Uma

南达·高普兰·库马兰(Nandha Gopalan Kumaran),简称NGK,为人善良,乐于助人.他是个高材生,在跨国大公司工作了两年后便感觉厌烦,便回乡下召集一帮人搞有机农业.期间他目睹和见证了政治党派的巨大力量.可是他的有机农业对一些行业产生冲突,于是被警告,他无视,结果有机农业田里被化学毁坏,参与人员及家庭遭到破坏.无奈之下,他唯有去求当地政客,一立法议员.而立法议员帮他搞定,回报是他得带500个年轻人加入他们党派.　　于是,NGK被迫涉政.本以为涉政了就可以顺风顺水了,可是,政坛水很深啊,他一个政坛新人能扬名立万吗.......

泰国3台与MandeeWork或DumandiCamp联手联合推出的项目讲述了两个朋友之间的爱、联系和相互了解的故事。他们的关系跨越了友谊的界限，导致了他们的分离。成年后再次重逢，Achi已是一个名人，Jirawat是一个医生。这么多年过去了，他们再次相遇，这是对两个人内心感受的考验，也是必须决定是否要继续的关键，让旧爱重新互相理解，从而填补缺失的那一部分，让这份爱得以延续

由于在学校表现差，富家子马龙（Marlon，PauloAvelino饰演）计划着私下里见见他的文学课老师，卡伦（Karen，JeanGarcia饰演）。然而，不经意间马龙发现原来卡伦除了做老师之外，同时又是一名舞蹈老师与舞蹈指导。于是，他雇佣了他的朋友，同学，同时身为卡伦的舞蹈助理的丹尼斯（Dennis,RoccoNacino饰演）偷偷教他跳舞，来接近卡伦。然而，通过舞蹈的肢体接触，不知不觉间两个男生越来越亲近。丹尼斯逐渐发现自己对马龙有一种无法言状的情愫，这种感觉已经超越了友谊，然而马龙却无动于衷。没多久，他们的“友谊”关系开始日趋紧张，然而马龙却丈二和尚摸不着头脑。由于舞蹈天赋出众，两个人被选中成为卡伦老师的改编舞蹈，他加禄语版史诗剧《Humadapnon》的主角。当两个年轻人为这部剧努力排练时，马龙终于通过舞蹈的肢体接触与真情流露，告诉了丹尼斯他那无法用语言表达的心声……

A young mad genius attempts to 'hack the human mind' in order to fix humanity.

TheMasterCleansecentersonaheartbrokenmanwhoattendsaspiritualretreat,onlytodiscoverthatthecoursereleasesmorethaneverydaytoxinsandtraumaticexperiences.

Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.　　The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!