团经营的一家街头占卜店里的一名员工突然鬼迷心窍，发现自己能看到虚幻的事物，从而想要挑战人生的故事。Donovan扮演的CharlieHaverford是一个失败的魔术师，在店里主要给客人占卜，但是工作了好几年的他遭遇瓶颈期，开始质疑一切，他的妻子也劝导他能突破自我，但是他仍然小心翼翼，因为一步错步步错。近期演出过《秘密与谎言SecretsandLies》及《终极玩家ThePlayer》的KaDeeStrickland饰演女主角Linda，一个漂亮的前舞者，现在是主角的妻子，偶然会躁狂症及抑郁症发作。在富人家里占卜赚钱...

「灵活兵士高达F91」的片子版于1991年3月16日演出,影片描述0123年3月16日至3月30日“克洛斯邦·班卡多骚乱”（Crossbone Vanguard）时代的故事。U.C.0123年3月16日,殖平易近卫星FRONTIER SIDE受到自称C.V（逝世亡前锋）的迷之MS军队打击,形成FRONTIER Ⅳ的 500 - 多住平易近逝世亡! 14 - 万人遁迹。 在遁迹的人群中有GUNDAM F91开辟者之一梅凌·亚诺博士的一对后代西布顿（シ—ブック アノ—）!丽诗,以及罗拿家属的次女贝拉·罗拿,别名茜茜莉·费尔齐。罗拿家属是 C.V的引导者,倡导贵族主义并欲同一殖平易近卫星!树破宇宙巴比伦空中花圃。茜茜莉的母亲娜迪亚不满于家属的约束而跟一名叫史奥·费尔齐的下人私奔,当她发明史奥拙劣的品德后又抛下本人的女儿不知所踪。当西布顿等人离开船埠,在其父洛士尼·亚诺的率领下登上小型穿越机时,茜茜莉在其养父史奥的钳制下,分开西布顿跟本人的欧巴度雷一起前往罗拿家。逃到FRONTIER Ⅰ的西布顿一行,碰到了联邦军的训练船舰“宇宙方舟”。3月19日至22日,C.V开端防御FRONTIER Ⅱ! Ⅲ并将其压抑。由于缺乏人手,西布顿他们被拉入联邦军帮助,也因而发明其母亲开辟的F91 - 亦在此方舟内（采取了生物电脑的F91,现实上是专为NEW TYPE计划的）。 丽诗还替机器师解答了母亲在F91生物电脑中留下的迷题, 这使得每启动一次就会出毛病的F91终于被实现了, 又因“宇宙方舟”上只得比基特一位驾驶员,故西布顿被推上 F91的驾驶舱,他的NEW TYPE才能也开端垂垂地觉悟了。另一方面,回到罗拿家的茜茜莉受到祖父马尔捷的热闹欢送,并想让她成为宇宙巴比伦空中花圃的女王。被祖父一番辨白感动的茜茜莉剪去长发盘算留在罗拿家,并开端进修驾驶MS,教她驾驶MS的查贝尼（C.V 中最强的“黑之军队”队长）亦发明茜茜莉也是NEW TYPE。3月26日,C.V的最高批示官铁假面（茜茜莉的父亲,原名卡罗素,因老婆跟他人私奔而戴下面具遮丑,乃是强化人类）在FRONTIER Ⅳ宣布宇宙巴比伦宣言。 而西布顿亦乘隙潜入罗拿家的别墅,欲带走茜茜莉未果,反而牵连了本人的父亲。回到“宇宙方舟”,跟分离多时的母亲相遇,难免责备其母抛下他跟丽诗笃志于任务中。当西布顿跟他的母亲尽释前嫌时,茜茜莉的母亲娜迪亚亦逼着史奥带她去见本人的女儿,并要茜茜莉分开罗拿家。不听母亲奉劝的茜茜莉拂衣而去,此时娜迪亚发明站在她死后的史奥已被铁假面所杀,紧接着本人也被C.V的士兵抓了起来。3月30 - 日, 不知情的茜茜莉与查贝尼一起衔命佯攻FRONTIER Ⅰ,而铁假面则带着他的舰队占据FRONTIER Ⅰ的能量供给安装替其机密武器“巴克”供给动力。查贝尼的手下玛安娜.布尔芝因妒忌其下属对茜茜莉的过火关心而背叛,投靠“宇宙方舟”,跟西布顿等人一起迎击C.V 的“黑之军队”。当安娜玛丽的MS被查贝尼击中后,西布顿亦与茜茜莉的MS比武,所幸最后两人认出了对方,茜茜莉回到西布顿的身边。“黑之军队”退却后未多少,铁假面的母舰上便放出大批“巴克”进入卫星中。“巴克”是一种专门用来杀人的武器,它能感到人的波长而上天上天将卫星中的住平易近全体杀逝世。西布顿!茜茜莉跟比基特三人奋力抵御“巴克”,却不多大后果,比基特就地阵亡。西布顿跟茜茜莉想法将“巴克”吸引到狭小的通道中令其相撞,而后又炸毁了出产“巴克”的船舰。回到母舰上的查贝尼,知晓铁假面瞒着他跟总帅马尔捷制作了“巴克”并妄图以此将月球跟地球的住平易近全体扼杀之过后,破刻将铁假面的副官正法,并令余下的C.V军队撤退FRONTIER Ⅰ。发觉到茜茜莉背离的铁假面大发雷霆,驾驶着最新的的MA“拉夫烈西亚”追击茜茜莉跟西布顿。战役初始, F91跟茜茜莉驾驶的比维拿.基拿在拉夫烈西亚的壮大气力下毫无还手之力,比维拿.基拿被击毁,茜茜莉被铁假面抓出驾驶舱抛向茫茫的宇宙。末路怒的西布顿施展出F91 - 真正的气力,使出有品质的残像“两全”将铁假面打垮。战役停止后,实时逃出FRONTIER Ⅰ的宇宙方舟慢慢驶向F91,查贝尼见宇宙方舟上搭载着大批的灾黎,又目击到西布顿魂不守舍地到处寻觅茜茜莉的样子,便放过他们带着本人的手下静静拜别了。西布顿在其母亲的指导下,应用NEWTYPE的感知才能, 终于找到了飘扬在无尽空间中的茜茜莉,两人相拥在一起,其高兴之情不问可知

1913年,西西里的小岛上,有一个农夫家庭：母亲深信宗教,欧巴萨尔瓦多（文森特•阿玛托 Vincenzo Amato 饰）哑忍外向,弟弟镇静如水,孙子又聋又哑,他们的生涯极为清苦。某天,一个美国人离开了这里,开端流传对于新大陆的诸般传奇,这让一家人找到了追求美妙生涯的偏向,经由一番探讨,终极他们决议偷渡到美国。他们穿上了皮靴,穿梭叫卖的集市,登上了开赴美国的渡轮。在途中,他们结识了屡次赴美未果的年青男子露西亚（夏洛特•甘斯布 Charlotte Gainsbourg 饰）,萨尔瓦多对露西亚发生了好感,然而母亲竭力支持,以是两人只得目挑心招。然而某天,露西亚忽然找到了萨尔瓦多,提出了一个令他意想不到的提议……

SeasononefollowsBEE,ajadedgirlwhoplaysaself-destructivegameofhookingupwithasmanystraightgirlsaspossible,muchtothedisapprovalofherbestfriendandroommate,OLIVIA--whoseenemy#1isthecoolerthancoolEDISONfromdownthehall.Bee'snewesttargetisthefairytaleromance-lovingDYLAN.Beeisdeterminedtowinthegame,eventhoughDylan'sboyfriend...

故事描述一对夫妻尽全力来挽救濒临破裂的婚姻和「可悲的爱情」。LindaBowman（JudyGreer）和丈夫RussBowman（NatFaxon）既是夫妻也是朋友，他们在任何地方都能做到相亲相爱，相处得非常融洽——除了卧室之外。他们来到一座新城市生活，周围没有亲人，没有朋友，三个女儿又非常吵闹，债务和死水一潭的郊区生活让他们彻底忘记了往日的激情。Linda每天忙忙碌碌，到了晚上已经筋疲力尽。她宁可躺在那里看吸血鬼同人小说也不愿和性欲旺盛的丈夫行房。虽然夫妻俩随时都在争吵，但每过一段时间他们就会记起当初吸引他们步入婚姻殿堂的原因：他们曾是一对「死党」级别的好友，友情是帮助他们战胜一切困难的终极法宝。

这是一部以家庭、爱情、事业、政治和性爱为主题的「黄金时段肥皂剧」，故事发生在田纳西州首府纳什维尔－－一座因为音乐产业和乡村音乐名人堂而闻名的城市。该剧的主人公是一群音乐人，其中有的正处于事业的巅峰，有的是冉冉升起的新星，有的则在走下坡路。故事的主人公是40多岁的纳什维尔歌手RaynaJames（ConnieBritton）。她曾是一位超级巨星，但随着年华老去，她发现自己的吸引力正直线下降，唱片销量也越来越糟糕。她所在的唱片公司要求她与少女歌手JulietteBarneswww.bwudi.com（HaydenPanettiere）合作演出，否则将失去巡回演出、举办个人演唱会的资格，而且唱片公司也不再宣传她的唱片。迫于压力，Juliette很不情愿地答应了。ClareBowen在剧中扮演前途无量的歌坛词曲新秀Scarlett；JonathanJackson扮演歌坛新秀Avery，性感的坏男孩，很有才气（能够自己写歌）；PowersBoothe扮演Rayna的父亲，一个很有威望的人，控制欲很强，极力反对女儿追求乡村音乐事业；RobertWisdom扮演纳什维尔市下任市长候选人ColemanCaldwell，一个颇有政治魅力的政客；EricClose扮演主人公Rayna的丈夫；CharlesEsten扮演歌词作家Deacon，是主人公Rayna的旧情人，同时是Rayna所在乐队的主吉他手。