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TowinthehandofthecaliphofBagdad’sdaughter(playedbyJulanneJohnston),athief(Fairbanks)embarksonadangerousandmysticaljourneytosecurethemostdesirabletreasureimaginable.Thefilmwasapopularsuccess,andFairbanksmadewomenswoonasoneofthescreen’sfirstsuperstars.Knownforhisdashingdemeanourandincrediblestunts,Fairbanks,whowouldalso...

USA预订由《西镇警魂Longmire》的TonyTost﹑《权力的游戏GameofThrones》的GuymonCasady，以及JamesMangold一同开发的《诅咒Damnation》。该剧有LoganMarshall-Green﹑SarahJones﹑ChastenHarmon﹑ChristopherHeyerdahl及MelindaPageHamilton加盟，描述为在30年代美国中西部的秘密历史，这史诗式的故事包括有富人与受压迫的人﹑上帝与贪婪﹑骗子和先知之间各种冲突，这甚至有流血事件发生。《诅咒》讲述SethDavenport（KillianScott，原由AdenYoung饰演，因创意分歧离开），一个在小镇伪装成传教士的男人，他为了改变现状而想发起一场起义。而当他专注在自己的事时，没发现当地有位大亨聘请了致命的佣兵CreeleyTurner（《亡命之徒Quarry》的LoganMarshall-Green饰）想破坏罢工，阻止起义的发生。不过众人不知道的是，他俩其实有着同一个黑暗血腥的过去。

Acarleftonalevelcrossingcausesacrashwhichkillsfifteenpeoplethoughthedrivercannotbefound.Initiallythepolice,ledbyNatalieChandler'sreplacement,therecentlypromotedWesLeyton,suspectthecarowner,theunpleasantMichaelGennis,butlearnthatthecarwasstolenandtheactualdriver,FinnTyler,intendedtokillhimselfbydrivingontothetrackbut...

Amazon先前宣告制造其第一部英剧「TheCollection」,本剧由OliverGoldstick担负履行制造人,BBCWorldwide为制造方。本剧报告了二战之后有名巴黎时髦品牌（好比：迪奥）的故事,脚色是两特性情各别的兄弟。而当初剧组开端招兵买马,RichardCoyle扮演欧巴PaulSabine,一个有浪漫眼力的计划师,生机重镇战后的巴黎。TomRiley扮演Claude,是Sabine品牌当面真正的蠢才。MamieGummer扮演Paul的美国熟男子,已在巴黎住了10年。FrancesdelaTour是Sabine兄弟的母亲,不吝应用儿子以告竣本人昔时掉败了的野心。JennaThiam扮演Nina,Sabine品牌首席成衣的女儿,固然是工人阶段,但其仙颜令其成为品牌的标记。余下演员包含MaxDeacon﹑IrèneJacob﹑MichaelKitchen﹑JamesCosmo﹑SarahParish﹑MichelleGomez﹑AllanCorduner﹑AlexandreBrasseur﹑Bethan-MaryJames﹑PatrickKennedy﹑PoppyCorby-Teuch﹑StanleyTownsend。“咱们很兴奋能将这部时髦精细的剧集带给英国的Amazon金牌会员们。”Amazon视频英国区片子电视策略主管ChrisBird如是说,“咱们始终努力于为咱们的不雅众供给最棒的国际电视频道,我信任咱们的会员们会很享用这部剧集所带给各人的诱人的巴黎高等女装的风气,兴许同时隐蔽着的险峻暗潮也会让各人面前一亮。”

Amazon先前宣告制造其第一部英剧「TheCollection」,本剧由OliverGoldstick担负履行制造人,BBCWorldwide为制造方。本剧报告了二战之后有名巴黎时髦品牌（好比：迪奥）的故事,脚色是两特性情各别的兄弟。而当初剧组开端招兵买马,RichardCoyle扮演欧巴PaulSabine,一个有浪漫眼力的计划师,生机重镇战后的巴黎。TomRiley扮演Claude,是Sabine品牌当面真正的蠢才。MamieGummer扮演Paul的美国熟男子,已在巴黎住了10年。FrancesdelaTour是Sabine兄弟的母亲,不吝应用儿子以告竣本人昔时掉败了的野心。JennaThiam扮演Nina,Sabine品牌首席成衣的女儿,固然是工人阶段,但其仙颜令其成为品牌的标记。余下演员包含MaxDeacon﹑IrèneJacob﹑MichaelKitchen﹑JamesCosmo﹑SarahParish﹑MichelleGomez﹑AllanCorduner﹑AlexandreBrasseur﹑Bethan-MaryJames﹑PatrickKennedy﹑PoppyCorby-Teuch﹑StanleyTownsend。“咱们很兴奋能将这部时髦精细的剧集带给英国的Amazon金牌会员们。”Amazon视频英国区片子电视策略主管ChrisBird如是说,“咱们始终努力于为咱们的不雅众供给最棒的国际电视频道,我信任咱们的会员们会很享用这部剧集所带给各人的诱人的巴黎高等女装的风气,兴许同时隐蔽着的险峻暗潮也会让各人面前一亮。”

片子为「西班牙公寓」的续集。时隔五年,塞维尔（罗曼·杜里斯RomainDuris饰）未然实现了学业,成为了一名专职作家,废弃所有追赶妄想的勇气值得敬仰,但生涯并不会因而而一起顺风,在可见的将来中,照旧有着很多无解的困难期待着塞维尔。在跟玛蒂娜（奥黛丽·塔图AudreyTautou饰）分别后,塞维尔理直气壮的过上了到处猎艳的自在生涯,而前者则挑选了为熟女母,这让塞维尔的内心多几多少有些不是味道。为了生存,塞维尔不得不接收一些毫无兴趣的任务,而并不丰硕的人生经历也让他在写作上遭受了瓶颈。为懂得决这个辣手的疑问,塞维尔决议好好的回想一下本人的人生,他离开了位于俄罗斯的圣彼得堡,在那里,一段新的生涯期待着他。

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

Taylorisaworkaholicwithnotalotgoingoninhersociallife.Oliveisanaspiringactress,withlittlemoneytohername.Astheholidaysnear,TaylorgetsacallfromherdadaboutvisitingherfamilyforChristmasandthattheyfinallywanttomeethergirlfriend.Sheagrees,afterfeelingguiltyaboutnotseeingtheminalongtime,butthere'saproblem:Taylorandher...

《我是僵尸》由《童话镇》男星大卫-安德斯(DavidAnders)，《童话镇》女星罗斯-麦克莱弗(RoseMclver)等主演。这是一部相当诡异的剧集，女主角是一只丧尸，却最终成了验尸官，她不得不吃人脑来保持人性，结果吃了以后还能看到死者生前的记忆，她将这些记忆用来破案…[3]该剧由《美眉校探》（VeronicaMars）创作人RobThomas根据同名DC漫画改编，是一部带有超自然元素的程序型罪案剧，故事描述医学院女生OliviaLivMoore（RoseMcIver）变成僵尸后在验尸官办公室找了一份工作——因为她必须吃掉人类的脑子才能维持自己的人性，而这份工作恰好可以提供这种便利。但是每次她吃掉一个脑子时，就会继承其主人的部分记忆。在老板Ravi（RahulKohli）和侦探朋友Clive（MalcolmGoodwin）的帮助下，Liv开始调查与这些尸体有关的命案，希望能消除那些长期逗留在她大脑中的恼人「声音」。OliviaLivMoore（RoseMcIver）是一位循规蹈矩的好女孩，脸色红润，天真可爱，成绩优异，在医学界有着非常光明的前途。她原本已经策划好了自己的人生道路……直到一天晚上她在参加一个聚会时被意外变成了吃脑子的僵尸。刚刚成为「不死生物」的Liv试图重新融入人类社会，并且让自己的外表尽可能看起来像普通人，怎奈物理外表的变化并非她能阻止。她的皮肤变得惨白，头发也几乎全白了，眼圈发黑，看起来像是一个经过精心打扮的哥特亚文化群成员（Goth）。她的行为举止也从昔日的「神采奕奕」变成了「形容憔悴」。Liv的这种变化令她的母亲Eva（NoraDunn）、她的前未婚夫MajorLilywhite（RobertBuckley）和她最好的朋友兼室友PaytonCharles（AlexandraKrosney）感到困惑。Peyton仍然保留着Liv曾经拥有过的A型人格（有进取心、侵略性、自信心、成就感，并且容易紧张），Liv只能默默地羡慕她。在创伤后「无聊期」内，Liv产生了越来越强烈的「想要吃活人的大脑」的欲望。为了避免自己犯下不可饶恕的罪行，Liv想出了一个妙招：去西雅图验尸官办公室谋一份差事。这份和死人打交道的工作让Liv感到安心——她可以趁别人不在的时候偷偷吃几口无名尸体的脑子……反正最近治安状况不好，无名尸体简直堆积如山！尽管Liv很小心地隐瞒自己的行为，但她的老板RaviChakrabarti医生（RahulKohli）还是发现了她的秘密。令Liv感到意外的是，Ravi既不害怕也不生气，反而对此事充满兴奋——似乎他能从Liv身上发现无限的科学理论。

When a plane crashes, Newspaper columnist Peyton MacGruder discovers a Note that was meant for the child of one of the passengers. "The Note" shows how dramatically life can change in a spilt second...the need to make a connection and reach out to someone you care about. If only we had a chance for those final goodbyes, to offer words of reconciliation, to say I love you or share regret. Who would you write to if you had only a few moments? What would you say?