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Les, a small-time celebrity photographer(Buscemi) desperate to make it big befriends Toby, a homeless young man(Pitt) with no direction except a vague desire to become an actor. When by chance Toby becomes romantically involved with K'Harma Leeds,the hottest pop star of the moment, Les grows jealous and plots revenge.

Information Japan is on the brink of a population crisis - it‘s in decline and its young people are to blame. They‘re not having sex. They‘re not getting into romantic relationships. And they‘re not getting married.60 - percent of women and 70 - percent of men aged 18-34 - identify as single. While this could be dismissed as a possible trend of young people in Japan rejecting traditional relationships, they‘re not hooking up either. Around 44 - per cent of unmarried women and 42 - per cent of unmarried men have reported in a government census that they are virgins. In just 2017 - alone, Japan saw a 403 - 000 - population decline. For a country of 127 - million people, declines like this could be catastrophic if the trend isn‘t reversed.Host of The Feed, Marc Fennell, went to Japan to investigate the crisis for the documentary Sex In Japan: Dying For Company

　　The story revolves around a G8 meeting, held at a luxury hotel on the German coast, where the world’s most powerful economists are gathered to enact important provisions that will deeply influence the world economy.　　One of the guests is a mysterious Italian monk (Servillo), invited by Daniel Rochè (Auteuil), the director of the International Monetary Fund. He wants the monk to receive his confession, that night, in secret. But the next morning, Rochè is found dead.

Addressesthelegendofafilm,longthoughtlost,thatresultedindeathorinjuryforthefewwhosawit.Thenrevealsthatkillerfilm,titledAntrum,hasbeenfound,andshowsit.

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In the near future, aliens have invaded Earth and declared a galactic war resulting in thousands of human casualties. To save Earth, a team of four teenage astronauts brave the alien wilderness of a distant planet to stop an assassin from changing the course of history forever.

故事发生在奥地利维也纳，丘托克（阿道夫·门吉欧 Adolphe Menjou 饰）虽然迎娶了年轻美貌的妻子米琪（玛丽·普雷沃斯特 Marie Prevost 饰），但他的婚姻生活却并不幸福，因为米琪是一个水性杨花的女人，结婚没多久就移情别恋了。米琪喜欢的是自己的好友夏洛特（Florence Vidor 饰）的丈夫弗兰茨（蒙蒂·布卢 Monte Blue 饰），对他百般引诱，而丘托克决定将此作为提出离婚的绝佳契机，于是雇佣了私家侦探（哈利·迈耶斯 Harry Myers 饰）想要得到米琪出轨的证据。　　夏洛特当然明白米琪的狼子野心，于是对她处处提防，而因为米琪的介入，她和弗兰茨之间的感情也渐渐出现了裂痕。终于，在一次激烈的争吵后，弗兰茨选择了离家出走。

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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment

AmericanfilmcriticElvisMitchell’skaleidoscopicdocumentarycreatesadefinitivenarrativeoftheBlackrevolutionin1970scinema,fromgenrefilmstosocialrealism—aworkofpainstakingscholarshipthat’salsothoroughlyentertaining,anessentialarchivaldocumentandtestamenttoaperiodofAmericanfilmhistoryunlikelytoberepeated.